International News

Last Friday, Monaco got back a proper local broadcaster with the launch of TVMonaco, a new FTA “global and local” TV channel which is being designed as a Monegasque window to the world. A long-delayed project on the works for three years, it was initially known as Monte-Carlo Riviera TV. It is a state-owned broadcaster, but it is operated through an independently administrated corporation, allowing them to receive not only state funds, but also allow them to be financed by ads.

Monte-Carlo Riviera had been producing a weekly lifestyle magazine for external consumption, produced by Monaco Live Productions, a privately-owned indie overseen by veteran French presenter Cyril Viguier, whose last work was with Public Sénat, creating the successful Le Grand JT des Territoires, using resources from the French local press. It was relaunched in the summer 2020 in the wake of the pandemic, broadcasting on TV5 Monde and produced by Bruno Ledoux’s viàGroupe (whose channels, the former TV Sud channels, also broadcast the show in a repeat basis), using these resources along with the now-defunct vià network of local channels, other independently owned channels, the network of Les Indés Radios, and the 20 Minutes network of local papers, but it was dropped by the end of the year after viàGroupe entered administration (resulting on the vià network being disbanded). It was relaunched in March 2021 (shortly before the pandemic) after Viguier created the production company and partnered with the state in preparation for the launch; it also resumed its broadcast by TV5Monde after a MoU which led to the channel entering the consortium.


TVMonaco eventually replaces de jure TMC, which has lost its Monegasque identity and has become more French, but… As part of compliants made by the Principality to TF1 and former owners Pathé and AB about how they were handling the channel after it launched on the TNT (like adding lots of repeats and old American TV series from its owners’ archives), most of the playout is done from Monaco, and the channel must retain some programming related to the Principality. It is still valid even if TF1 now fully owns the channel.

That’s where Monacoscope enters. The short 5-minute long show is produced by the other PSB channel of the Principality, Monaco Info, which is directly operated by the Principality Palace press office; and its content uses information from it. Monaco Info also airs the show on its own channel in translated versions in Italian, German and English, as well as a version featuring real-time translation in French Sign Language.

Alongside the Monacoscope show, Monaco Info manage successfully to produce the channel and its programmes in a shoestring budget: at 19h00, there’s a half-hour newscast (15 minute on weekends and holidays) which is pre-recorded in advance, afterwards, there is a succession of magazines centered on diverse topics related to the principality: lifestyle, luxury, sport, Formula 1, cooking, cinema, music… That hour is then repeated during the rest of the day and most of the day after, until new programming takes over at 19h00. When special events happen in the Principality (such as the National Day, the Saint Devotion celebrations, or big sporting events), the wheel can be broken for extended live coverage. Monaco Info will co-exist with the new channel going forward, with Monaco Info continuing its schedule of strict local offerings, whilst TVMonaco will be more broad in style.


In the midst of this, the launch of the channel was heavily delayed, due to pandemic and budget-related issues. Eventually, during the traditional MIPTV conference at the start of the year, the TVMonaco name was formally announced, as well as its first look at its brand identity, designed by French agency Gédéon, and its launch was formally set for last Friday.


The ad-supported state-owned channel finally launched on September 1 shortly after 19:15 (due to some technical issues), with a star-studded event at the Louis II Stadium, attended by Monaco royalty; the launch protocol was formally executed by Prince Albert and Princess Charlene.

The channel launches with a full schedule, mixing documentaries and non-fiction content (particularly focusing on royal events, lifestyle and luxury, and environmental issues) with daily local news and sports programming; most non-news programming, mostly original, is being sourced from independent producers, some international production companies, and from special partnerships to create branded content. Given the network also integrates the TV5Monde consortium (and has a small stake in it), it will also have access to content and the combined resources from France Télévisions, France 24, Arte France, the INA, RTBF, RTS, Ici Radio-Canada Télé, Télé-Québec, and six French African broadcasters.

From the first day it has two news programmes, from Monday to Friday: one at 8am (Ça marche !) and another at 19:15 (L’Actu). On weekends, it will air a sport highlights show (Sport ça Matche !) at 18:15. Its weather forecast lacks an in-house forecaster, instead using a CGI seagull; it is presented in a very irreverent way, but uses data from Météo France.

