NZ TV History

Late news on TV One

@OnAir @nztv @NuStraya Just found a newspaper article in regard to TV One’s (now TVNZ 1) late news bulletins in the mid-1970s.

On Monday 1 September 1975 TV One screened a brief (five minute), late night news bulletin at 11.10pm.

This unillustrated bulletin, presented without visuals, featured up to seven national and international headlines read by the on-duty continuity announcer at Wellington’s Avalon TV Studios, either Roger Gascoigne or John Hayden. This was followed by a short national weather forecast for the next day.

The news was supplied by the TV One newsroom and as there was no an autocue at the time, the announcer had to read the news and weather directly from paper scripts while maintaining eye contact with the camera.

Introduced by TV One in September 1975, these late news bulletins aimed to cater for viewers who missed the earlier evening news bulletins and offer them a condensed and updated summary of the day’s news. At that time TV One had three regular news slots: 6.30pm on a nightly basis, 9pm on weeknights (Tonight at Nine) and anywhere between 8.30-9pm on weekends (subject to scheduling).

The late news bulletins, however, had no fixed timeslot; they were transmitted last before TV One closed down for the night, typically around 11pm Sunday to Thursday and around midnight on Friday and Saturday.

With TV One and South Pacific Television (SPTV; now TVNZ 2) merged into TVNZ in 1980, the late news bulletins remained unchanged until about 1987. Other continuity announcers within the TVNZ era included Mike Bodnar, Geoff Bryan, Bob Parker and Peter Sledmere to name just a few.

1984: Peter Sledmere

1985: Geoff Bryan

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Hosted by Nick Eynon (now Nick Piper) and his trusty righthand alien sidekick/puppet, Razzo, Off the Planet was a short-lived game show which pitted two teams of two family members and a celebrity guest against each other in a variety of exciting games to win prizes. The show was known for its intergalactic theme and entertaining challenges that tested the contestants’ skills and knowledge.

Produced by Grundy Television (now Fremantle) for TV3 (now Three), Off the Planet premiered on the evening of Monday 5 May 1997 at 7pm. It initially screened five nights a week, Monday to Friday, at 7pm but was later moved to the earlier timeslot of 5.30pm as a lead-in to the news due to poor viewing figures. The final episode screened on the evening of Friday 27 June 1997 and a total of 40 episodes were produced.

The show was recorded in front of a live audience at Wellington’s Avalon Studios, which were owned by TVNZ at the time. The Price Is Right, which screened on TV3 in 1992 and ran for a year, was also recorded at Avalon.

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Telethons in 1993

Starship Telethon (TV3)

In 1991 New Zealand welcomed one of its first purpose-built children’s hospitals, Starship Children’s Hospital. Located on the grounds of Auckland City Hospital, Starship aimed to provide a child friendly environment and appeal to the young and young at heart. To support the hospital and its critical services TV3 (now Three), in conjunction with Australian TV producers Michael Boughen and Wayne Cameron, took the initiative to organise a 22 hour telethon in 1993 and raise much needed funds for Starship.

On the weekend of 12 & 13 June 1993, the Starship Telethon brought the country together in support of Starship Children’s Hospital. The nationwide event focused on two main venues, the Aotea Centre in Auckland and Shed 6 on Wellington’s waterfront, but roving crews were also stationed in other major cities and towns such as Christchurch, Dunedin and Hamilton, ensuring a truly widespread impact.

Hosting the Starship Telethon were a number of personalities from TV3, including John Hawkesby in Auckland, Bill Ralston and Janet Wilson in Wellington, Eric Young in Christchurch, Neil Waka in Dunedin and Suzy Cato in Hamilton. The event also boasted appearances from various radio and television personalities as well as special guests from the worlds of music, sport and theatre, ensuring a star-studded and entertaining telecast.

