Nine Entertainment Co

Nine FY21 Final Results

Nine (ASX: NEC) has released its results for the 12 months to June 2021. For the year, Nine reported Revenue of $2.3b and a Net Profit After Tax of $184m, which included a post-tax Specific Item expense of $94m.

Group EBITDA, before Specific items, of $565m equated to growth of 43%, broadly in line with the first half. Net Profit After Tax and Minorities, before Specific Items was $261m, up 83% on the previous corresponding period. Prior to the IFRIC-related adjustment, EBITDA was $566m (refer Results Presentation, 25th August, Appendix 1 for reconciliation).

Key takeaways include:

  • Continued audience strength across all key platforms – Free To Air, 9Now, Publishing, Radio and Stan
  • Marked recovery in ad markets, led by Television Combined
  • Strong growth from Total Television
    • Television Combined (FTA + BVOD) EBITDA growth of 73% on revenue growth of 12%
    • 2.4m active subscribers driving 29% revenue growth at Stan
  • Group-wide costs flat on pcp, notwithstanding COVID comparables, and investment in Stan
  • 40% growth in digital EBITDA to 44% of Group total
  • Completion of licensing deals with Google and Facebook
  • Successful launch of Stan Sport with 250,000 active subscribers
  • Strong balance sheet, with (wholly-owned) leverage ratio ~0.4X

Mike Sneesby, Chief Executive Officer of Nine Entertainment Co. said: “After a year which began in the depths of COVID, we are pleased to report 43% growth in EBITDA for FY21. Whilst this growth was consistent across both halves, the drivers in each half were quite different, highlighting the strength of Nine’s mix of advertising and subscription-based assets.

“We were also successful in continuing to expand our business footprint, particularly in growth areas of the market. In Total Television, we have carefully invested in and expanded the reach of 9Now, while continuing to grow subscribers at Stan, and launching Stan Sport. In Publishing, that growth has manifested as greater audience reach and higher subscriber numbers, which has been augmented by the successful completion of licensing agreements with Google and Facebook, giving us a stable, incremental revenue stream.

“While this past year has proven challenging, we have been able to establish the base to execute on our longer term strategy. Our Television and Publishing businesses have both reached critical inflexion points. Growth in 9Now, coupled with some recovery in Free to Air, has resulted in a combined television business that we expect can now consistently grow revenues through the cycle. In Publishing, digital subscription revenues have now passed $100m, with growth outpacing the decline in print sales. Coupled with our ability to more fully monetise the digital distribution of our content, this will enable us to continue to both invest in Australia’s leading journalism and focus on the profitable growth of the business.

“It‘s an exciting time to have taken the reins at Nine, and I commend the team for how they have navigated the challenges of 2021. We are starting FY22 with strong momentum across all of our businesses – in terms of audiences and revenue, advertising and subscription.

“With the foundation of Nine’s unique assets, strong cash flows and a supportive Board, we have a clear vision for the future as Australia‘s Media Company.“

For the full media release see

CEO, Mike Sneesby and CFO Maria Phillips will be hosting a webcast/investor call at 9.30am today follow this link to watch.

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with all that profit let’s hope they don’t do a Gerry Harvey and keep any JobKeeper payments that they may have got during the year.

Did Nine also get money from the government to prop up regional news, which it was producing for SCA?

I don’t believe Nine did receive any job keeper. Seven did.

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I think Nine said that they would return Jobkeeper payments earlier this calendar year (maybe at at their Jan/Feb results presentation)

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Only some parts of the company like Domain.

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Correct.

Lol

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Someone definitely told “put a rugby thing in it as well” and they know nothing about it!

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Nine’s AGM is currently on. Starting 10am AEDT.

Some key content:

As a result, Nine reported strong profit growth for FY21 with Group EBITDA up 43% and Net Profit After Tax up 83% on FY20. All of our television and publishing businesses reported growth and we are immensely proud of their results. We further tilted our business towards the future, with digital earnings growing by 41% and now accounting for 44% of Group EBITDA, and subscription contributing 19% of revenues. In respect of the financial year, Nine announced dividends of 10.5 cents per share, up 50% on last year and consistent with our stated policy of a 60-80% payout.