Its entertainment schedule is also very unique, given its initial focus on unscripted shows, but it deliberately brings a broader scope of Monaco affairs (instead of limiting to simply sport, luxury and lifestyle): programming starts at 7am with music videos filmed at concerts in and around the Principality. After the morning show, at 9am, the first of five documentary slots airs, focusing on educational and special interest topics related to Monaco and its lifestyle. After an encore of the evening news, late mornings will feature slow TV filler, before switching to the second doco strand, focused on Monaco and universal history. At 12:45pm, the strand will feature cooking programming, before another series of history docos, followed by an encore of “Ça marche” on the afternoon.

After the encore, another general interest documentary strand airs, followed by a sport documentary strand featuring both local and international docos, followed by the evening news. Prime time begins with a general interest documentary, followed by thematic strands on Mondays and Wednesdays, dedicated to science and nature. Tuesdays will focus on true crime, whilst Thursday and Fridays are focused on Monaco living (Thursdays for sport events and profiles, and Fridays for royals, luxury, fashion and entertainment).


The channel is distributed to local audiences through the Principality-wide cable TV relay, on the pay TV offering of monopolist Monaco Telecom, and through TNT overspill from the Mont Agel FTA transmitter, which will also allow for regional coverage in and around the French Riviera (including Nice and the northern part of Corse); in mainland France, it is also available nationwide on the broadband “box” operators and streaming service Molotov. It is also being distributed via satellite into North America and East Asia, and will be available as an internal AVOD offering globally (with some geoblocked content) in a still not disclosed partnership with a well-known tech company.

Many of the channel’s shows will be available globally through TV5Monde, and through distribution to other channels; it plans also to produce its own scripted shows within the next two years. The channel is headquartered on the Fontvieille Bay district, in a repurposed canteen building.

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Another Slovak commercial channel, TV Markíza, debuted a renovated set back in mid-July. The current graphics, in use since 2017 (and updated with the new corporate logo in 2022), remained:

Note: This isn’t the July bulletin - I wanted to add a video capture to the post, but realized their website doesn’t have the catchup for it anymore…

Some more captures from the first broadcast:

Some VTs still used the old temp set then:

Sports and weather also made the move:



Meanwhile, Hakka TV in Taiwan debuted new graphics for their newscasts back in July, as part of their 20th celebration.

Before (afternoon news):

After:

Before (evening news):

After:

International news:

Started in 2003, the station was the island’s public broadcaster to the Hakka group of citizens, speaking their various dialects. Initially independent of the overarching TBS system (which governs Taiwan’s main PSBs, PTS and CTS), they were ‘technically’ part of it since 2007, as PTS operated the station via an annual bidding system.

Over the years, there had been proposals to group the Hakka-language TV and radio stations to an independent broadcaster, but the public foundation formed in 2019 didn’t include the former. It was until 2023, when the public television laws were amended, that Hakka TV officially became part of PTS.

A month after the amendement, the station launched a new visual identity, to celebrate their 2 decades on the air:

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Denmark’s DR has unveiled a new, simpler look for its TV Avisen broadcasts, coinciding with the broadcast’s 60th anniversary and the relaunch of its digital news streaming service as TVA Live, with more live bulletins (in the style of now-defunct headline service DR Update) updated constantly during daytime, whilst retaining extended breaking news coverage and simulcasts of radio news and current affairs programming. The service airs on its DR TV platform, and some hours are simulcast with DR1 and DR2.

The main newscast has also adopted the simpler branding employed by TVA Live, but without L-bar. The Steffen Breum music has been also heavily updated to include the new DR sound logo by Unmute, introduced during the 2021 corporate rebrand. However, the studio from Martin Saelan and Claus Zier (dated from 2018) remains untouched.

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And half year later, the Chilean public broadcaster had another refresh in its news department. This coincides with the debut of their new set, plus an overhaul to the department’s branding, dropping the ring (that has been used since 2015, and previously from 1990-2002) for a rounded box. As a side note, most of the new look, bar 24 Central, were launched on the 50th anniversary of the 1973 coup, where the democratically-elected president was overturned with military dictatorship. This has the scoop on the new set, plus new faces coming to the newscasts.

