ABC operations

ABC 2020 Federal Budget Response

There was no change in last night’s Federal Budget to the ABC’s funding for the remainder of this triennial funding period, which concludes at the end of the 2021-22 financial year.

The Budget papers show ABC funding will fall below current levels in the next triennium because funding for the enhanced newsgathering initiative is due to expire at the end of 2021-22.

This program has been in place since 2013 and has previously been renewed twice by the Coalition Government.

The initiative has given the ABC the ability to deliver more tailored and local news to communities and to bring news from across the country to a national audience.

It has enabled job creation at a time when commercial news media are rationalising their services and contracting or amalgamating regional news resources. Overall, it’s estimated there are currently 69 positions supported by the funding.

It has supported ABC News to make a significant investment in its regional newsgathering capacity and locate content-makers in regions where the ABC was previously under-represented or not represented at all.

It provides vital services valued by the community.

Prior to the expiry of the current funding the ABC will continue to make submissions to the Government for this important initiative to continue as a permanent part of the ABC’s budget.

ABC strengthens cultural ties in Western Sydney

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The ABC has partnered with Australia’s first multimedia public space storytelling project, Storybox Parramatta, as the national broadcaster looks to strengthen its presence in Western Sydney.

Snapshots of life in Parramatta from the 1950s and 1960s, drawn from the ABC Archives, form a central part of the ABC’s contribution to the three dimensional Storybox platform, which launches in Parramatta Square today.

ABC Managing Director David Anderson said Storybox gave the ABC the opportunity to tell local stories at a local level from within the heart of the Parramatta community.

“Earlier this year we opened our first Western Sydney newsroom in Horwood Place, Parramatta, to strengthen the ABC’s coverage of Western Sydney’s diverse communities. Over the next five years we are committed to relocating around 200 ABC staff outside of our Ultimo headquarters and many we hope will find their new working home in the Parramatta area.”

Mr Anderson said the ABC would like to have a larger presence in the proposed cultural precinct in Parramatta and were in talks with the NSW Government to make that happen. “Our local and regional services are at their best when they are working from within their local communities,” he said.

The ABC’s Content Ideas Lab has curated a series of stories for the Parramatta community which include archival footage of an Italian farming family in Epping in 1958; a wool fashion parade at Elizabeth Farm in 1959; Cedars of Lebanon footage along with interviews with community members from 1963; and a Ukrainian/Australian ballet performance recorded at the Parramatta Town Hall in 1959. There is also animated Indigenous language lessons as well as a look to the future with interviews from local residents about what they want their community to look like after the pandemic.

City of Parramatta Lord Mayor Cr Bob Dwyer said: “Council is proud to be a key partner in Australia’s first Storybox – a new media platform in the world-class Parramatta Square precinct that allows our diverse community to share their own stories about Parramatta in an innovative way.”

Storybox Parramatta has been created by digital placemaking studio Esem Projects in partnership with the City of Parramatta, ABC Content Ideas Lab, Western Sydney University, Story Factory, FORM Dance Projects and Curious Works.

The Guardian reports ABC’s operating budget drops from $880.6m in 2021-2022 to $866.5m in 2022-2023, which represents a 3.7% decrease in real terms from 2020-2021 to 2023-2024.

The government has partially restored the indexation in the ABC’s next triennium funding cycle in 2022, but it falls short of the figure needed to maintain the ABC’s budget and more cuts are expected.

ABC wins two international diversity awards

ABC political drama Total Control and ABC Children’s short film And Then Something Changed have won prestigious awards celebrating diversity and inclusion across the international television industry.

The Indigenous-led Total Control, produced by Blackfella Films and starring Deborah Mailman and Rachel Griffiths, won the MIPCOM Diversify TV Excellence Award for Representation of Race and Ethnicity, beating US series Twenties and Penny Dreadful : City of Angels.

