And had a very minor hit with this:
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Whilst the above reached only #91 on the Australian singles chart, it reached as high as #9 in the UK singles chart.
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Yep- a much bigger hit in his native UK. I only know about it through the Top 100 singles site, which Iâm assuming you might have used as the source 
Though @anonymousbroadcaster played it on one of his showsâŚI nearly fell out of my chair.
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bruh
no wonder why the three stations seems to be closely integrated even in current times⌠(even if theyâre now part of the larger Grant Broadcasters/ARN Regional, sisters of LAFM and 7XS too, not sure who owned these stations before then). Iâll rather call this network in current days as âARN Regional Tasmania Northâ, #myfriendâŚ
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Nice find!
Theres bound to be a recipe for disaster in that book.
Radio is good at that kind of thing, particularly in this day and age.
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BRUH (i mean if recipe is like that then itâs quite cringe @myfriendâŚ)
on the other hand how tf the TBN network ended up swallowed by Grant/ARN, @myfriend? (and as well as many of regional guys in 2018)
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Actually, the Northern Tasmanian stations were first acquired by RG Capital in the late 90s before merging with DMG Regional to form Macquarie Regional Radioworks (MRR) in 2004. Then in 2007, after MRR merged with Southern Cross Broadcasting to form Macquarie Southern Cross Media (MSCM), they then sold the Northern Tasmanian stations to Grant Broadcasters under the Media Diversity rules, in which a regional commercial radio licence area requires a minimum of 4 media voices. This is because MSCM (now SCA) already owns a TV licence there, and that the only other media companies in those licence areas are WIN & Fairfax (now ACM) for its daily newspapers.
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now iâm thinking if Triple M Northern Tasmania is a thing @myfriendâŚ
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Apologies since i canât find a place to ask that, but hereâs some stupid questions from me as a newbie âradio researcherâ:
How and whatâs the difference between the oldies/classic hits style of ARNâs Pure Gold WSFM/104.3 vs Capitalâs Forever Classic? And how could Pure Gold Brisbane aka the late 4KQ be difference from Cruise 1323, WSFM and 104.3, @myfriend?
Whatâs different between AC and oldies/classic hits?
What makes 3MP, Magic1278 different from SmoothFM (aside the fact that theyâre on AM vs FM band), and what makes 3MP and Magic distinguish from other ACE Metropolitan as well as ARN Pure Gold, @myfriend? Hope getting some answers to these.
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They are had common ownership for a very long time.
This article from 1946 states that the Findlay Family owned 7AD, 7BU, 7DY and 7QT.
7DY went on to become 7SD when it moved from Derby to Scottsdale in 1954.
7QT became 7XS in 1986 - possibly when the Findlays sold it.
The Findlays sold 7AD, 7BU and 7SD in the 90s, the believe to the Jost Family who owned 7LA, and then only a few years later sold to RG Capital.
Interestingly, the Devonport studios werenât included in the sale and last I heard were still owned by the Findlay Family.
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(1) ARNâs Pure Gold stations (WSFM and Gold 104.3) play predominately a safe mix of songs from the 1980s, 1990s and 2000s with a few from the 2010s (I have heard Gotyeâs âSomebody I Used To Knowâ and Vance Joyâs âRiptideâ on Gold 104.3). They do not play any tracks from the 1950s or 1960s (as what Gold played when they started using the name in 1991) and only play a handful of songs from the 1970s (Elton John, ABBA, Queen, Boston). Where as âForever Classicâ stations have a broader playlist of songs from the 1960s through the 1990s. The late 4KQ (and Cruise 1323 in Adelaide) also plays songs from the 1960s through the 1990s, including some songs that were popular on Brisbane/Adelaide charts but not as successful on the national charts. Also including a few âhavenât heard that for a whileâ songs, and some âeasy listeningâ songs are also thrown into the mix (when Cruise 1323 started using that name they were an easy listening station).
(2) the difference between AC and oldies/classic hits is that AC is a more gentler sounding format, not too ârockâ and not too âsleepyâ. Classic hits includes a multitude of genres such as rock, pop, easy, and uptempo dance).