Anyways, here’s how they looked…

24 Central (primetime):

24 AM (morning):

24 Tarde (lunchtime):

24 Noche (originally Medianoche, now unified under the 24 Horas brand):

Pretty TVNZ on the rounded lower thirds, while the main symbol looks VRT-like.


Meanwhile, Prva TV in Serbia has refreshed their newscasts graphics, as the channel underwent a rebrand.

This is how Vesti, their news bulletins, look like at 6:

For completeness, this is the graphic reel of the new package, uploaded by presumably the station’s lead graphic designer. In a darker shade of red and gold plus flying 3D cubes, I think it looks a bit too flashy for the new flat symbol, but would’ve suited the old one well:

In comparison, this was the old one, in use since 2019:

And this is Jutro, their morning programme (and whose symbol looks a lot like one show you guys are familiar with!):

The titles were very long - I had to compress it to get it through Metropol!

And the before, which was used at least since 2018:

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Posting this here because you might recognize the theme https://youtu.be/T5fTmKUeU2I?si=-N8z8StDPA8Hs2cr

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Big changes for TV 2 Denmark’s news service: from today, the newsrooms servicing the network (TV 2 Nyhederne, based in Odense) and its news channel (operating from Copenhagen) have been unified into a single operation named TV 2 News; all news bulletins on TV 2 and the TV 2 News channel will carry the name, as well as its digital platforms.

The changes mean the TV 2 bulletins, “18 Nyhederne”, “19 Nyhederne” and “21.30 Nyhederne” get renamed “18 News”, “19 News” and “21.30 News”. Additionally, TV 2 News will now simulcast the network bulletins from Odense in the evening, whilst continuing to broadcast from Copenhagen for the rest of the day (and for news magazine shows for both networks).

Another change is the relaunch of the 10pm news bulletin as “Newsroom”, which is taking on an in-depth hour-long format; it will air from Mondays to Thursdays, starting on TV 2 News around 10pm local time, and then the main TV 2 channel will join in at 10.20pm after the regional news.

The changes also mean the news programming designs have been changed to unify them with the new TV 2 brand from Kontrapunkt; however, unlike Kontrapunkt’s more Danish-style, ubersimplistic design and presentation, TV 2 News has a much stronger design, made by Stupid Studio, taking the design language and colouring in a new way, with lots of cues to the BBC (the red and cream colour palette, the 2008 globe, the current ring animation…). Music was done in-house TV 2 Lyd. The sets (from Mads Hage Thomsen, dated from 2016 and 2019, respectively) have been retained.


A montage of some elements used so far (with a big teething problem: the old news ticker, aired and generated at MCR-level, hasn’t been changed).

The change was teased earlier in mid-August, when its weekly analysis show Presselogen (a sort of a mix of Media Watch with the American political talk shows) got a new intro with the new TV 2 Sans typeface now used by the brand.

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There was a general election in the province of Manitoba, Canada last night. Every major TV stations in Manitoba (CBC, CTV, Global, Radio-Canada) did rolling election coverage all night. Citytv Winnipeg began their coverage at 10 PM after network programming, but they were still in the mix as Elections Manitoba was having problems sending results out to everyone until around 9:45 PM local time.

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Following on TV 2 News’ changes, here’s how the bulletins look on the main network. As told already, the Odense set was retained, but Mads Hage Thomsen designed new desks in the line of his TV 2 News designs and the architectural style of the space (these debuted earlier in the year).

17 News (short newscast):

18 News (news update before the regional news block):

19 News (main news, the lack of a presenter super is due to him/her being name checked by the on-duty continuity announcer, not heard in this video):

21:30 News (late news update):


And, this Wednesday, the ticker was finally switched to the new one, initially with the old font:

Some minutes later, it finally switched to the new TV 2 Sans font:

Also this Wednesday, the new Newsroom broadcast went on air from the video-wall explainer space, with a late night show-like environment; the format emphasizes podcast-style long-form interviews and conversations. This how the show starts on the TV 2 News channel, after the simulcast of 21:30 News (which goes for longer on the news channel; if you hear closely, the presenter is name-checked by the 21:30 News anchor on duty).