The Starship Telethon, which ran from 8pm Saturday until 6pm Sunday, was packed with a variety of events guaranteed to engage viewers all over the country. A comedy festival featured the likes of Facial DBX, the Corbett brothers, Ian Harcourt and Michele A’Court. Viewers also enjoyed a karaoke show; a Kiwi music special celebrating New Zealand’s best known bands, introduced by Karyn Hay; a ‘Children’s Extravaganza’ breakfast show; and a country music special headlining Australian country singer James Blundell, Brendan Dugan, Bunny Walters, Patsy Riggir and members of Hello Sailor.

In addition to these unforgettable performances, the Starship Telethon featured a celebrity auction with a variety of exciting items up for bidding. These included a signed Billy Ray Cyrus t-shirt, David Campese’s training jersey, a Beatles album signed by Paul McCartney and a rugby ball signed by the All Blacks. The auction was hosted by Dave Jamieson, Danny Watson and the Top Marks.

The Starship Telethon was a resounding success, raising just over $3.5 million for Starship. These funds played a critical role in supporting the hospital’s operations and its mission to provide the best possible care for New Zealand’s children.

The 1993 Starship Telethon was a remarkable example of unity and generosity, showcasing the nation’s commitment to supporting the health and wellbeing of its youngest Kiwis. Together, New Zealanders rallied behind Starship and the vital services it offered, leaving a lasting impact that continues to resonate today.

Community Cares Telethon (CTV)

In the annals of New Zealand’s television history, the Canterbury Cares Telethon stands out as a groundbreaking event that brought the region together in an unprecedented show of unity and generosity. Organised by Canterbury Television (CTV) and sponsored by Trust Bank, this 24 hour charity drive took place on the weekend of 8 & 9 May 1993.

Hosted by a stellar line-up of Canterbury personalities (Jim Hopkins, Susi Allison, James Daniels, Linda Dodge and Ali Jones), the Canterbury Cares Telethon was more than just a fundraiser; it was a celebratory party, broadcast live from Christchurch. This event marked New Zealand’s first regional telethon and it aimed to raise funds for five key regional beneficiaries: the Catholic Social Services, the Anglican Social Services, the Methodist City Mission, the Presbyterian Support Services and the Salvation Army.

The event was not only significant for its charitable cause but also for its star-studded guest list. The Canterbury Cares Telethon featured a handful of international stars, including British actors Robin Askwith and Richard O’Sullivan as well as Irish Rovers Will Millar and Jimmy Ferguson, providing a delightful international touch to the event.

A plethora of New Zealand celebrities also made appearances, including George Balani, Jason Gunn, Catherine McPherson, Steve Parr, Belinda Todd, Gary McCormick and Hilary Timmins. Their participation added a local flavour to the event, engaging the regional audience and driving the fundraising mission.

Despite my confusion at the time of writing, the Canterbury Cares Telethon raised well over $700,000 for the five beneficiaries. This impressive sum is a testament to the generosity of the Canterbury region and the power of community spirit.

While CTV usually broadcast exclusively to the Canterbury region on UHF, the Canterbury Cares Telethon was beamed to the North Island through Action TV (now Trackside), which was owned and operated by the TAB at the time. This extended coverage ensured viewers of Action TV in Auckland, Waikato, Tauranga, Rotorua, Wellington and Blenheim could also take part in this extraordinary event, as reported by the Christchurch Star.

The Canterbury Cares Telethon of 1993 was not just a televised charity drive; it was a symbol of unity, a demonstration of community spirit and a celebration of the region’s generosity and compassion. Like the Starship Telethon, it remains an inspiring moment in New Zealand’s television history and sets a precedent for future charitable events and community initiatives.

@TV4 What do you think?

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LaughINZ

Launched in 1989 alongside the debut of TV3 (now Three), LaughINZ filled a void in the local television comedy landscape. This sketch-based comedy show, also known as a ‘skitcom’, premiered at 7.30pm on the evening of Monday 27 November 1989 which marked TV3’s first day of regular programming. The network opened with a two hour ‘grand preview’ the night before.

Prior to its launch, New Zealand comedy was largely confined to stand-up acts. However, LaughINZ, produced by Isambard Productions at its Auckland studios, aimed to broaden the comedic horizons. Founded by Tom Parkinson, the visionary behind TV3, Isambard sought to produce a showcase for diverse voices.