ABC ME series And Then Something Changed, produced by Sticky Pictures as part of the DisRupted funding program to support Australian creatives with disability, won the MIPCOM Diversify TV Excellence Award in the Kids’ Programming category, beating UK program Pablo and Canadian program Lockdown .

The ABC series were the only Australian winners of the annual MIPCOM Diversify Awards, announced in Paris overnight, which recognise outstanding television programs that create more opportunities for diverse talent and demonstrate the positive impact of diversity across the global media landscape.

Total Control star Deborah Mailman, who plays an Indigenous Senator who wants to settle a score against her party and the Prime Minister of Australia, said: “This is a production I’m most proud of. It’s a dream to play such a complex and ambitious character that brings a unique voice to the screen. It’s wonderful that Blackfella Films, the ABC and all involved have been honoured on the international stage in this way. It’s absolutely thrilling.”

Sally Riley, ABC Head of Drama, Entertainment & Indigenous content, said: “I’m ecstatic about this award because we have been working so hard in this area for a very long time. It’s great to see diverse Australian writers, directors, actors and producers getting international recognition and congratulations to Blackfella Films and the amazing team they gathered for this show.

Total Control for the ABC really struck a chord with our audiences because they are seeing a powerful Indigenous woman on screen fighting for what she believes in. It’s not a stereotypical role – she’s authentic, she’s sassy, she’s irreverent and just a really great character.”

Darren Dale, Managing Director and Producer at Blackfella Films, said: “Blackfella Films has always championed Indigenous voices and fought to have more inclusive stories on our screens, so this award is a wonderful affirmation of all we have aspired to.

“Deborah Mailman is a powerhouse actor and the combination of her extraordinary gifts and Rachel Griffiths’ brilliance made a thrilling drama where overt notions of diversity and inclusion became irrelevant, because they were simply intrinsic to the power of the story. And that is where we all want to be.”

Total Control also won the 2019 AACTA Awards for Best Drama, Best Lead Actress in a TV Drama for Mailman and Best Supporting Actress in a TV Drama for Griffiths.

And Then Something Changed, starring Theo Watson-Bonnice, enabled audiences to discover what it’s like to be a child with Achondroplasia, a form of dwarfism, and to have to navigate a world that isn’t built for you. The short film screened on ABC ME to celebrate International Day of People with Disability on 3 December 2019.

Libbie Doherty, ABC Head of Children’s, said: “Breakout newcomer Theo Watson-Bonnice delivers a standout performance in this wonderful and clever film about the inaccessibility of the world around his character Luis. Huge congratulations to all the team behind the scenes, including Eliza Hull and Sticky Pictures, Donna Andrews and Stu Connolly. We are thrilled this film has been recognised.”

Eliza Hull, the film’s creator and producer, said: “I am very thrilled that our short film And Then Something Changed was awarded a MIPCOM Diversify award. What an incredible opportunity! Thanks to ABC Kids, Sticky Pictures and all the crew and cast, especially our lead star Theo Watson-Bonnice. As a person with a disability, I feel exceptionally proud of how the film shines a light on disability.”

Donna Andrews, CEO of Sticky Pictures, said: “Sticky Pictures is thrilled to win this MIPCOM Diversify TV Excellence Award. We are incredibly proud of this film and the wonderful team behind it, with special thanks to Producer Eliza Hull, Director Keiran Watson-Bonnice and our young, very talented star Theo Watson-Bonnice.”

ABC Education and Australian Media Literacy Alliance unite to combat “fake news” for Media Literacy Week

To mark its third annual national Media Literacy Week, ABC Education has partnered with the newly formed Australian Media Literacy Alliance (AMLA) to combat the spread of spin, misinformation and “fake news” around the world.

AMLA brings together some of the nation’s leading cultural and educational institutions to advocate for high-quality education programs and resources and to raise awareness of the need for robust media literacy education for all Australians.