In March, Nine was subject of a significant cyber-attack which, as a result, took down our corporate and broadcast systems. Sadly, these attacks are becoming very common and are a key risk for all businesses these days. The Nine team did a remarkable job at identifying the threat early, limiting the damage, and assessing and remediating it. At the Board and Company level, we had identified cyber-attack as a major risk and proactively planned our response well before this event. This helped and enabled us to keep the cost to our business to a minimum. To most of our audiences, it was business as usual throughout, with our content effectively airing uninterrupted, while the disruption to our advertisers was remarkably minimal. We have significantly upgraded our defensive systems as a result. Of course, we know hostile actors are continually upgrading their offensive systems as well. Nine has made cyber defence a key priority.

These results reflected Nine’s strong ratings performance, particularly main channel, prime time - where more than 70% of our free to air ad revenues are generated. Free to air costs were 2.5% lower, with the impact of the NRL season returning in full, being more than offset by COVID-related and one-off savings due to the delay of the 2021 Australian Open and the Government waiver of spectrum charges.

Nine’s catch-up and live streaming business 9Now, had an exceptional year, growing its revenues by 46% and EBITDA by 48% to $73m. 9Now recorded growth in all key metrics and remains central to the digital future and growth of our television business.

From its inception as a catch-up service enabling audiences to watch the shows they had missed, 9Now is fast becoming a key part of how audiences consume live television.

Whilst free to air audiences were up marginally, it was streaming through 9Now that drove the majority of our year-on-year audience growth. Across the season, average audiences on 9Now grew by 59%, with 9Now accounting for 14% of total people watching the show, and 18% of the 25-54 demographic.

This is the future of our business. Taking our premium content into the digital world, ensuring we can capture audiences and advertisers alike across all available distribution platforms.

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Pedestrian Group reveals the new team behind VICE Australia and New Zealand

Pedestrian Group, Australia’s largest youth-focused publisher, has announced the appointment of the team that will lead the next phase of the VICE brand in Australia and New Zealand, effective immediately.

The team of five will be led by Head of Editorial Brad Esposito – a respected editor, presenter and strategist – who reports directly to Pedestrian Group Publisher Vanessa Lawrence . Esposito will be joined by Nick Wray as Senior Video Producer (formerly of Network 10 and BuzzFeed), award-winning journalist Gavin Butler as Senior News Reporter (a VICE APAC employee of three years), Arielle Richards as Multimedia Reporter (recent graduate of RMIT’s Journalism School) and Julie Fenwick as Writer & Producer (formerly of Acclaim Magazine).

Of the opportunity to reimagine what VICE looks like in the ANZ market, Esposito says: “VICE made a name for itself uncovering the stories at the edge of life: under-reported, unseen, and unknown. The challenge for our team, and what we’re already working hard on, is rethinking the iconic VICE approach for right now. That means telling stories in a multi-platform way, while speaking to our audience where they actually are. Expect to see VICEAU all over the internet this year as we try out new formats, ideas, and reporting beats that speak to a generation that has been screwed over by a huge number of institutions – whether it’s housing, climate, politics or culture.”

Of the team’s appointment, Lawrence says: “Between them , Brad, Julie, Nick, Gavin, and Arielle have the perfect amount of experience, hunger, and internet literacy to lead the next big boom of digital storytelling across VICE Australia and its many channels. It’s going to be a huge year for the team and we’re excited to hit the ground running.” The announcement comes after Pedestrian Group inked a long-term partnership with VICE Media Group to be the exclusive publishing and commercial partner for VICE Australia and Refinery29 Australia in the Australia and New Zealand markets.

What a surprise? Nine donating to the Liberal Party! :stuck_out_tongue_winking_eye:

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Their chairman is a former treasurer of Australia who happens to be a member of the liberal party.

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Unrelated. Nine have previously donated to the Labor Party as well. Both in the form of memberships/participation in business networking events rather than straight cash donations, and all happened under the reign and direction of Hugh Marks.

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Nine appoints new sales leads to accelerate growth across Total TV, Total Audio and Total Publishing

Richard-Hunwick-Jo-Clasby-Ashley-Earnshaw-Webtile

Nine has today announced the alignment of its national sales team under Total Television, Total Audio and Total Publishing as it accelerates towards its digital future.

As TV and radio content is increasingly consumed live, via a live stream and on-demand and news media is consumed across print and digital platforms, Nine is now perfectly positioned to help brands maximise their reach across its breadth of assets.

Expanding their leadership responsibilities across these pillars will be Richard Hunwick, Director of Sales – Total Television (Metro, Regional and BVOD), Ashley Earnshaw, Director of Sales – Total Audio (Radio, live streaming, Podcast), while Jo Clasby is promoted to Director of Sales – Total Publishing (SMH, The Age, Financial Review, Nine.com.au).