(3) the difference between 3MP and Smooth FM is that 3MP is more easy listening while Smooth FM is more adult contemporary sounding (similar to what the Fox sounded like between 1985 and 1990). Smooth has cut down on ballads instead relegating them to its âSmooth Relaxâ DAB+ channel. The Ace Radio-operated 3MP and Magic have much bigger playlists than Smooth or Gold, the latter two being owned by bigger corporate entities have a more safer playlist as a result.
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Thanks for such a detailed explaination, @myfriend. You know, when I reading these lines from you guys, Iâm instantly sober, because, growing up in an radio environment where itâs exclusively state domain (thereâs only two types of radio stations there, VOV (national/state radio of Vietnam) or local government-owned services), I often feel carefree because people working inside radio industry there donât care or having no knowledge of whatever âplaylistâ is - for them, local radio is bringing latest and detailed information and public affairs (some of you may think itâs propaganda), as well as âmagazinesâ targeted at each specialized topics of your daily living, such as labor, rural, etc. as well as random music that may ranged from folklore/traditional/red music to the best Vietnamese and international music of the very past to present day, in a very soft tone, and people just want to entertain people (who mostly can be classified as boomer), donât care much about what is playlist or rotation or something.
VOV mostly provides highbrow programming - VOV-1 is news/information/public affairs, VOV-2 is culture and education, VOV-3 FM is classical/serious/folklore music. We donât have much stuff to be looks like westernised commercial radio services, but I think the closet we have is VOV-Traffic 91FM, a commercially-funded network that broadcasting a hybrid format of rolling traffic during drivetime, and soft ac/oldies/folklore outside these times, targeting middle-aged drivers. I often listen to 91 rather than Spotify (which I hate to register) because it has a âlove songsâ block at half past midday where they would play soft ac music of today but sometimes rare vietnamese popular music of 70s/80s/90s to relax listeners, and during primetime and night they always reading letters and asking listeners to call to talk and confess about random things in your life, as well as requesting music and let the presenters sharing feeling about their life and choosing a song that the presenters love. Quite a variant of community radio i guessâŚ
Many Vietnamese have complained about radio in Vietnam because it sounds boring and not quite well imaged, and they hope it has Western-type imaging to feel slick and polished, even taking examples that people can choose a variety of format to choose with, etc. But still, I feel like that Vietnamese presenters have tried their best to be closer to listeners as possible, and while some calls for real âratingâ focus because it cannot be measured by the âloyaltyâ on how many letters sent to the program, I just feel like if they keep the charm longer⌠as it may resemble the good times of radio in Aussie (before 1990s, i guess).
The only radio service in Vietnam that may sound closet to Western-type radio service is Xone FM, a CHR-formatted radio service that once shared airtime with VOV-3 FM (imagine Triple J have to share airtime with Classic FM, and you get the idea). However, since their FM coverage reduced drastically following the switch to the much smaller 89FM network, and acquisition by Zing, it has gone downhill: previously itâs a roster of hosts with a lot of different shows from VN20 (Vietnamese hit), Asia Xone (Asian hit), HitXone (International hit), DJXone (EDM), MyShow (call-in with someone to create your âownâ playlist for an hour), etc. Now itâs just mostly automated music with very few hosts. Thatâs why I switched to 91FM, even if Xone is what I grew up with and iâm still not reaching the age for the AC format yet.
I know iâm ranting a lot but still i hope myself and you guys enjoys these great times radio that has been lost in Aussie, here in Vietnam, before someone else would come in and erase these good time, at sometime later in our life that we canât predict⌠thank you.
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From The Radio Vault, an aircheck of 2NZ Inverell from September 1988, received at Napier, NZ.
Also, a quick aircheck of 2UW Sydney from the same period.
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Now speaking of these, I have been heard that either XL or GN is shifting toward more 80s and less 70s/rural hits⌠so I guess that Forever Classic is becoming more safe and mainstream like Gold Melbourne or something ? 
And the ARN Metropolitan system is making me also confused either: Pure Gold Sydney/Melbourne style is more like of âAdult Contemporaryâ rather than Gold, and itâs the same style as Mix/Kiss Brisbane and Adelaide (Perth is an entirely different case) - so thatâs not âPure Goldâ like a 24-carat gold but just âMixâ but glided to be disguised as âGoldâ (bruh)
The Smoothfm situation is further cringe: since Nova, is, from my researching, is also AC, so the difference between the two networks is much less and Nova is just like the âa bit hotter/more upbeatâ version of Smooth?
