# Screen Australia **URL:** \ **Category:** General Television Topics\ **Created:** [December 20, 2022, 10:03pm UTC](https://forums.mediaspy.org/t/screen-australia/21384 "2022-12-20T22:03:32Z")\ **Posts on this page:** 20\ **Page:** 1
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [December 20, 2022, 10:03pm UTC](https://forums.mediaspy.org/t/screen-australia/21384/1 "2022-12-20T22:03:32Z")
Discussion of Screen Australia projects and funding, especially not yet associated with a broadcaster. 2022 Year in Review [![](https://img.youtube.com/vi/CNx2tCtEJfc/maxresdefault.jpg "2022 End of Year Video") ](https://www.youtube.com/watch?v=CNx2tCtEJfc) ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [December 20, 2022, 10:06pm UTC](https://forums.mediaspy.org/t/screen-australia/21384/2 "2022-12-20T22:06:21Z")
### SCREEN AUSTRALIA ANNOUNCES $1.2 MILLION OF DEVELOPMENT FUNDING > Screen Australia has announced 19 feature films, 10 television dramas and three online projects that will share in over $1.2 million of Story Development funding. The projects include [_Moja Vesna_](https://www.screenaustralia.gov.au/the-screen-guide/t/moja-vesna-2022/37194?stxt=moja%20vesna) writer/director Sara Kern’s new feature film _A Way Away,_ children’s sci-fi animated series _Combatoms_ and _Just Chidi Things_ from writer/producer/lead actor Chika Ikogwe, producer Ana Tiwary and executive producer Rose Byrne. > > This slate includes 19 projects supported through the Generate Fund and 13 through the Premium Fund. > > Screen Australia’s Head of Development **Louise Gough** said, “We are excited about this distinctive mix of projects and the range of audiences and markets they intend to serve. We are proud to support creatives as they expand their body of work across a range of platforms and formats. This includes debut feature films from Jack Dowdell, a 2019 [Developing the Developer](https://www.screenaustralia.gov.au/sa/media-centre/news/2019/11-13-developing-the-developer-participants-2019) recipient, and writer/director Bradley Slabe who created the award-winning short film _Lost & Found_.” > > Screen Australia’s Head of Online **Lee Naimo** said, “We love seeing Online creators taking advantage of the opportunities we provide to incorporate development into their project plans. It’s great that the creative team behind the hugely-popular TikTok and YouTube series _The Formal_ will no doubt be growing their already enthusiastic following with new series _Kick It_, as well as Nicholas Colla and Nicolette Minster from _Deadbeat Ends Meet_ teaming up with emerging creators\*.\* We encourage more online creators to talk to us early about Screen Australia’s development support.” > > Joining Screen Australia’s Development Unit is Development Executive Tanya Mukerjee who started last month. Tanya has previously worked in the corporate sector as a Diversity, Equity and Inclusion Lead, at BBC Television in London as a Diversity & Inclusion Specialist, Executive Manager at Creative Diversity Network, which saw her work across the UK television broadcaster and production sectors, and at ITV as Diversity Partnerships Manager. Tanya also previously worked as a Script Editor on programs such as [_Fireflies_](https://www.screenaustralia.gov.au/the-screen-guide/t/fireflies-series/19823?stxt=fireflies) and in script roles on [_Water Rats_](https://www.screenaustralia.gov.au/the-screen-guide/t/water-rats-series/9142?stxt=water%20rats) and [_McLeod’s Daughters_](https://www.screenaustralia.gov.au/the-screen-guide/t/mcleods-daughters-series/10330?stxt=mcleod%27s%20daughters) and brings a wealth of story and sector knowledge to the role. **The projects funded for development include:** - _ **A Way Away** _: A feature-length drama about 11-year-old Rana who is determined to do the ‘grownup thing’ and help provide for her family after her mum becomes injured and is unable to work. In an effort to keep her abusive uncle and current provider for the family away from her mum and sister, Rana’s story is one of a brave young girl and a family standing united to end the cycle of abuse. _A Way Away_ is writer/director Sara Kern’s second film, after the critical success of her debut feature [_Moja