Eurovision Song Contest

Tony Armstrong and Courtney Act with Go-Jo_2 (Photo credit_ Nick Wilson)

Eurovision delivers strong Total TV audiences for SBS, dazzling more than 2.21 million Australians tuning in

Total TV National Reach across SBS’s live and prime time broadcasts of the 2025 Eurovision Song Contest was more than 2.21 million people, with 172,000 watching exclusively on SBS on Demand.

This year marked Logie-nominated presenter Tony Armstrong and multi-hyphenate entertainer and global icon Courtney Act’s first year in the Eurovision commentary booth.

The Grand Final achieved a Total TV National Reach of 1.14 million, with 60,000 viewers watching exclusively on SBS on Demand.

The first Semi Final achieved a Total TV National Reach of 1 million, with 91,000 viewers watching exclusively on SBS on Demand.

The second Semi Final achieved a Total TV National Reach of 982,000, with 78,000 viewers watching exclusively on SBS on Demand.

Early-rising Eurovision fans boosted BVOD viewership, tuning in live on SBS On Demand for the morning broadcasts, compared to the evening prime time shows (see table below).

More than 2.2m Australians tuned in for SBS’s broadcast of the 69th Eurovision Song Contest, held in Basel Switzerland, with new hosts for 2025, Tony Armstrong and Courtney Act, presenting live, nail-biting morning broadcasts alongside evening shows packed with backstage access and insights, fueling Australia’s love of the world’s biggest musical event.

SBS Head of Unscripted, Joseph Maxwell, said: “From saunas to sky-high singers, macchiatos to milkshakes, this year’s Eurovision Song Contest did not disappoint in delivering dance anthems, dazzling vocal performances, and voting results that kept viewers worldwide on their toes until the very end. It’s fantastic to see Australia’s love affair with Eurovision continue, with millions of Australians tuning in across our semi final and grand final programs, including audiences down under waking up to watch our live shows in the early hours in record numbers this year.

“Eurovision is a spectacle unlike any other, connecting audiences from around the world in a celebration of diversity and culture through music. It is unashamedly part of our history at SBS, having broadcast the event for more than 40 years, and we’re thrilled to see loyal Eurovision-loving audiences continuing to come back for their fix each year, alongside new viewers getting a taste of Eurovision for the first time.”

Austria’s JJ triumphed in the Grand Final, crowned the winner of this year’s Eurovision Song Contest with Wasted Love, an operatic ballad with soaring vocals that evolved into a club anthem for its finale.

Following tradition, the glittering spectacle will now move from this year’s host country, Switzerland, to Austria next year, the first time since 2014 that it has hosted the event.

While Australia’s viral pop sensation, Go-Jo,sadly didn’t progress through to the Grand Final following the Milkshake Man’s delicious performance in the competitive second Semi Final, Australian Eurovision fans continued to be captivated by the contest and the unique collection of cultures and musical acts that made this year’s Eurovision one of the most surprising and unpredictable in recent years.

Semi Final One
TOTAL TV NATIONAL AVERAGE REACH TOTAL TV NATIONAL AVERAGE AUDIENCE BROADCAST TV NATIONAL AVERAGE AUDIENCE BVOD NATIONAL AUDIENCE
LIVE 245,000 142,000 126,000 16,000
PRIME TIME 663,000 165,000 157,000 8,000
Semi Final Two
TOTAL TV NATIONAL AVERAGE REACH TOTAL TV NATIONAL AVERAGE AUDIENCE BROADCAST TV NATIONAL AVERAGE AUDIENCE BVOD NATIONAL AUDIENCE
LIVE 293,000 152,000 132,000 20,000
PRIME TIME 678,000 195,000 187,000 8,000
Grand Final
TOTAL TV NATIONAL AVERAGE REACH TOTAL TV NATIONAL AVERAGE AUDIENCE BROADCAST TV NATIONAL AVERAGE AUDIENCE BVOD NATIONAL AUDIENCE
LIVE 615,000 284,000 253,000 31,000
PRIME TIME 805,000 169,000 161,000 8,000
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KAJ, the Finnish group which represented Sweden and their Aussie connection: Big Kev. I’m Excited! :laughing:

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They must’ve missed the year with Dana International…

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Interesting

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The official source:

Makes sense for them to go at it, given they aired a slate calling for “peace and justice for Palestine” before the finals coverage:

VRT Belgium too (who interrupted the semi with a similar slate), apparently:

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Thank god the other broadcasters are finally starting to stand up and call Israel’s bullshit out.

There’s no doubt the televote was incredibly questionable this year and has been questionable since they’ve brought in the esc.vote website and phased out the telephone numbers in most countries.

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Yep and with the exact same amount of points as last year too. Actually more countries voted for us than Armenia who was in 10th place we just didn’t get any high televote points, our best was 6 points.

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And the reason they ditched was that songs like Azerbaijan in 2022 got 0 televote points but still got to the final because of the jury vote.

So interestingly I was in Italy during Eurovision and they are only allowed 5 votes per phone number there. I didn’t check all other countries but all the ones I did were all 20 votes per phone/card.

Also the price of voting was different in different countries, I saw €1.50 per vote in some countries, then as low as €0.10 per vote from other countries. Maybe due to local taxes/regulations? Italy was €0.50.

Does not seem like a fair system with all the variations between countries.

More countries are calling… :finland: :netherlands: :slovenia: :iceland:

AVROTROS

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From Australia you can vote up to 20 times and it’s linked to your credit card. So if you had a credit card issued in another country voting in the same semi you can vote multiple times. Our voting price has gone up from 0.65 AUD last year to 0.70 this year.

Paying to vote online by credit card seems a right con - I don’t know any other show that does that and it clearly doesn’t prevent vote manipulation.

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this is kind of interesting, 23 European broadcasters switching to the Eurovision Song Contest.

Mostly all got there on time, except Austria!

And then how they all switched out at the end.

YouTube: tevebits

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I don’t dispute that Israel received the votes but it’s clear much of that support was politically motivated rather than based on the performance itself.

Under the current system Israel is clearly getting mass vote dumps by non-Eurovision viewers using the contest to make a political statement. The “Vote 4 Israel.” ad campaigns in other countries sound like they were excessive and I think that in general needs to be reviewed in the rules.

We’ve discussed potentially limiting how many times you can vote for a country is a way forward, but another issue is the length of the voting window. When voting opens at the start of the show it gives a 2.5+ hour window for those sorts of voting campaigns. If voting only opened after all performances for a short period (which I’m sure it used too?), it would likely reduce outside influence and be more from actual viewers of the show.

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So many of this years songs are growers, they are showing up in my algorithms. Albania, Finland, Luxembourg all going into my playlists. If it wasn’t for all the negativity Israel brings, this could have been one of the really good contests.

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I always liked Luxembourg because it was a homage to one of my favourite vintage Eurovision songs haha.

Spain is classic Eurovision.

Azerbaijan, Latvia and Germany have been growers, too.

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I was watching a show on Eurovision history and Israel has long been a cause of contention. In 1978 when they won the competition broadcasters across Africa and the Middle East cut the transmission before the winner was announced and one country even declared Belgium the winner. In 1979 the broadcast came from Jerusalem and Turkey didn’t participate as a consequence and several Middle Eastern countries refused to broadcast the show. (Israel won that year as well.)

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