The 2020 Media Literacy Week, from 26-31 October, features special events to help teachers and students navigate the news and media landscape, including:

ABC Education’s Media Literacy website also features new resources to teach students about using data and statistics, as well as “fake news” interactives and online lessons with RMIT/ABC Fact Check about subjects such as “information disorder” and spotting fake images.

Annabel Astbury, ABC Head of Education, said: “The ABC is delighted to partner with AMLA in educating people about the essential need of media literacy for all Australians. Through Media Literacy Week and the ABC Education Website, we will connect students and teachers with high quality and trustworthy content that equips them with the skills to think critically about the media they consume and create every day.”

Sue McKerracher, Executive Director of ALIA and AMLA representative, said: “If ever there has been a time for promoting authentic, accurate, timely information over fake news and misinformation, it is now – during a global pandemic. We very much welcome this leadership from the ABC. Media Literacy Week gives us a focus for our awareness-raising work and valuable content to share with our audiences.”

The ABC’s third national Media Literacy Week coincides with UNESCO’s Global Media and Information Literacy Week, from 24-31 October, which promotes media literacy as a way to foster social inclusion and intercultural dialogue.

Farewell Paul Murphy

All at the ABC are saddened by the loss of Paul Murphy, who has died today in Sydney at the age of 77 after a short illness.

Murphy made his name at the ABC as one of the pioneering team on Australia’s first nightly current affairs TV program, This Day Tonight, where he worked alongside the likes of Bill Peach, June Heffernan, Tony Joyce and Peter Luck. The 1974 photo of that line-up, with Murphy at the far left, is one of the great ABC images.

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From TDT Murphy went on to report for its replacement, Nationwide. He also presented radio current affairs flagship PM for a decade, until 1993. He moved on to become the first host of SBS’s Dateline.

In 1994 he was made a Member of the Order of Australia (AM) for service to public broadcasting and to journalism. In 2000 he was awarded the Walkley Award for Outstanding Contribution to Journalism.

Friends and colleagues of Murphy have paid tribute to him.

Kerry O’Brien: “Paul was a shining light in Australian public broadcasting; a man of fierce intellect, rapier wit and utter integrity who blazed trails, pursued scoundrels and was the master of the political interview.

“He was both role model and dear friend, touched all he worked with and will not be forgotten. He was a giant of his generation.”

Ian Macintosh: “Paul was a dear friend and one of the finest broadcast journalists of his generation. His contribution to public interest journalism at the ABC and the SBS is without peer.

“He had a brilliant mind and wit, and he was a great humanitarian.”

Peter Manning: “Paul was the quintessential Irish Australian – full of wit, humour, irony, cutting down tall poppies and a great supporter of the underdog. He was also a very accomplished mimic, contemptuous of pomposity and saw through the hypocrisy of many a politician. All this made him a most popular office wag.

“But on air, whether on radio or television, his beautifully honeyed voice was so distinctive that he was loved as one of the ABC’s best journalists, presenters and interviewers. Already sadly missed.”

ABC Managing Director David Anderson extended sincere condolences to Murphy’s family and friends on behalf of everyone at the national public broadcaster.

“Paul was a fine journalist and a wonderful friend and colleague to many,” he said. “He will always be an important part of the history of the ABC and of Australian journalism.”

ABC Director News, Gaven Morris said Murphy left an important legacy.

“The enormous contribution of Paul Murphy and others of his generation helped make ABC NEWS what it is today,” he said.

“He had integrity, authority and was a natural communicator. He also had great warmth, making him as well liked by colleagues and audiences as he was respected.”

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2020 ABC Annual Report


The ABC recorded annual loss of $18.4 million, primarily due to a $9.9 million drop in the revaluation of its extensive property portfolio. The loss was much bigger than the original budget forecast loss of $11.1 million.