Switching from the Nordics to Belgium, VRT has unveiled a new studio for its in-depth news programming, Terzake and De Afspraak, both shows airing on VRT Canvas (whose branding was recently relaunched). The new set features a 33-meter video wall used to enhance storytelling, plus additional AR/VR/XR elements and a presentation aligned with the rest of VRT NWS offerings.

Soon, other programming like De Zevende Dag (the Sunday morning news and entertainment magazine, starting in a few weeks) will join in the new space; additionally, with both VRT and RTBF having started the reconstruction and intervention of the Reyers Broadcast Center in Brussels (which will involve the demolition of many historic studios and office space to make way for a new digital building called Mediapark), the studio will serve as a longterm solution for entertainment and sport programming looking for studio space, and future-proofed for AR/VR/XR-heavy productions.

Here’s a behind the scenes look at the new studio (from Twitter/X).

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Staying around Europe, SIC Noticias in Portugal has a complete makeover today, retiring the 2 decade-old red globe for stylized S. It’s done as the channel embraces itself into the digital age, with an updated app and website, plus a few new faces along the way. This has the details.

Anyways, this is how it looked in their morning news, preceded by a promo bumper and a sponsored clock:

One of the station IDs with the new jingle:

The programme menu:

And one in a different style:

The main SIC newscasts also adopted the new supers from the news channel:


Moving to the Philippines, GMA’s morning programme has a new set and graphics. The set was designed by Orlando-based FX Design Group, who also collaborated with the station in refurbishing their main news studio and their weekend bulletin set previously.

The news headlines segment:

The behind-the-scenes:

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CTV in Canada is going to add a new early evening edition of the CTV National News at 5:30 PM local (sandwiched between the existing 5 PM and 6 PM local newscasts). They will be going to compete directly against Global National (in some time zones, directly head to head).

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Nice for Sandi to get her weekends back after so many years. She’s been looked over too many times.

Almost a year after going on air, the newscasts’ supers have changed to a rounder, more 3D style.

The station DOG also changed to “Hoy 78”, denoting their channel number, following their English sister channel’s rename to Hoy 76 (on station DOG)/Hoy International Business Channel (official name).

Youtube livestreams don’t embed a preview IIRC, so here’s a capture courtesy of HKEPC Forum. Note the financial indices is stuck to the bottom right, while the clock was put at the bottom.

This needs some time getting used to, compared to the previous flat look:

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How does it impact local newsrooms? Seems like a reason to cut the 5pm anchors in markets where the 5pm and 6pm anchors are different teams.

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Right now, from what I can tell, not much. The current production and editorial staff plus reporters and anchors at each station still have to produce their station’s 5 PM newscast. It’s just they’re only filling 30 minutes instead of an hour now.

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Staying in Canada, the dominant French-language TV network targeting that community, TVA, has announced it will trigger massive layoffs of over 500 people, accounting for one-third of their total workforce. The reasoning is the current financial difficulties affecting its parent company, Quebecor, which have hit hard the media business, in which TVA is included; in the last year, the company had a year-to-date loss of nearly $13 million for its Broadcasting segment, compared with $1.6 million for the same period last year, according to the company owned by the influential Péladeau family.

Pierre Karl Péladeau, president and CEO of both Quebecor and TVA: “The deficit TVA Group is currently running is simply no longer sustainable. We have a responsibility to correct the situation. TVA has historically been an important vehicle for Québec culture, language and news. We have a duty to preserve it and ensure its sustainability. The necessary measures we are taking today will change the way we do business in order to withstand the market pressures and face the competition. We will refocus our activities, reduce our operating costs and concentrate on the strengths that set us apart and make TVA Québec’s favourite television network. Our goal is to be able to continue offering viewers original Québec content, to continue investing, and to bring all Quebecers reliable coverage of news and major sporting events”.