Vesna_](https://www.screenaustralia.gov.au/the-screen-guide/t/moja-vesna-2022/37194?stxt=moja%20vesna)_,_ which premiered at the Berlin International Film Festival 2022 and had its Australian premiere at the Melbourne International Film Festival. Gal Greenspan, who also produced [_Moja Vesna_](https://www.screenaustralia.gov.au/the-screen-guide/t/moja-vesna-2022/37194?stxt=moja%20vesna), is attached as producer. Also attached is Marie-Hélène Dozo (_Two Days, One Night_) as script editor. - _ **Combatoms** _: A 13-part sci-fi action/adventure series, which follows a group of kids who discover super powered creatures that have escaped from a secret lab in their small town. When they learn a mysterious corporation plans to unlock their ability to control the very fabric of reality for sinister means, the kids must race to protect the Combatoms and harness their amazing powers to save the world instead. _Combatoms_ is created by Charlotte Rose Hamlyn ([_Space Nova_](https://www.screenaustralia.gov.au/the-screen-guide/t/space-nova-series-1-2021/37600?stxt=space%20nova)), directed by David Peers ([_Happy Feet_](https://www.screenaustralia.gov.au/the-screen-guide/t/happy-feet-2006/19900/)_, Ron’s Gone Wrong_) and produced by Katrina Peers ([_Legend of the Guardians: The Owls Of Ga’Hoole_](https://www.screenaustralia.gov.au/the-screen-guide/t/legend-of-the-guardians--the-owls-of-gahoole-2010/26773?stxt=legend%20of%20the%20guardians:%20the%20owls%20of%20ga%27hoole)) who together form production company Big Serious Studios. It is written by Hamlyn and AWGIE award-winning writer John Armstrong ([_Motown Magic_](https://www.screenaustralia.gov.au/the-screen-guide/t/motown-magic-2018/36215?stxt=motown)_)_ _._ - _ **Just Chidi Things** _: An eight-part comedy series following Chidi, a bubbly, irrepressible 23-year-old Nigerian medical student who carries the weight of her family’s expectations on her shoulders. After being suspended from med school, Chidi does whatever it takes to avoid disappointing her parents – going on a series of misadventures to maintain the lie and keep her parents happy. Writer/producer and lead actor Chika Ikogwe ([_Heartbreak High_](https://www.screenaustralia.gov.au/the-screen-guide/t/heartbreak-high-series-1-2022/38714?stxt=heartbreak%20high)) is joined by producer Ana Tiwary (_One of the Good Ones_, [_Rhapsody of Love_](https://www.screenaustralia.gov.au/the-screen-guide/t/rhapsody-of-love-2021/39905?stxt=rhapsody%20of%20love)) and executive producer, Rose Byrne ([_Seriously Red_](https://www.screenaustralia.gov.au/the-screen-guide/t/seriously-red-2022/32656?stxt=seriously%20red)). Also attached is Alexandra Cullen as script editor. - _ **Take My Hand** _: A feature length sitcom/drama about Noah, a newly married young professional with Cerebral Palsy now building a life with his wife, Libby. Noah works in advertising and is offered a dream promotion, the only catch is the requirement to play the ‘disability card’ and take advantage of the disabled community he’s always kept himself apart from. This forces him to reconnect with his old university roommate and disabled community activist Toby and his outspoken social media influencer girlfriend, Sonja. As a result, Noah has to reconcile his own feelings and prejudices to other disabled people and face up to himself in a Faustian dramedy of social mores. This is the first feature co-written by 2019 Developing the Developer recipient and writer/director Jack Dowdell and writer/performer Dean Nash. Both are advocates for representation and authentic casting of disabled people in screen media. Michael Wrenn ([_6 Festivals_](https://www.screenaustralia.gov.au/the-screen-guide/t/6-festivals-2022/38266?stxt=6%20festivals), [_Three Summers_](https://www.screenaustralia.gov.au/the-screen-guide/t/three-summers-2017/34762?stxt=three%20summers)) is producing. - _ **Owner’s Manual: Operation & Maintenance of the Human Body** _: This feature-length comedic family adventure is about Gabby, a grade one girl with anxiety who thinks she’s broken every time she sweats or jitters. But when she is sucked into her own body and discovers that her organs are a series of mismanaged, mid-construction Power Plants which generate each of her symptoms, Gabby teams up with the lazy site-manager Wozza and