ABC Managing Director David Anderson makes the opening statement to Senate Environment and Communications Legislation Committee

In this environment, the ABC has been more important than ever:

  • ABC TV and iview have both grown reach, with live ABC News streaming key to this.
  • ABC News digital has reached new heights: number one across all demographics, with engagement up 80% compared to 2019.
  • The ABC NEWS website was Australia’s top digital news site in September for the ninth consecutive month.
  • In the latest radio ratings survey, ABC radio achieved its highest reach since 2004.
  • 6m Average Monthly Users have visited ABC Kids on iview – across all websites and apps, an increase of 36% year-on-year. Bluey remains the number one kids’ program with 2.5m VPM Average Audience.
  • ABC Kids reaches 62% of 0-4s weekly.

We’ve been here for Australian audiences and we’ll continue to be.

Response to today’s story by Jonathon Moran in News Corporation titles

A story in News Corporation titles today by Chief Entertainment Writer Jonathon Moran seeks to attack the ABC’s reporting of an alleged war crime by Australian forces. It is a weak attempt to undermine the ABC’s important journalism on this public interest issue.

The ABC stands by the reporting done by our award-winning journalist Mark Willacy and the Investigative Reporting Team on this story, which can be read here: US marine says Australian special forces soldiers made ‘deliberate decision to break the rules of war’

News Corporation’s headline, calling this reporting “fiction”, is a slur on months of dedicated reporting on the serious issue of how Australian forces conduct themselves in our name overseas, something that is of concern to all Australians.

Willacy’s reporting on this issue has been acted upon by the Inspector General of the Australian Defence Force. It has led to a soldier being referred to the Commissioner of the AFP for investigation. It has led to other SAS soldiers who witnessed killings coming forward.

Some of the stories include:

The report attacked by News Corporation today was the result of extensive work over two months, including multiple interviews with our key source. Our source also stands by his account.

The ABC is aware former Commando Heston Russell, who features in the News Corporation story, has disputed the allegation in our report. Russell was not named in our report. We have no knowledge that he was even on the raid in question.

These are the questions the ABC received from News Corporation yesterday and our answers, in full:

Moran: As discussed, I have interviewed the former Special Forces officer who was the commander in charge of November Platoon mentioned in a story by Mark Willacy, Alexandra Blucher and Dan Oakes last week.

In the story, an American Marine named Josh alleges Australian forces murdered an Afghan prisoner because they could not fit him on the helicopter.

Can you provide any clarity on this. My source, who has agreed to be named publicly, claims this incident did not occur. He also claims the Marine could not have heard a round firing based on his position in the helicopter as well as the height of the helicopter.

Response: The ABC stands by the story. The ABC is aware former Commando Heston Russell has disputed the allegation in the report. However, we have no information he was there at the time. As we have reported, the US Marine heard the shot over the radio communications in which he and his Marine crew on the Huey UH-1Y helicopter were included. They also heard the conversations between the US pilots and the Australians on the ground before and after the shot. Prior to this the Huey crew was providing close aerial gun support to the Australians and saw prisoners being rounded up and bound.

Moran: Can you provide any comment on the following:

Did the ABC independently verify that Josh was a member of the US Marine Corps?

Response: Yes. We know his real name, when he enlisted and when he served with HMLA-469 at Camp Bastion, Helmand Province. He has provided details of his service record and decorations for combat flights. We have also seen a US news story in which he featured as well as a radio interview he gave from Afghanistan. We conducted two on record interviews with him and corresponded with him for two months before running the story.

Moran: Did the ABC ask for the ADFs input on this story and if so, what information was provided?

Response: Yes. The ADF said it was inappropriate to comment while the IGADF inquiry is underway. This was included in all stories.

Moran: Were any official reports or documents provided into the alleged incident claimed to have occurred?

Response: The ABC understands there are no official reports or documents.

Holmes found the coverage lacking but said there was no evidence reporters were under political pressure from management. The report did not assess climate coverage across all the ABC’s radio, TV and digital output but did single out ABC online for its excellent, detailed climate change coverage from a number of specialist science, weather and business reporters.