Nine is also announcing the creation of a Digital Centre of Excellence focused on digital specialism using Nine’s market leading data and technology assets to forge new opportunities for advertisers across its television, audio and publishing assets.

Ben Campbell has been promoted to the role of Director of Data and Digital Advertising product and will lead the Digital Centre of Excellence. Jordan King has been promoted to the role of Director of Programmatic and Digital Sales and will lead an expanded programmatic sales team. They will both report to Nine’s Chief Sales Officer Michael Stephenson.

“The future of TV is total television, the future of radio is total audio, and the future of publishing is total publishing” said Michael Stephenson, Nine’s Chief Sales Officer.

“At Nine, we have the best content, 15 million signed in users, the most advanced technology and the best people. This approach allows us to help advertisers recognise the benefits and maximise the reach of total media whilst accelerating our ongoing digital transformation through a dedicated centre of excellence.”

“I want to congratulate Nick Young on his appointment as the Chief Sales Officer of Nova. Nick has been an important part of the Nine family for the past 3 years and his contribution to our business has been invaluable. Nick is a great friend and I wish him the best of luck in his new role. I know he will do amazing things at Nova.”

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Nine Entertainment interim results for the 6 months to December 2021

24 February 2022: Nine Entertainment Co. (ASX: NEC) has released its results for the 6 months to December 2021. For the period, Nine reported Revenue of $1.3b and a Net Profit After Tax of $213m, which included a post-tax Specific Item expense of $12m.

Group EBITDA, before Specific items, of $406m equated to growth of 15%, ahead of the ~10% guidance given at the AGM in November. Profit After Tax and Minorities, before Specific Items was $213m, up 20% on the previous corresponding period.

Key takeaways include:

  • Continued audience strength across all key platforms – Free To Air, 9Now, Publishing, Radio and Stan

  • Record revenue year (CY2021) for Total Television (FTA + BVOD)

  • Strong growth from all Television platforms

  • Total Television EBITDA growth of 16% on revenue growth of 11%

  • Growth to over 2.5m active subscribers currently, driving 23% revenue growth at Stan

  • Further growth at Stan Sport, supporting increased outlook for Stan EBITDA

  • 39% ($27m) growth in first half Publishing EBITDA driven by Subscription and Licensing

  • 53% growth in Domain’s (ongoing) EBITDA, leveraging the property market recovery

  • 31% growth in Digital Revenue and EBITDA, with Digital EBITDA now accounting for 46% of Group total

  • Strong balance sheet, and 40% increase in interim dividend (on pcp) to 7.0 cents per share









Mike Sneesby, Chief Executive Officer of Nine Entertainment Co. said: “We are really pleased with how Nine closed calendar 2021, with strong audience and revenue performance across all businesses, both subscription and advertising, underpinning 15% growth in EBITDA for the December half and surpassing the guidance we gave back in November. Momentum remains clearly positive, with full year guidance now of around 25% Group EBITDA growth to what would be a record result for Nine. Importantly, these results continue to be delivered by increasingly diversified, and increasingly digital revenue streams.

Moreover, this momentum has continued into 2022, with Nine’s content across all platforms underpinning a strong start to the year which, coupled with continuing strength in advertising markets and further growth in subscriptions, creates a great foundation for the business looking forward.

Nine’s opportunity has never been clearer. In Total Television, we have balanced our programming decisions across broadcast and streaming, and carefully invested in and expanded the reach of 9Now, resulting in record Total Television revenues in calendar 2021, more than any year in Nine’s history. At Stan, we are continuing to grow revenues and subscribers while expanding our annual volume of Stan Originals as we take greater control of our premium content pipeline and continue to invest in Stan Sport. In Radio, we have been strengthening our underlying business, while building our audiences, and with 23% of our listeners now live streaming our content, there is a real opportunity to further expand our Digital revenues. And in Publishing, we will continue to invest in the product, ensuring greater audience reach and higher subscriber numbers, of course augmented by the licensing agreements with Google and Facebook.