Series producer John O’Leary envisioned LaughINZ as a reflection of New Zealand society, encompassing a wide range of perspectives. To achieve this the producers enlisted 55 writers to craft the first 13 hour-long episodes, ensuring representation for women, Māori, Pacific Islanders and immigrants. O’Leary emphasised that LaughINZ would not be solely focused on Pākehā, middle aged men.

The show employed a ‘scatter-gun’ approach, featuring a variety of sketches with diverse characters to cater for a broad audience. O’Leary described LaughINZ as ‘confidently New Zealand without mocking it’, highlighting its intention to be inclusive and steer clear of political satire (e.g. McPhail & Gadsby).

The character of Hohepa Public, a wise philosopher from the bar-room, was portrayed by actor/writer Rawiri Paratene. Hohepa, hailing from Northland, was brought down from Hokianga every week to share his thoughts on city life. Hohepa, a Northlander, had smartly been cautioned by his ‘cuzzie’ about the potential perils of signing contracts with Pākehā and therefore, he decided to keep his Bic pen safely tucked in his pocket.

Another recurring sketch in the show was called “Living the Yuppie Way with Amanda and Elliott” which was written and performed with the intent to appeal to all Kiwis living south of Parnell Road. Amanda and Elliott were the embodiment of sophistication in the restaurant scene - elegant, refined and known for their discreetness about who they met. Through their journey in LaughINZ, they generously offered guidance to all potential yuppies on the A to XTC of yuppie life.

For the series premiere the late Christchurch comedian/writer, AK Grant, made a guest appearance as the fictional vicar from Fendalton.

John O’Leary opted for a squad of seven diverse actors, many with expertise in theatresports, to personify the characters each week. Actors like Alison Wall skillfully embodied up to six distinct characters in every episode. Other regular cast members in LaughINZ included Mark Ferguson, Mark Hadlow, Brenda Kendall, Jay Laga’aia, Rima Te Wiata and Mark Wright, with guest appearances by David McPhail, Jon Gadsby, Bruce Allpress, David Telford, Alison Routledge and many more. Even Billy T James made a brief appearance on the show!

A week prior to the launch, the cast and crew of LaughINZ were introduced at Isambard’s studios. Ironically, a mere 10 minutes into the night, the entire building was plunged into complete darkness for almost half an hour. This unfortunate incident might have served as comic relief for the competition across town, but the performers and producers remained unfazed and their excitement only grew as the night progressed and the bottles emptied.

Director John Givins described LaughINZ as a watershed production within the context of New Zealand comedy, asserting there had been no comparable productions prior. With a duration of 15 months LaughINZ was instrumental in ushering in a new phase for local comedic talent. This production paved the way for actors, writers and the production staff to refine their skills and expertise in comedy television.

This post is dedicated to @TV4 - happy birthday!

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Flashback to when Whakaata Maori/Maori Television used to show Maori-dubbed versions of American childrens’ programming.

This practice has been phased out in recent years outside of Disney films from what I’ve seen, likely as the proliferation of homegrown Maori-language programming has mostly negated the need for these dubs.

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Evil Kiwi.

BTW this is an upscaled image I rendered today.

If you’re familiar with this clip then you’ll know how crappy it usually looks. I added a bit of colour (not color) to it and brightened it up a bit.

I will say I’d love to upscale all of TVNZ’s idents and openings from the 70s because, as we all know, the film will eventually degrade and be useless to anyone.

But by digitizing it and compressing the output it will last forever.

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This has been uploaded - with the ‘opener’.

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Couple more

The late Sir Paul Holmes dials into Breakfast a few days on from
Diana’s death.

And One Network News the day after her death, it is labelled although I think it’s a few days after.

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Found a piece of nostalgia - one of Sky’s original smart cards (circa 1990).

When Sky first started a VideoCrypt decoder would cost you about $400 and a subscription to Sky’s three channels (Sky News, Sky Sport and Sky Movies), on scrambled UHF frequencies, would cost you $11.25 per week or $45 per month.

Each decoder contained a subscription form and smart card. The Sky’s the limit!

