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Good Weekend’s Annual Edition of 52 Weekends Away Reveals the Most Inspirational Aussie Escapes

Good Weekend’s Annual Edition of 52 Weekends Away Reveals the Most Inspirational Aussie Escapes

The Sydney Morning Herald and The Age’s Good Weekend magazine will celebrate the best short break locations Australia has to offer in its annual 52 Weekends Away special issue, out this Saturday, November 1.

The 35th annual edition, which runs at 56 pages, features inspirational short break ideas with reviews of accommodation from luxury adults-only to family friendly.

With many Australians now reaching the end of a long year, 52 Weekends Away is the perfect guide to plan a summer holiday and 2026 mini-breaks.

This year’s carefully curated selection, compiled in collaboration with the team at stablemate Traveller, features new or revamped properties around Australia.

The short break has changed markedly over the three decades since Good Weekend published its first 52 Weekends Away issue on November 17, 1990. With an expanding list of chic city hotels that have an emphasis on resort style living, and an ever-growing list of sophisticated getaways a short drive from metropolitan centres, Australians have never had so much choice to enjoy a domestic break.

Good Weekend editor Melissa Stevens said: “A weekend away is an Aussie institution – and Good Weekend’s 52 Weekends Away aims to give options for mini-breaks to suit all budgets and itineraries. Whether you are after a city-based stay to catch up on a show or check out some new restaurants or want to get off-the-beaten track to decompress and disconnect, you will be sure to find something that fits the bill.

“This year’s issue features a collection of short break ideas designed to provide plenty of inspiration for those looking for a circuit breaker from the hectic pace of life.”

Good Weekend 52 Weekends Away edition will be available in this Saturday’s edition of The Sydney Morning Herald and The Age, and online at

Financial Review Rebrands Its Business-To-Business Subscription Offering

The Australian Financial Review has rebranded its B2B subscriptions offering from Corporate Subscriptions to Financial Review for Business. The rebrand is a strategic evolution of the Financial Review’s professional offering, designed to meet the evolving needs of modern, technology-driven businesses.

Building on the AFR’s seven-decade legacy of editorial quality and authority, Financial Review for Business transforms access to the AFR’s trusted journalism. Enterprise subscribers can now gain real-time access to news and insights, seamlessly integrated into their existing systems and workflows available as an optional add-on through feed integrations.

The new enterprise licensing capabilities transform AFR’s journalism into a core business utility through direct feeds that allow clients to customise and integrate timely, relevant intelligence directly into their existing platforms and workflows for rapid decision-making.

Director of B2B Subscriptions and Licensing, Agos Garola, said: “Financial Review for Business is a strategic step forward, acknowledging how quickly the Australian workplace is changing. Our focus is on innovation, quality and control – maximising the utility and value of our content by offering enterprise subscribers new ways to integrate AFR intelligence into their existing technology for an indispensable edge.”

Developed in response to the increasing need for speed, automation, and customised insights, Financial Review for Business equips Australian decision-makers with the necessary insights to make informed choices and navigate complexity with confidence.

Editor-in-Chief, James Chessell, said: “For more than seven decades, the Financial Review has set the standard for editorial quality, credibility and authority, earning its place as a trusted source for business leaders. With Financial Review for Business, we build on that legacy, delivering the news and insight organisations must have to move decisively and confidently with the necessary speed, precision, and clarity the market demands.’

The rebrand includes a new visual identity developed by Droga5 ANZ – Part of Accenture Song, which uses ‘pixels’ as a metaphor for curated insights, reinforcing the Financial Review’s promise to deliver clarity and focus in a complex landscape. A new microsite, developed by the team at SLIK in conjunction with Brisbane based agency, Khemistry, showcases the full suite of available business offerings.

Leadership change looms at Sydney Morning Herald as editor Bevan Shields faces exit

Bevan “Sheffield” Shields will next week mark four years as editor of The Sydney Morning Herald. The smart money says that he won’t reach the milestone of five.

Shields, who is the first SMH editor in the masthead’s 194-year history to tell his cricket-adoring audience (out loud, anyway) that he reckons our national game is a dud sport, is apparently ready to relinquish the masthead’s reins, according to multiple well-placed sources inside Nine Publishing.

The whispers are that Shields will be safely parachuted from the editor’s chair into another senior role at the masthead.

… the mail is strong: Shields will vacate the editor’s chair in early 2026, if not earlier, and will most likely be replaced by long-serving SMH scribe Jordan Baker.

The day after The Australian’s Media Diary article came out, SMH confirmed that Jordan Baker would indeed succeed Bevan Shields as the new editor next year.

Mumbrella adds that:

(Shields) informed Herald staff in an email on Tuesday afternoon he has “decided to step aside”, saying he is “aware there has been some speculation about my future”. This follows speculation in The Australian over the weekend regarding Shields’ role.

“This job has been the honour of my life and I am extremely proud of everything we have achieved together,” Shields told staffers.

“I would like to thank you all for the privilege of being your editor.”