The report concluded that “7.30’s coverage was inadequate, bearing in mind the program’s role as the ABC’s flagship daily television current affairs program and the crucial importance of the issue for all Australians”. AM, the report found, “did better, but its coverage was barely adequate”.

The report, which was obtained by Guardian Australia, suggested the reason for the lack of comprehensive global warming coverage was not political pressure. Rather, it was due to climate change being a gradual process which struggled to compete with the daily news agenda. It was also a complex topic for general reporters.

ABC statement

The ABC does more than any other Australian media organisation to inform Australians about the important issues around climate change.

The Australian Conservation Foundation, which commissioned the 2017-18 report quoted by Guardian Australia, itself says the report “should not be considered a full quantitative analysis”.

It notes the report’s author “did not conduct interviews with ABC personnel, or other relevant parties”.and says the views in the report “are (the author’s) alone, and do not represent the position of ACF”.

The ABC rejects these views and the report. It lacks adequate context and analysis.

The ABC has recognised the importance of the climate change story for Australians and rigorously covered it for many years.

It’s more than a decade since the ABC found that the evidence for human-related climate change was overwhelming, to the extent that stories didn’t require “balance” ( ie false balance) on the basic science.

ABC staff have taken part in workshops about climate change with leading experts from the CSIRO and the Bureau of Meteorology to ensure our reporting is as up-to-date and informed as possible.

While the ACF report confines itself to examining a small selection of stories from two programs, literally hundreds of examples of the ABC’s reporting on climate change and related environmental issues can be found through simple online searches, for example at Climate Change - Topic - ABC News and Environment - Topic - ABC News.

Recent examples of other in-depth News coverage include the Four Corners investigations “Climate Wars” and “Climate of Change; numerous discussions and a dedicated episode of Q&A ; and many interviews with climate change scientists and other experts on programs including 7.30 , AM, PM and RN Drive .

A collection of TV climate and environment stories can be found here on iview, including current series “Fight for Planet A” and “Big Weather”. Deep dive radio content includes the recent four-part Radio National series “Hot Mess”.

The ABC has also been acknowledged for its exhaustive coverage of last summer’s bushfires and the aftermath, including the debate over the contribution of climate change.

We are proud of the coverage we provide to audiences in this key area.

ABC Chief People Officer Rebekah Donaldson to depart

ABC Chief People Officer Rebekah Donaldson has announced she will leave the national broadcaster in January 2021 to take up the role of Executive Manager, People at Qantas Group.

Ms Donaldson has been an ABC Director since 2018, leading the ABC People & Culture division through often challenging times. Since joining the ABC in 2013, she has filled several roles including Chief of Staff to the Managing Director.

ABC Managing Director David Anderson paid tribute to Ms Donaldson’s career at the ABC and her contribution across the organisation.

“Rebekah has been an outstanding executive and colleague to many at the ABC and is held in very high regard across the organisation.

“On behalf of the leadership team and the ABC, I would like to thank Rebekah for her leadership and expertise. We wish Rebekah well in this next chapter of an already impressive career.”

Ms Donaldson will leave the ABC in mid-January 2021. A recruitment process for the role will begin in the coming weeks.

Always was, always will be: NAIDOC Week on the ABC

The ABC will celebrate the continuous culture and achievements of the world’s oldest living storytellers across NAIDOC Week, from 8-15 November, with new documentaries, podcasts and live performances by Indigenous artists such as Thelma Plum, Emma Donovan and Kutcha Edwards.

In line with this year’s NAIDOC Week theme “Always Was, Always Will Be”, the ABC will celebrate more than 65,000 years of Aboriginal and Torres Strait Islander people, history and stories across television, radio and online.

Live events

The ABC is the host broadcaster of the University of Sydney’s 20th anniversary of the Dr Charles Perkins Oration and will livestream the event on the ABC Indigenous and University of Sydney Facebook pages and ABC Australia Facebook and YouTube sites, on 12 November at 8pm AEDT. A recording of the oration by Pat Turner, a Gurdanji and Arrernte woman, accompanied by live performances by Paul Kelly and the Barayagal Choir, will be broadcast on ABC TV on Saturday 14 November at 2.30pm.