Thatâs not counting whatever happened to the Grant Heritage stations (ARN Regional Heritage) lol
There is quite a difference between Nova and Smooth. Nova is Hot AC/CHR playing mostly songs from 00s onwards while Smooth is soft AC/AC with a much older playlist centred on 80s and 90s.
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I see the commenters on Youtube beat me to the joke about it being 2NZ of all stations booming into NZ.
Also it didnât take much to recognise that first voice - Andrew Moore doesnât sound all that much different these days, does he?
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Get ready for some of the cringiest documents I have seen so far:
The document above is about the lowering telecommunications divide between Perth and the rest of WA - although this has special attention on Kalgoorlie region.
In radio sector, the document said about the development of the ABC Radio Network in WA, including adding a satellite radio transmitter for Northeastern part of Goldfields, as well as switching some ABC Local transmitter from Karratha feed to Kalgoorlie feed due to âstronger connectionâ.
It also mentions:
WAFM, which is just âa PMFM relay with news/weather/advertising for regional WAâ (Iâll dub this âPMNetworkâ xd) (someone else did tell on this group that WAFM used to be retransmitter of 96FM right?)
Since the Boche Report of 1997, Red FM Network has been broadcasting to mining sites in WA (aka âMining FMâ lol). Red FM Network wanted to expand transmission to more sites across WA but âprogramming would be still done from Perthâ
RadioWest 6KG Kalgoorlie is under threat because of cutback in local programming that was made by their Bunbury management. By the point of the report published (2000), there are only two local announcers left, down from six in 1993 (when 6KG was live and local 18 hours a day, 7 days a week with overnight retransmission from Bunbury (6TZ?). Attempt from local management to introduce a third announcer (because the management thought that there should be a third announcer to provide adequate local services) were balked by the higher Bunbury management. The music policy of RadioWest is derived from the policy of the owner, DMG, headquartered in Sydney and âmay not reflect the musical tastes of Kalgoorlieâ. News is only from 6am to 6pm on weekday, 6am to 12 noon on Saturday and 8am to 12 noon on Sunday. Breakfast local news service for Kalgoorlie is also jeopardized. 6KG was also suffered from substandard technical links that may cause loss of programming or break-up of audio. Also many programs from either Kalgoorlie or Bunbury were pre-recorded, and no announcers were present to answer phones from listeners or emergency services - meaning that the stationsâ role in emergency broadcasting was rendered void.
Also since 1997, HOT FM has also been broadcasting under S.39 license of 6KG, however, the Kalgoorlie transmitter only receive most of the programming from Bunbury, with local services consisted of advertising and â5-sec pre-recorded weatherâ. A change in music policy at RadioWest/DMG had resulted in music format of RadioWest/HOTFM had became similar to each other, which was consider by this document a violation of s.39 license since it stipulate that it must âProviding listeners with greater programme choiceâ without affecting commercial viability of the parent station (in this case, 6KG)
There was also a letter from someone who claimed the brother-in-law of a radio host of the popular Sunday Gold on 6KG. That letter was sent to the government (the national one, if i not mistaken) to protesting the Bunbury management of RadioWest for dropping that long-time program on 6KG. It has been said in both documents that the Bunbury management had attempted to destroy the program by removing turntables from 6KG studio, therefore preventing the station from playing rich vinyl record that had been stored inside. By the time the letter had been written, the show had been âsuspendedâ, with the timeslot replaced by networked content from Bunbury. The letters also calling listeners to write letters to the local newspapers, and the stationâs General Manager to protest the network of canceling a great local show on Kalgoorlie airwaves.
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This was recently uploaded to YouTube. It was 1986 and 2SM had just dropped its âRock of the 80sâ branding for âYou Canât Stop The Rockâ. The station continued to pump out the Top 40, along with newly released overseas and Australian music.
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Love it - so mid-80s!
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Walking along the Main Street here in Townsville (Flinders Street)the last 2 days , I was remembering from back in the mid to late 70s when both commercial radio stations 4TO and 4AY (now Triple M and Hit 103.1 of course )both had their studioâs located here . I even remember exactly where they used to be then.Yes I was a true radio nut back in the day from when I was very young but not so much these days ever since networking came along,now all radio stations sound the same no matter where in Australia you aređ
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