The Sydney Morning Herald and The Age Return to Beijing in February 2026

Nine today announces The Sydney Morning Herald and The Age will reopen its bureau in Beijing after six years following long-running discussions with the Chinese Government and the embassy in Canberra.

Executive Editor Luke McIlveen said the presence of the Herald and The Age in China was essential to giving readers the full picture of the global superpower on our doorstep.

“China is obviously the biggest player in our region and a true global superpower – economically, militarily and technologically.

“The bureau will report without fear or favour what makes China such an extraordinary country. Our return to Beijing only strengthens our commitment to having the best foreign correspondents in key global cities.”

Lisa Visentin, currently based in Singapore, will take up her Beijing posting in February 2026, filing stories for The Sydney Morning Herald, The Age, Brisbane Times and WAtoday.

“Having spent the past two years reporting on China from the region, Lisa already has a deep understanding of its growing influence in the Asia Pacific, its complexities and what it means for the strategic balance of power, in particular for Australia. Being on the ground in Beijing will only deepen that insight for our readers,” said McIlveen.

The Herald and The Age have a long tradition covering China. Margaret Jones was the first Herald and Age journalist based in China since World War Two, establishing a bureau in Beijing in 1973. Gough Whitlam once said that Jones “pioneered the Fairfax office in Beijing. Readers fully understood Australian foreign policy”.

Jones was succeeded by Yvonne Preston in 1975 (who returned for a second posting in the early 1990s). Other correspondents have included such respected bylines as Philip Wen, John Garnaut, Peter Ellingsen, Mark Baker, Hamish McDonald and Stephen Hutcheon.

Kirsty Needham was the last Herald/Age journalist based full-time in China, from 2017 to January 2020. Since then, Eryk Bagshaw and Lisa Visentin have covered North Asia from bases in Singapore and elsewhere, taking as many trips into China as possible.

Security firm manager charged with menacing investigative journalist Nick McKenzie

Investigative journalist Nick McKenzie has allegedly received menacing calls just one day after a security company entered administration.

The Age and The Sydney Morning Herald published details of alleged links between the company with a bikie gang, other accusations of its subcontractors evading tax, among other accusations.

Readers letters from Thursday’s edition

https://archive.md/Iywzl

Update 11/1: The Age and SMH published an editorial apologising for the hurt caused by the Wilcox cartoon.

ALEX DE MINAUR OPENS UP ON HIS “VERY DARK” MOMENT IN 2025 IN TENNIS, BROUGHT TO YOU BY GOOD WEEKEND MAGAZINE

AUSTRALIAN OPEN SPECIAL EDITION ALSO INCLUDES FEATURES ON HOW SUPER COACH DARREN CAHILL KEEPS PRODUCING WINNERS AND WHY RUSSIAN-BORN DARIA KASATKINA TURNED TO AUSTRALIA

Australian tennis super star Alex de Minaur opens up on his dogged rise to the world’s top 10 rankings, and how he’s bounced back from a 2025 that left him in a “very dark spot”, in a revealing cover story in Good Weekend magazine’s annual Tennis issue.

As the world’s best tennis players descend on Melbourne Park for the Australian Open, Tennis magazine celebrates the 2026 ‘Happy Slam’ and will be published through The Age and The Sydney Morning Herald this Saturday, January 17, produced by Good Weekend. It will also appear online in the BrisbaneTimes and WAtoday.

The issue features a mix of stories, profiles and lifestyle content which reflect the Australian Open’s unique blend of sport and spectacle. It is the fourth year the edition has been published.

De Minaur tells Good Weekend deputy editor Konrad Marshall that after a bruising last year that saw him lose in the ATP Finals in Turin to Lorenzo Musetti, he was in a dark place but is more determined than ever to make 2026 a watershed year.

In sport, results mean a lot, right? And this was a feeling after having a couple of matches not going my way, and me putting myself in great positions to succeed, but not being able to get over the line and take that next step,” says de Minaur. “That was a very tough moment of dealing with not only the loss, but the way it happened. As well as I’ve played this whole year, there’s matches and situations that I need to improve on for me to get there, and I stumbled in a pretty big tournament.”

“I think it probably is more difficult to handle knowing how close you are, seeing it within grasping distance, but you just somehow are not able to get there. It just frustrates you even more that you can’t take that next step.”

Elsewhere in the issue, Marc McGowan delves into the methods used by Aussie ‘super coach’ Darren Cahill that has resulted in four grand slam winners, all ranked No.1, during a long and distinguished career; and Billie Eder interviews Russian-born player Daria Kasatkina, who speaks candidly about the events which led her to switch her nationality to Australian in 2025.

With millimetres being the difference between winning and losing, the role of data now plays a huge role in tennis. Once only the wealthiest players could afford to crunch the numbers on their opponents, but Tennis magazine takes a look at how easily accessible data is now being widely used to gain a winning edge.

Stephen Brook reports on the ongoing evolution of the AO’s lifestyle offerings from dining, to entertainment and fashion, while Damien Woolnough offers fashion tips and Frances Mocnik rounds up gorgeous tennis bracelets for those wanting to have a ‘glam slam’.