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Does anyone know if this is true? If so, who would be the estate mentioned here.

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Whoever created the render, perhaps? Dunno, it sounds sus to me, normally creative work created for an organisation becomes property of that organisation. But it was the early 80’s, with high-flyers and big shoulderpads, anything could have happened!

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YouTuber Adam Martyn has done a pretty good video about the Goodnight Kiwi. Nice to see a British perspective on something particularly local to us.

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This week, The Spinoff are counting down the top 100 NZ TV shows of the 21st century to celebrate their 10th birthday.

Rules are in simple terms: No international reality formats (i.e. The Traitors), no current affairs (i.e. Campbell Live) and no shows that featured Kiwis but aren’t actually Kiwi-made shows (i.e. the Flight of the Conchords series).

100-81 was published today, with the forgotten 2009 OnDemand drama Reservoir Hill kicking the whole shebang off.

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If Pulp Sport isn’t #1, I’m rioting

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Jase TV and The Son of a Gunn Show: A Blast from the Past

There was a baby whose name was Jase
A funny little kid with a funny little face
He grew up like me and you
His car don’t run like others do
Crazy voices, laughter, fun
He’s the son of a Gunn!

The early 1990s saw a new wave of afternoon entertainment hit New Zealand screens with the launch of Jase TV and The Son of a Gunn Show - both of which were hosted by the charismatic Jason Gunn and his quirky puppet sidekick, Thingee.

These shows, screening on Channel 2 (now TVNZ 2), brought a fresh, fun-filled approach to the afternoon viewing experience and effectively replaced the much loved After 2, continuing a tradition of afternoon television for Kiwi kids.

Jase TV slotted into the afternoon schedule at 2.30pm, offering a mix of familiar favourites. This included the iconic TVNZ series for preschoolers, Play School, alongside shows like Kitty Cats, Fiddley Foodle Bird,and Fireman Sam. It offered a comforting, familiar viewing experience while seamlessly transitioning into The Son of a Gunn Show.

At 3.30pm the energetic Son of a Gunn Show took over, delivering a half hour of pure entertainment. This variety show featured a delightful mix of musical numbers, sketches, audience participation and celebrity guests. The show was renowned for using physical comedy like ‘pies in the face’ and famously featured Jason’s slide where guests would take a thrilling ride. The Son of a Gunn Show highlighted a colourful, chaotic and highly entertaining experience, full of laughter and playful energy.

Coinciding with the launch of these television shows, a direct-to-video feature, Jason & Thingee’s Big Adventure, captured the playful spirit of the duo and was released by TVNZ Enterprises that year.

This VHS presentation followed Jason and Thingee on a series of hilarious misadventures, including a stolen moa egg, a borrowed limousine and a mistaken identity as a famous celebrity. It also featured a delightful selection of clips from The Son of a Gunn Show, providing a taste of the show’s signature blend of music, sketches and, of course, ‘pies in the face’.

The launch of Jase TV and The Son of a Gunn Show marked a significant shift in TVNZ’s afternoon programming. It offered a fun, energetic and engaging experience for us as New Zealanders, especially children, and established Jason Gunn as a recognisable and beloved figure in New Zealand television.

These shows, alongside the release of Jason & Thingee’s Big Adventure, serve as nostalgic reminders of a time when simple, fun and family-friendly entertainment reigned supreme on our screens. For many, these shows hold a special place in their childhood memories, representing a period of playful escapism and light-hearted entertainment.

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Does anyone remember watching the Olympics (1984, 88, 92, 96, or 2000?) on TVNZ, and all of a sudden a breakdown slide image of the Goodnight Kiwi getting tangled up in wires shows up (probably due to TVNZ losing the coverage feed of the Olympics)?

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Seoul is the first I can remember, just. I don’t recall specifically any technical issues, just that they were on.

TVNZ cricket 1978

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And so gloriously clear of sponsor’s logos!

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The making of RTR Countdown in 1988

In 1988 TVNZ relaunched its music programme, Ready to Roll (RTR), as RTR Countdown. This marked a significant evolution from its beginnings, where local bands and artists primarily performed covers of international hits.