uptight safety-supervisor Janet, to quick-fix her Power Plants so she can finally be complete and ‘normal’, but learns to accept that every body is a work-in-progress. This is the first feature film by writer/director Bradley Slabe, whose AACTA and AWGIE award-winning short film [_Lost & Found_](https://www.screenaustralia.gov.au/the-screen-guide/t/lost---found-2018/34711?stxt=lost%20and%20found) has over seven million views online. - _ **Kick It** _: A six-part online series about Cameron, whose attempt to nab the local women’s AFL championship is threatened when new recruit Angie takes the team by storm. When Angie and Cameron’s sweaty tension continues off the field, Cameron must decide if she wants to play with her head or her heart, and learns that sometimes, found family is just as important as the one you’re born into. From the creative team behind hit TikTok series [_The Formal_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-formal-series-2---3-2022/39744?stxt=the%20formal) – which has chalked up over eight million views online - is writer/director/producer Monique Terry, writer/producer Hannah-Rae Meegan and writer/director Abby Gallaway. Linus Gibson ([_Sequin in a Blue Room_](https://www.screenaustralia.gov.au/the-screen-guide/t/sequin-in-a-blue-room-2020/38098?stxt=sequin%20in%20a%20blue%20room)) is also producing, with Dana Bradshaw co-producing. - _ **Deadbeat Ends Meet** _: An animated online comedy that follows housemates Milo (a frill neck lizard) and Indy (a dingo) who throw themselves into thankless jobs in search of a quick buck to keep their lives afloat. The series follows the pair as they navigate their mid-twenties and the baggage that comes with trying to prop yourself up whilst working out exactly who you want to be and what you want to do with the rest of your life. _Deadbeat Ends Meet_ is created by Evie Hilliar and written by Hilliar, Mike Greaney (YouTube series [_The Future of Everything_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-future-of-everything-2022/40015?stxt=the%20future%20of%20everything)), Nicolette Minster ([_Girl at the Window_](https://www.screenaustralia.gov.au/the-screen-guide/t/girl-at-the-window-2022/39834?stxt=the%20girl%20at%20the%20window)) and Holly Tosi ([_Neighbours_](https://www.screenaustralia.gov.au/the-screen-guide/t/neighbours-2021-series-2021/39712)_)._ The series is produced by Nicholas Colla _(_ [_The Future of Everything_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-future-of-everything-2022/40015?stxt=the%20future%20of%20everything)_,_ [_Rebooted_](https://www.screenaustralia.gov.au/the-screen-guide/t/rebooted-2019/36846?stxt=rebooted)_)._ - _ **The Ghan:** _ A comedy drama feature film from acclaimed stage and screen writer Joanna Murray-Smith ([_Palm Beach_](https://www.screenaustralia.gov.au/the-screen-guide/t/palm-beach-2019/32547)) about a group of travellers on the trip of a lifetime aboard the iconic train, The Ghan. A transcontinental odyssey across Australia becomes a journey of personal transformation for the passengers as they let go of their old identities and, through conflict and laughter, discover brave new versions of themselves more suited for the journey that lies ahead. Alongside Murray-Smith is writer Emma Jensen (_I Am Woman_), with Kristian Moliere ([_The Babadook_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-babadook-2014/28355?stxt=the%20babadook)) and Julie Byrne ([_The Survival of Kindness_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-survival-of-kindness-2022/39677?stxt=the%20survival%20of%20kindness)) producing. Jeremy Sims, writer/director/producer of [_Last Cab to Darwin_](https://www.screenaustralia.gov.au/the-screen-guide/t/last-cab-to-darwin-2015/24205?stxt=last%20cab%20to%20darwin), is attached as director. - _ **Gorgeous** _: Set in Tasmania in 2017, this episodic drama/thriller centres around journalist Charlotte Barber who returns home to Launceston to make a podcast - juxtaposing the 2017 Marriage Equality vote with the unsolved murder of her girlfriend’s mother 20 years earlier, when homosexuality was still criminalised. As she conducts her investigations, Charlotte’s personal connection to the story becomes intertwined with her own need to confront the shame