To celebrate NAIDOC Week and Ausmusic Month, triple j will broadcast a special live concert of Thelma Plum and friends performing in Brisbane on Live At The Wireless on Monday 9 November at 8pm and Sunday 15 November at 5pm, as Plum brings her debut album Better in Blak to life, backed by a stellar line-up of special guests.

ABC Melbourne will present a special NAIDOC Week concert featuring Kutcha Edwards, Kee’ahn and Emma Donovan and The Putbacks to be broadcast across Australia on ABC Radio on 10 November from 2pm and the ABC Facebook and YouTube sites from 8pm.

Television

ABC iview’s NAIDOC Week collection of programs will feature works from emerging Indigenous screen storytellers, produced in partnership with Screen Australia, plus recent documentaries The Australian Dream, FREEMAN and In My Blood It Runs.

ABC Kids’ NAIDOC Week collection on iview features Indigenous-led content such as Little J & Big Cuz and Play School Story Time. ABC ME and ABC Kids will also broadcast “good morning” messages in Indigenous languages from across Australia, in line with the ABC’s Elevate Reconciliation Plan commitment to bring Aboriginal and Torres Strait Islander languages and voices into the national conversation.

Music show The Sound will celebrate NAIDOC Week with performances by Indigenous artists such as Archie Roach, Tasman Keith, Briggs and Christine Anu, on Sunday 8 November at 6pm. Also on the music front, Indigenous rapper Briggs will take over the Rage couch on 14 November from 11.30am to midday and 11.54pm to 5am, while new ABC Music album Deadly Hearts – Walking Together, released on 6 November, features young Indigenous artists reimagining iconic songs.

Gardening Australia will explore Australia’s native flora and hear stories from a D’harawal Elder on connecting to land and nature, on Friday 6 November at 7.30pm.

New documentary Walkabout Wickets will follow the 2018 National Indigenous Cricket Team as they tour the United Kingdom, retracing the steps of the 1868 Aboriginal cricket team – Australia’s first sports team to tour overseas – on Tuesday 10 November at 8.30pm.

Radio

ABC Radio will showcase the talents of Indigenous artists across NAIDOC Week and Ausmusic Month. triple j will kick off the week with a healing and welcome performance by the Muggera Cultural Group and triple j Drive will present an Unearthed NAIDOC Week collaboration with Kee’ahn, Kobie Dee and River Boy working together on a new song. triple j Unearthed will also feature 24 hours of music from First Nations artists on Saturday 14 November, while Double J will host Emma Donovan as Artist in Residence and a Kev Carmody J Files.

ABC Classic and ABC Jazz will start each morning with Acknowledgements of Country, while ABC Classic will also feature and live and studio recordings by Indigenous musicians each day at 1pm across NAIDOC Week. ABC Classic has also launched the virtual Classic Choir, featuring a new carol commissioned by the ABC from Deborah Cheetham, a Yorta soprano and composer.

ABC RN will celebrate Indigenous leaders, artists and performers across multiple programs, including Speaking Out ’s coverage of the Dr Charles Perkins Oration and special interviews on The Music Show , The Book Show and The Stage Show which will showcase the best of Indigenous theatre in 2020.

RN’s All In The Mind will look at Indigenous-led efforts to tackle the crisis of youth suicide, on Sunday 8 November at 12.30pm. Also on RN, The Minefield (Wednesday 11 November at 11.30am) will ask whether Aboriginal political concepts can be accommodated by political liberalism, while The History Listen ’s feature “The Scholar’s Hut” will explore the training ground for some of Australia’s leading civil rights activists (Tuesday 10 November at 11am).