Initially launched in August 1975 as a twice weekly show before moving to Saturdays at 6pm by mid-1977, RTR featured acts like Redeye backing Tina Cross and Bunny Walters, among others, performing cover versions at Wellington’s Avalon Studios. By 1988, it had transformed into a vibrant showcase of Top 20 music videos, boasting a new format, a new timeslot (Mondays at 7pm) and sophisticated computer-generated opening titles which were designed and produced by the late John Sheils.

The arrival of music videos in 1978 revitalised the music industry, quickly phasing out Kiwi cover versions. Mandy Toogood, the producer of the rebranded RTR Countdown, received up to 30 music videos on a weekly basis, selecting six for each half hour episode.


Mandy Toogood (above), the producer of RTR Countdown, spent part of each week in an edit suite putting the programme together. Image courtesy of The Press and the National Library of New Zealand, digitised in partnership with Christchurch City Libraries.

Producing RTR Countdown in 1988 was a complex process extending beyond simply stringing hits together. It involved extensive work - from video selection and recording to the application of significant behind-the-scenes technology.

Each week Toogood reviewed new and previously unused clips. On Wednesday evenings the RIANZ (now Recorded Music NZ) Top 50 singles chart informed her content decisions, ensuring a diverse selection.

“We try to get a musical balance, with something up and thumpy, something a bit more mellow, a balance of male and female and black to white artists and a range of musical styles. You do have to bear in mind the similarity, but the show will always be chart-driven.” - Mandy Toogood

Although most New Zealand Top 20 hits had accompanying videos, occasional exceptions required action. If a chart-topping single lacked a video and Toogood deemed it worthy, Avalon Studios produced one, preventing the embarrassment of a number-one hit with no visual accompaniment. Two such videos were produced at Avalon during 1988.

U2’s “One Tree Hill”, released only in New Zealand as a tribute to their deceased Kiwi road manager, Greg Carroll, lacked a video due to its limited release.

Jude Callen, a producer/director from TVNZ’s Heartbeat City, creatively assembled a video using news footage of the band, photos of Carroll, footage from his Whanganui funeral (attended by Bono) and Whanganui River footage. The resulting video was shown on RTR Countdown for seven weeks, coinciding with the song’s ascent to number one.

ALF’s hit “Stuck on Earth” posed another challenge, arriving without a video. Toogood cleverly responded by producing a video featuring an ALF doll, footage from the television series and outer space imagery. Notably, her cat, Sylvester, became an unexpected star, unperturbed by his on-screen encounter with the alien.

“In the series, ALF is always trying to microwave the cat, so we we put Sylvester in a microwave with a towel in the bottom and the door open. He was quite happy. He curled up and looked around, and when we had finishing shooting, I couldn’t get him out!” - Mandy Toogood

Toogood observed a shift in audience preference away from lengthy, ‘mini-epic’ style music videos.

“Kids have been bombarded by the visual aspects of video clips and now they are going back to wanting straight performances. They want to see their favourite artists on stage in a more simplistic style.” - Mandy Toogood

While a strong video could boost a mediocre song, the opposite wasn’t always true; younger viewers readily dismissed songs with unappealing videos, hindering chart success. However, some artists such as Madonna, Michael Jackson and Tiffany maintained consistent chart performance regardless of video quality, due to their dedicated fan bases.

Toward the end of each week, Toogood finalised the show’s track list, timed the programme to 24 minutes and prepared voiceover scripts.

On Friday evenings the show was recorded at Avalon Studios using a CMX system, i.e. a post production computer which allowed the editor to facilitate seamless transitions. A Chyron character generator added coloured backgrounds and song/artist information. Voiceovers were incorporated, segments were sequenced and the opening and closing credits were added. The finished product was then line fed from Wellington to Auckland for transmission the following Monday.

Until mid-1988, RTR Countdown screened on Network Two (now TVNZ 2) at 7pm on a Monday evening. Following the premiere of the Australian soap, Neighbours, on the evening of Monday 25 July 1988, RTR Countdown shifted to the earlier timeslot of 6.30pm.

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