she’s held around her sexuality. This series is written and produced by Alexandra Keddie and Gemma Bird Matheson, whose credits include [_The Housemate_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-housemate-2018/37064?stxt=the%20housemate) and [_Me & Her(pes)_](https://www.screenaustralia.gov.au/the-screen-guide/t/me---her(pes)-2022/38870?stxt=she%20becomes%20her)_._ Attached as script consultant is Jane Allen whose credits include [_100% Wolf: Legend of the Moonstone_](https://www.screenaustralia.gov.au/the-screen-guide/t/100--wolf--legend-of-the-moonstone-2020/36884?stxt=100%25%20wolf) and [_Troppo_](https://www.screenaustralia.gov.au/the-screen-guide/t/troppo-2022/37538?stxt=troppo)_,_ and the writers’ room is rounded out by Jada Alberts as Story Consultant ([_Cleverman_](https://www.screenaustralia.gov.au/the-screen-guide/t/cleverman-series-2-2017/35001)) and Kartanya Maynard. - _ **One Hundred Days:** _ This psychological drama/thriller is based on the critically acclaimed novel by Alice Pung and centres around Chinese migrant, Ma. When her teenage daughter Alina falls pregnant, Ma imposes the Eastern practice of postpartum confinement to physically detain Alina - desperate to protect Alina and her grandchild. This story is about motherhood, autonomy, and the frightening singlemindedness of those desperate to protect their loved ones… at any cost. Adapting into a feature film is writer Michelle Law and director Corrie Chen ([_New Gold Mountain_](https://www.screenaustralia.gov.au/the-screen-guide/t/new-gold-mountain-2021/38272?stxt=new%20gold%20mountain)) – the creative team behind the first web series commissioned by SBS, [_Homecoming Queens_](https://www.screenaustralia.gov.au/the-screen-guide/t/homecoming-queens-2018/35585?stxt=homecoming%20queens). - _ **Summer of Evil** _: From writer/producer Michael Hudson ([_Ties That Bind_](https://www.screenaustralia.gov.au/the-screen-guide/t/ties-that-bind-2019/37643?stxt=ties%20that%20bind)), this six-part action-adventure horror series sets the scene in the vast Australian bushland, where a creature has awoken from its centuries-old slumber and is hellbent on revenge. Discovering that the spooky Dreamtime stories they were told as kids aren’t just stories, an unlikely gang of youths venture on a terrifying quest deep in the bush to save the adults of their small community from this supernatural threat that has enslaved them. Also attached as producers are Stephanie Westwood ([_Shiny One_](https://www.screenaustralia.gov.au/the-screen-guide/t/shiny-one-2021/38847?stxt=shiny%20one), [_Finding Jedda_](https://www.screenaustralia.gov.au/the-screen-guide/t/finding-jedda-2021/38848?stxt=finding%20jedda)) and Diya Eid ([_All My Friends Are Leaving Brisbane_](https://www.screenaustralia.gov.au/the-screen-guide/t/all-my-friends-are-leaving-brisbane-2007/20411?stxt=all%20my%20friends%20are%20leaving%20brisbane)). ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [December 20, 2022, 10:07pm UTC](https://forums.mediaspy.org/t/screen-australia/21384/3 "2022-12-20T22:07:27Z")
## FUNDING APPROVALS 2022-2023 TELEVISION DEVELOPMENT ### PREMIUM **END OF. Werner Film Productions Genre** Drama, Comedy **Director** Alethea Jones **Writer** Ash Flanders **Producer** Joanna Werner **Script Editor** Cléa Frost **Synopsis** After taking a job as a legal transcriptionist, a failing performer fights a losing battle with the transcript of his own life. **THE CAILLEACH Babadook Pty Ltd Genre** Horror **Director** Jennifer Kent **Writers** Jennifer Kent, Lynne Vincent McCarthy **Synopsis** In 1740’s rural Ireland, the already hard lives of an elder healer and her daughter are irrevocably changed when a terrifying host of creatures begin to feed on the broken souls of their poor and remote farming community. **COMBATOMS Big Serious Studios Pty Ltd Genre** Family, Sci-fi, Action adventure **Creator** Charlotte Rose Hamlyn **Director** David Peers **Writers** Charlotte Rose Hamlyn, John Armstrong **Producer** Katrina Peers **Synopsis** When a group of kids discover super powered creatures (Combatoms) in their small town, they must race to harness their amazing abilities before a ruthless corporation can exploit them to reshape the world. **THE SUBJUGATE Aquarius Films Genre** Thriller, Science fiction **Writer** Becca Johnstone **Producers** Angie Fielder, Polly Staniford **Synopsis** A near-future, dystopian, sci-fi crime thriller, where two homicide detectives hunt a serial killer in a small-town religious community that has been rehabilitating surgically reformed murderers. **HAVE I SAID TOO MUCH? Hardy White Pictures Pty Ltd Genre** Drama **Creator** Amy Molloy **Director** Erin White **Writers** Erin White, Michelle Hardy, Amy Molloy **Producer** Michelle Hardy **Executive Producers** Ian Collie, Rob Gibson **Synopsis** A window into life after oversharing, _Have I Said Too Much?