Podcasts

Gripping new ABC investigative podcast Thin Black Line will reveal the story behind the 1993 death in custody of Aboriginal teenager Daniel Yock, which sparked anger fueled by decades of bad blood between Brisbane police and the local Indigenous community. The six-part investigation, presented by Walkley Award-winning journalist Allan Clarke ( Unravel True Crime: Blood On The Tracks ), will be available on the ABC listen app from 8 November.

ABC Kids listen podcast News Time will present a special Indigenous episode with guest host Miriam Corowa, featuring stories on Deadly Science, Indigenous veterans on Remembrance Day and the Mad Proppa Deadly music camp. ABC Kids listen program Lullabies will also feature Indigenous lullabies commissioned as part of the ABC’s $5 million Fresh Start Fund.

Additional news, analysis and insights about NAIDOC Week and broader issues affecting Aboriginal and Torres Strait Islander people will be available across the week on ABC News, ABC TV and ABC Radio, as part of the ABC’s ongoing commitment to telling and sharing Indigenous stories.

Go to abc.net.au/indigenous for more information and coverage of NAIDOC Week.

I’m assuming stories passed down rather than paintings.

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Calls to defund the ABC, made by pundits who abhor cancel culture, are nonsense

By ABC board member Joseph Gersh (first published in The Australian)

Chris Kenny has been a vigorous critic of the ABC while previously “resisting calls for its privatisation or abolition”, but after last week’s Four Corners, Media Watch and Q&A he has asserted that it now “is beyond redemption”.

This follows similar calls from the Institute of Public Affairs and other respected organisations.

I cannot agree. I declare my centre-right bias; a long-time reader of The Australian, I was appointed to the ABC board by Turnbull government communications minister Mitch Fifield.

The ABC is frequently criticised and sometimes for good reason. Even the most passionate friend of the ABC could not argue that Aunty is beyond criticism.

Calls for the abolition or privatisation of the ABC (essentially the same thing) are a thought bubble for which there is no constituency on either side of politics. Each time it is repeated, it damages the ABC’s quest for the long-term, stable funding it needs and that underpins its independence.

It may irritate the critics, but the ABC remains Australia’s most trusted source of news and current affairs. Who but the ABC can we rely on for emergency broadcasting, which attracted universal appreciation yet again in the most recent bushfires? Likewise with coronavirus.

Add to the list rural and regional Australia, Australian drama, comedy, children’s shows, women’s sport, music, Indigenous issues and the arts.

Unsurprisingly, the ABC’s political coverage attracts the most controversy. But how can it be consistent with liberal values to call for the ABC to be defunded every time a controversial story is aired? Cancel culture, which conservative columnists abhor, is just as absurd when applied to the ABC.

I do not share in the hysteria about Rupert Murdoch. News Corp, in my view, plays a valuable role, and if more media diversity is sought (and it should be) it can be achieved by encouraging as broad a range of competing voices as possible, including those that may require some taxpayer support.

But I do find it hypocritical when journalists and commentators conflate issues of competi­tion with issues of bias. News Corp is well able to deal with its commercial interests.

Concerns about balance at the ABC, on the other hand, are an entirely legitimate issue for debate and the views expressed in the columns of this newspaper should be heard; as should the views of others that may robustly differ.

The ABC is taxpayer funded, it does not accept advertising, and therefore it is not a commercial rival. Nonetheless, it competes for eyeballs and clicks. Some resent this. Freed of the obligation to satisfy advertisers or a proprietor, the ABC is able to do things others cannot do; things that may not have a commercial return but that have profound civic benefit.

The case for public broadcasting in today’s disrupted media environment and the era of “fake news” is stronger than ever.

I accept that some people were uncomfortable with Four Corners on Monday night last week. Four Corners often does that. By its nature, long-form investigative journalism can make those under investigation feel exposed. That goes with the territory. To demand intervention by the ABC board is misconceived.

The role of the board is to ensure that the ABC conforms to its charter, and it does so via its editorial policies as explained clearly by ABC managing director David Anderson at Senate estimates last week in an extraordinary exchange in which he was asked to justify a program that had not yet gone to air.