I’m very proud of what the team at Nine has achieved this year. We understand the importance of amplifying and sharing the stories Australians want to watch, read or hear and we are defining what an Australian digital media company looks like.“

On revenue of $1.3b, Nine reported EBITDA of $406m, up 15% on the previous corresponding period, continuing the momentum of FY21. Net Profit after Tax and Minorities of $213m was up 20% on H1 FY21. Earnings per share of 12.5 cents was also up 20% on pcp. Specific Items totaled a cost of $12m and are detailed in Appendix 2. Nine has announced its intention to pay an interim dividend of 7.0 cents, compared with 5.0 cents in the previous corresponding period, which equates to a payout ratio of 56%.

Nine’s Broadcast division comprises Total Television (Nine Network and 9Now) as well as Nine Radio. Together, Broadcast reported EBITDA of $243m on revenues of $682m for the six months.

Across Total Television, revenue increased by 11% and EBITDA by 16%, with strong growth across both Nine Network and 9Now. On pre-COVID H1 FY20, EBITDA is up 72%.

Nine Network reported revenue growth of 7% for the six months to $559m. The Metro Free To Air advertising market was up 13%1 for the half, with Nine’s FTA revenue share of 36% reflecting the Tokyo Olympics during the period.

Across the survey year 2021, Nine was the #1 Network and Primary Channel in all key demographics, attracting a commercial network share of 37.9%2 and a primary channel share of 39.5%2 of the 25-54 demographic.

For the six months to December, on a primary channel basis, Nine’s share of the 25-54s was 38.7%2, more than three share points ahead of the next placed channel.

FTA costs increased by 5%, or ~$18m. The increase reflected the normalisation of some COVID related cost relief in FY21, some incremental lock-down related costs as well as costs relating to the broadcast of Rugby and Wimbledon. The second half cost increase is expected to be lower, with the increase in tennis rights (post COVID-relief in 2021) the primary driver.

For the six months to December, FTA EBITDA increased by 10% to $189m, equating to a first half margin of almost 34%.

9Now continued to grow strongly, with revenue growth of 50%. EBITDA of $48m was up 45% on H1 FY21, and accounted for around 20% of Total Television profitability. The cost increase of ~$10m reflected the return of some COVID-disrupted or delayed content including the Love Islands (UK and Australia) and other components of NBCU content originally scheduled for availability earlier in the contract. Daily Active Users grew by a further 55%, while live streaming (minutes) were up by 75%. Overall, the BVOD market grew by 58% for the six months to $193m3.

With the key markets of Melbourne and Sydney opening up during the half, the Metro radio ad market gained momentum, and finished the half up 13%4 on the previous corresponding period. Nine also gained share momentum, both on an audience and revenue basis, with ad revenues up 15% for the half. Nine Radio reported EBITDA of $6m, more than double the pcp, with the benefits of previous cost reductions and sale restructures combining with the improving advertising market.

Subscriber momentum remains positive at Stan with current active subscribers of more than 2.5m, driven both by Sport and Entertainment. Not only have underlying subscriber numbers exceeded earlier expectations, but Stan’s ability to retain Sport customers through the year has also outperformed.

Strong subscriber numbers, together with double-digit growth in ARPU1, resulted in revenue growth across the half of 23%. The 43% increase in costs primarily reflected the investment in Stan Sport. Ex Sport, costs were up by ~17%, reflecting the ramp up of the NBCU output deal, as well as the increased roll out of Stan Originals.

Overall, EBITDA of $22m was well up on H2 FY21, notwithstanding a period of strategic investment – in Originals to build a long-term library asset, and in live content, primarily Sport, as a key differentiator to other streaming platforms in Australia.

Across the period, Stan’s content has resonated with audiences. Key content across the half includes Paramount’s Yellowstone, NBCU’s Hacks and Stan Originals Bump and Christmas on the Farm, while over summer, Stan Originals The Tourist and Wolf Like Me have been particularly popular.

Nine’s Publishing division includes the core Metro Media business, as well as nine.com.au, Pedestrian Group and Drive. Together, Publishing reported revenue of $300m and a combined EBITDA of $95m, which was up 39% on H1 FY21. In total, Digital now accounts for more than 60% of Publishing revenue.

Continued strong readership across each of The Sydney Morning Herald, The Age and The Australian Financial Review translated into paying audience, with total subscriber growth across each mastheads, while print subscription and retail sales slipped slightly, this was more than offset by digital subscription and licensing revenue which grew by 63% across the half, driven by growing subscriptions as well as the revenue from the digital platforms.

Advertising revenue from Nine’s Publishing assets outperformed earlier expectations, bouncing back strongly as the half progressed. Digital advertising revenue grew by 7%, notwithstanding the end of the legacy Google sales agreement in February. Print advertising grew by 15%, with Travel and Commercial Real Estate bouncing back strongly, the former however, remaining well below preCOVID levels.