The cost-cutting plans are as dramatic as what other companies such as Bell Media, Corus or Rogers have been implementing recently, and are focused on three big strategies: local newscasts in their smaller regional areas (Trois-Rivières, Sherbrooke, East Quebec, Saguenay-Lac-Saint-Jean) will cease to be anchored locally and will be anchored from the studios of CFCM-DT in Quebec City; the changes will involve a pre-recorded format and a centralized anchor. The Montreal, Quebec City and non-Quebecor owned affiliates (such as the RNC Media-owned stations in Gatineau-Ottawa and Abitibi-Témiscamingue) are not affected by these changes.

Yesterday’s newscasts in these markets opened with the dramatic news; it is widely expected Sherbrooke’s news operation is going to be hit the hardest by these changes, due to its status as the sole commercial French news operation in the city, as well as its heritage from the city’s major newspaper, La Tribune, and its wide coverage zone extending into Montreal and even parts of Maine. Many of these regions will only eventually have Radio-Canada’s Téléjournal newscasts as sole locally originated newscasts when the transition kicks in.

TVA will also cease the in-house production of entertainment programming, becoming instead a “publisher-broadcaster”. Its TVA Productions division will cease to exist, and their existing in-house shows (currently game shows Le Tricheur and La Poule aux œufs d’or, and entertainment magazine VLOG) will be outsourced to independent production companies.

The only shows produced by TVA moving forward will be those produced by its TVA Nouvelles division, including their national editions and regionalized programming, plus their morning show Salut Bonjour, TVA’s and LCN’s public affairs and opinion programs and select sports programming on TVA Sports.

TVA is also expected to sell its longtime Montreal headquarters at Rue Alexandre de Sève in east Montreal, which date back to the late Télé-Métropole era (opened in 1975) and move to Quebecor’s head office in downtown Montreal (4545 Frontenac Street). As part of the changes, a new, multiplatform, story-based news center will be built, as part of a new strategy which will involve Quebecor’s editorial brands: TVA, LCN, Le Journal de Montréal, Le Journal de Québec, QUB radio, 24 heures, TVA Sports, TVA Publications magazines, and other digital brands. The new strategy promotes stronger cooperation among these corporate divisions, but will still comply with CRTC regulations that force TVA’s newsroom to be separate from those of its editorial brands.

The layoffs are expected to commence within 16 weeks as of today; as part of the process, TVA will begin negotiations with its employees’ union representatives on the renewal of its collective agreements, and has established a transition committee, led by Human Resources and assisted by experts from the Employee and Family Assistance Program, in order to help with mental health, family and social security-related issues and also enable affected employees to move to other Quebecor divisions, such as their Videotron cable network or its book publishing business.

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To follow up on this news… Radio-Canada is reporting that TVA Sherbrooke (CHLT) is losing 50 positions.

And TVA Saguenay (CJPM) is losing 20 positions.

All but 4 journalists and 2 ENG photographers will be left each at CJPM and CHLT. All other positions such as the news director, assignment editor (chief of staff), sales, network promotions (out of Sherbrooke), etc are being let go.

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Plans for a new, hard scenic set were made from the start of the new in-house offering of Newstime; however, continued delays on building the new newsroom (and in the completion of ProSiebenSat.1’s new centralised campus in Unterföhring/Munich) have led to delays; the new set will now debut (at least) by the start of next year.

Still, German media blog DWDL.de has had an exclusive preview of the new studio set, which is nearly complete; as seen, it will be fully hard scenic, with a wide array of video walls and space for AR, plus a smaller space for social media and digital production, and a dedicated gallery. Rehearsals and dry runs are ready to be made already, but the lack of an in-studio air conditioning system and the await for approval by P7S1 management has delayed it too. Currently, Newstime teams are occupied a makeshift newsroom in one of the already completed wings of the new facility.

The full story (in German):

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Here is the launch of CTV’s new national 5:30 PM newscast. No graphics change as of yet (current graphics are 10 years old), but the current national news studio is being used different ways compared to the national 11 PM newscast.

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Canadian news feels right out of the 90s!

Music sets tone everything

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Agree… we don’t see newsroom sets much these days. Very 90s/2000s.

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