The networks have been incredibly slow at digitising their archives. I believe Nine stopped using tapes in all of their newsrooms in 2012.
Most stations have thousands of tapes sitting around collecting dust instead of being digitised. It becomes a bit of pain when you need old vision on short notice.
Correct. When Mike Gibson died suddenly in 2015, all of the footage used on TCN was ripped from You Tube. Either they threw out the archives or as you say, nobody is employed to digitise it. That’s my theory why Seven hasn’t aired any H&W Episodes past 1995 on 7TWO for years they couldn’t be bothering converting any more tapes.
Apologies this went off topic…
They have to return the site to pre existing condition - which is where the economy of the move comes in.
Yes they have to maintain the building as the owner, and not just pay rent per month for everything, but that’s still cheaper than demolishing the asbestos clad buildings, ripping up bitumen, planting trees THEN moving everything over to a new location.
One interesting fact is that they built the desk for 4 people - 2 presenters, 1 for sport and the far right for weather. Regrettably, John Schluter left QTQ to be TVQ’s voice over man at roughly the same time as the new set was launched. He was not replaced. He returned in early 1990 (maybe late '89) and could then be seen at the desk for the first time.
Hopefully, the permanent late bulletin is an improvement on what we’ve seen for these Coronavirus specials. Tonight’s particularly lacked substance.
They are just airing the packages (mainly from the Sydney bulletin) that aired at 6pm, with the odd live X or interview with an expert thrown in. Feels stale and is very slow-paced.
As has been mentioned, the orange-hued sky backdrop is not suitable for a late bulletin and really needs to be changed.
Hopefully they retain having a senior presenter anchor the bulletin.
Channel 7’s The Latest is better produced and of a far better standard. It’s a shame that it is affected by weaker lead-ins and shifting timeslots.
This topic is a bit unrelated but I am wondering what kind of software the networks use to create 3D graphics. Do they use blender, Maya, etc or does it depend on what the network use?