Overall, Publishing costs increased by 7%. Of the $13m increase, around one-third related to post COVID rebalances, with personnel costs also increasing in line with July pay rises.

In total, Publishing EBITDA increased by 39% to ~$95m for the half.

Domain’s result (ASX: DHG, announced 17th February 2022), was underpinned by the ongoing strength in the property market and success in driving its Marketplace strategy, with all key business units reporting growth. The 26% growth in digital revenues was primarily driven by Residential, with 14% growth in national listing volumes coupled with a very strong 19% increase in controllable yield. Double-digit revenue growth was also recorded across all other key business segments as Domain continues to deliver on building its Marketplace strategy.

Total costs increased by 37%, but this included a $16m delta relating to non-recurring costs (and benefits in FY21) relating to Project Zipline and JobKeeper. Underlying costs were up by 16%, with the increased associated with improved revenue performance, unwinding of COVID cost control measures in a strengthening market, and investment in existing and new staff to support Domain’s Marketplace strategy. Management remains committed to ongoing EBITDA margin expansion.

Domain reported a like-for-like EBITDA of $68.5m, up 53%, adjusting for the non-recurring costs cited above. Reported EBITDA increased by 14% to $61m.

Operating Cash before Specific Items, Interest and Tax for the 6 months was $311m, calculated on a wholly-owned basis, which equated to cash conversion of 90%.

As at 31 December 2021, Net Debt was $63m, on a wholly-owned basis, which equates to Net Leverage of ~0.1X. Strong cash flows have resulted in a further decline in net debt, notwithstanding ongoing investments in Nine’s digital growth assets.

In addition to the increase in dividend, Nine is well positioned in 2022 with balance sheet flexibility to
both continue to invest in its core businesses and new strategic opportunities, whilst also assessing
further capital management initiatives.

Dividend

The Company intends to pay an interim dividend of 7.0 cents per share, fully franked (payable 21 April 2022). This equates to a payout ratio of around 56% of Net Profit After Tax and before Specific Items. Nine intends to maintain a payout ratio of c60-80% through the cycle.

Current trading environment and outlook

Calendar 2022 has started strongly, in terms of both audiences, across all platforms, and advertisers, across all major categories.

Nine has started calendar 2022, as the clear leader across all key demographics, more than 10% points of share ahead of the next placed channel on a prime time, primary channel basis in our targeted 25-54s and around 7% points ahead on a Total People basis – Nine’s strongest start to the calendar year in OzTAM history. Reflecting this, in the current quarter, Nine’s Metro FTA ad revenue is expected to be up around 10% on the same quarter last year. Forward bookings remain comfortably ahead of same day last year.

In H2 FY22, Nine expects to record stronger FTA EBITDA growth than the 10% reported for H1.

9Now continues its strong growth trajectory, with more than 35% revenue growth expected in the March quarter (on pcp). Nine expects positive momentum to continue through the rest of CY22, as 9Now continues to build its presence in the broader digital video market.

As a result, Nine expects Total Television EBITDA growth of close to 20% for FY22.

Nine Radio’s Q3 ad revenues are expected to grow in the mid single digits (%) with EBITDA leverage expected to continue to be strongly positive as the ad market recovers.

Stan has benefitted from a strong summer programming line-up and stickier Sport subscribers, with FY22 EBITDA now expected to be between $25m and $30m.

Nine’s Publishing business has now reset to a markedly higher base, both in terms of the migration to digital and overall profitability. Q3 digital subscription revenue growth is expected to continue in the low double-digits (%), reflecting a busy news cycle. Together with an improved performance from advertising, both digital and print, and revenue from the digital platforms, Nine now expects growth of more than $55m in Publishing EBITDA in FY22 on FY21.

As Domain commented with its result last week, trading for the first six weeks of H2 reflects ongoing strong year-on-year growth in new listings, albeit with tougher comparables from Q4. Domain is expected to continue to invest in furthering its Marketplace strategy, while retaining a disciplined investment approach, with commitment to congoing margin expansion.

In total, Nine is now expecting FY22 Group EBITDA growth of above 22% on FY21’s $565m.

This result continues to highlight the benefits of Nine’s business, with diverse earnings drivers (across advertising and subscription) and a growing portfolio of digital assets.

DOWNLOAD FULL FY22 INTERIM RESULTS HERE

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