“The Australian Open is a focal point for Australians each January as the world’s tennis greats descend on Melbourne Park,” says Good Weekend editor Melissa Stevens. “Our annual Tennis magazine aims to capture the spirit of the AO as the sport’s “happy slam”.

“This is the fourth year we’ve published Tennis and it’s a real joy for the Good Weekend team to curate a deep dive into one of the most popular sporting events of the year. This edition is a must-read for any fan of tennis.”

Tennis illustrates the power of the Nine Group, which is uniquely placed to provide brands with optimal access to the action, with an enviable media ecosystem that allows marketers to call game, set and match on their campaigns.

Nine’s Commercial Director - Publishing Sales, Ashleigh Thomas, said: “Tennis magazine is an outstanding example of how Nine can extend partnership opportunities. Written by some of the country’s most regarded feature journalists, Tennis provides a prestige environment for brands to connect with a highly-engaged audience who are interested in one of the most loved events on the sporting calendar.”

Good Weekend’s regular Saturday magazine returns on January 24.

Trainee Visual Journalists to Join The Sydney Morning Herald and The Age, in Partnership With Canon

Two talented visual journalists will join Australia’s best news photography teams as trainees with The Sydney Morning Herald and The Age.

The traineeships, in partnership with Canon Australia, give the next generation of visual journalists a chance to develop their skills in award-winning newsrooms.

Audrey Richardson will join the Herald and Ruby Alexander is heading to The Age after a highly competitive recruitment process conducted by the newsrooms’ photographic editors and senior editors.

Audrey and Ruby will work alongside the country’s top photojournalists, video producers and editors, developing visual reporting skills and working across different parts of the newsrooms.

Audrey studied journalism and photography at Michigan State University, and completed internships with the Chicago Tribune, the Detroit Free Press and Seattle Times. She has an interest in underwater and drone photography.

Audrey said: “I’m beyond thrilled to be joining The Sydney Morning Herald, and I can’t wait to work alongside and learn from some of the country’s best photographers and journalists.

“I’m incredibly grateful to Canon for this partnership and the opportunity to continue growing as a photojournalist.”

Ruby is an aspiring foreign correspondent with a passion for storytelling through photography, video and field reporting. Her portfolio spans Australia and Asia and includes documentaries, photo essays and multimedia stories.

Ruby said: “I’m excited to be joining The Age as a visual journalist trainee. It’s a real privilege to learn and develop my skills alongside such an experienced and talented team. I’m eager to learn from everyone and to continue growing as both a photographer and journalist. Thank you to The Age and Canon for this incredible opportunity.”

Executive Editor Luke McIlveen, said: “With a rich history of documenting history through images, the Herald and The Age newsrooms welcome Audrey and Ruby. Working alongside our award-winning journalists, our trainees will not only develop their skills but our newsrooms too will benefit from the real-world experience they bring to us. We can’t wait to see how Audrey and Ruby contribute to the country’s two most-read mastheads.”

Aaron Berthelot, Senior General Manager – Consumer Sales & Marketing, Canon Oceania, said, “Congratulations to Audrey Richardson and Ruby Alexander on their selection as visual journalist trainees. Canon is proud to support the next generation of visual storytellers through this partnership, and we’re excited to see their perspectives continue to develop within two of Australia’s most respected newsrooms.”

The traineeship program is funded as part of a three-year partnership with Canon Australia, providing dedicated investment in the trainees’ development, alongside industry-leading gear for both the trainees and Nine Publishing staff photographers.

The traineeships are a unique opportunity for those with a strong passion for photography and video storytelling to contribute to the mastheads’ high-quality visual journalism.

The Herald and The Age have a combined total readership of 12 million, and a rich heritage of quality, independent photojournalism.

Canon

Canon is a world-leading imaging brand that actively inspires and enables people to achieve more than they ever thought they could through products, services and solutions for business and consumers.

With global revenues of more than $US28.5 billion in 2024, Canon has ranked among the world’s top 10 in the U.S. patent rankings for 41 consecutive years*.

Also part of the Canon Oceania Group companies and brands in the region are Canon Finance Australia, SUNSTUDIOS, Canon Business Services ANZ, Satalyst, Canon New Zealand Limited and Canon Business Service Centre in the Philippines.

*Information published as of January 15, 2025 by IFI CLAIMS Patent Services, a U.S. patent research company.

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The Australian Financial Review today unveiled a new brand campaign ‘It’s Not For Everyone’, designed to reinforce its position as the daily habit of successful people.

I could go into another daily habit of so-called successful people, because it also describes the people who read the AFR. :rofl:

Nine has printed its daily The Financial Review and The Age editions at a News Corp printing press in Hobart since the closure of a facility in Tasmania’s north in 2024.

The company said it would continue to source the entirety of its national newsprint from the Boyer Paper Mill in Tasmania’s south.

The final editions to hit Tasmanian shelves will be The Sunday Age on March 29 and The Financial Review on Saturday, March 28.