Critics often portray the ABC as a “conservative-free zone”. Yet Kenny’s greatest criticism of Q&A was the heated exchange between Malcolm Turnbull and Paul Kelly, two leading, respected men I would describe as conservatives. Agree with either, or neither, but what sin has the ABC committed in putting these important issues — climate change and media diversity — to air?

Kenny’s throwaway line, “Sorry Ita, we had high hopes for you”, apart from being inappropriate and patronising, fails to appreciate some of the bold and strategic thinking adopted under the leadership of Ita Buttrose and Anderson during a time of financial challenge.

This board has adopted a five-year plan to decentralise the ABC. Three-quarters of content-makers will be outside Ultimo headquarters by 2025 and enhanced recruiting guidance will encourage greater diversity on and off air.

These are not “woke” words. They represent a fundamental shift to make the ABC more representative of today’s Australia. People in different parts of the country and from different cultures and backgrounds see issues differently. In a measured and thoughtful way, this plan addresses the “unconscious bias” at the ABC that Buttrose identified early in her tenure.

The ABC does not require redemption; it accepts constructive criticism but needs support and stable funding. Believers in a robust media would benefit from dial­ling down threats to its funding and continuity.

Joseph Gersh is executive chairman of Gersh Investment Partners, an ABC board member and a former deputy chairman of the Australia Council for the Arts.

The ABC, democracy and the importance of press freedom

ABC Chair, Australian media and publishing icon, and 2013 Australian of the Year, Ita Buttrose presents a Ramsay Lecture titled ‘The ABC, Democracy and Press Freedom’.

Text of speech.

How the ABC is prioritising diversity, to reflect and represent modern Australia

We’re proud of the great, diverse talent at the ABC, in our content and our workforce.

Our 2021 slate reflects our commitment to representing and reflecting modern Australia, across diverse backgrounds, ages, genders, abilities and cultures, in programs such as Total Control, Firestarter: The Story of Bangarra, Superwog, Here Out West, Anh’s Brush With Fame, My Name Is Gulpilil, Palazzo Di Cozzo, That Pacific Sports Show, Chopsticks or Fork?, Step Into Paradise, You Can’t Ask That, Old People’s Home for 4 Year Olds, Laura’s Choice, Love On The Spectrum, Why Are You Like This?, All My Friends Are Racist, Hardball, Preppers, Back To Nature, Wakefield, Australia Remastered and Mikki Vs The World.

Across the ABC, increasing diversity both in our workforce and our content is a priority. For details of where we are now, and our goals and plans, a good starting point is the Diversity & Inclusion Plan and the Reconciliation Action Plan.

As they demonstrate, the ABC’s diversity and inclusion goals include visible differences, such as gender, age, language, ethnicity, Aboriginal identity, cultural background and visible disabilities, and non-visible differences, such as sexual orientation, religious belief and invisible disabilities.

They also recognise the ways that people are different in other respects, such as family composition, educational level, socio-economic background, geographic location and diversity of perspectives and thought.

As we have spoken about publicly before, ABC News is taking specific and measurable actions to make our team more diverse and our reporting reflective of the Australian community, including:

  • Expanding the range of voices and perspectives across our panel shows, including Insiders , Q&A and The Drum
  • Embedding in the News editorial strategy increased coverage relevant to people in the outer suburbs – the most diverse places in our country
  • Launching the 50:50 Project, which has now been underway for almost two years and has been very effective
  • Creating the National Disability Affairs role, held by a correspondent (Nas Campanella) with lived experience of disability
  • Implementing diversity hiring guidelines to use when we are recruiting
  • Improving the focus of our training, internship and cadet programs, as retaining diverse staff is a critical issue

There’s no doubt that, like all media organisations, the ABC has significant work to do to live up to our goal to reflect the full diversity of our community.

But we are making progress.