_ is a half-hour drama series that follows UK journalist, Amy Murphy (25) as she rebuilds her life in Australia after her controversial memoir about being widowed at a young age makes headlines around the world for the unconventional way she tried to move on. Inspired by a true story, and the memoir _Wife, Interrupted_ by Amy Molloy. ### GENERATE **SUMMER OF EVIL Orange Entertainment Co Genre** Horror, Fantasy **Writer** Michael Hudson **Producers** Michael Hudson, Stephanie Westwood, Diya Eid **Synopsis** An unlikely gang of youths venture on a terrifying quest deep in the bush to save the adults of their small community from a supernatural threat that has enslaved them. On their journey they’ll also discover that the spooky Dreamtime stories they were told as kids aren’t just stories. **GORGEOUS Chips & Gravy Films Genre** Drama, Thriller **Writers** Alexandra Keddie, Gemma Bird Matheson **Producers** Alexandra Keddie, Gemma Bird Matheson **Script Consultant** Jane Allen **Story Consultant** Jada Alberts **Synopsis** Off the back of a career defining story, Journalist Charlotte Barber returns home to Launceston, Tasmania to make a podcast; a ‘then and now’ piece juxtaposing the current 2017 Marriage Equality vote with the unsolved murder of her girlfriend’s mother 20 years earlier when homosexuality was still criminalised. As she conducts her investigations, Charlotte’s personal connection to the story becomes intertwined with her own need to confront the shame she’s held around her sexuality. **JUST CHIDI THINGS Chika Ikogwe Genre** Comedy, Drama **Writer** Chika Ikogwe **Producers** Chika Ikogwe, Ana Tiwary **Executive Producer** Rose Byrne **Script Editor** Alexandra Cullen **Synopsis** After people pleasing Chidi is suspended from med school, she does whatever it takes to avoid disappointing her Nigerian parents. She thinks everything’s under control, but nosy Aunty Janice has other plans! **BHANG BHANG Every Cloud Productions 2 Pty Ltd Genre** Mystery, Dark Comedy, Crime, Magical Realism **Creator** Meleesha Bardolia **Writers** Meleesha Bardolia, Marieke Hardy, Hannah Samuel **Executive Producers** Mike Jones, Drew Grove **Synopsis** When an Indian-Australian detective, Celeste Pritchard, investigates a high-stakes Bollywood film crime plot at a luxurious Melbourne hotel, she is forced to confront a case she herself may have caused and is thrown into a colourful, dangerous and morally ambiguous new world. **PLACED Ambience Entertainment PTY Limited Genre** Drama **Director** Partho Sen-Gupta **Writers** Partho Sen-Gupta, Cathy Strickland **Producers** Monica O’Brien, Megan Hutt, Faith Martin **Synopsis** What happens when bureaucracy grates up against the complex realities of people’s lives. Through the eyes of a Case Worker, the series lifts the lid on the high stakes and emotionally charged world of foster care where the devastation of separation and the hope of reconciliation swing on a pendulum of entangled emotions. ---
**Author:** ![JohnsonTV](https://forums.mediaspy.org/letter_avatar_proxy/v4/letter/j/9dc877/32.png) [@JohnsonTV](https://forums.mediaspy.org/u/JohnsonTV)\ **Post date:** [February 2, 2023, 8:42am UTC](https://forums.mediaspy.org/t/screen-australia/21384/4 "2023-02-02T08:42:03Z")
> **[Screen Australia announces $2.2 million for 11 online projects - IF Magazine](https://if.com.au/screen-australia-announces-2-2-million-for-11-online-projects/)** > > Screen Australia will support 11 projects with $2.2 million of online production funding, including. ---
**Author:** ![JohnsonTV](https://forums.mediaspy.org/letter_avatar_proxy/v4/letter/j/9dc877/32.png) [@JohnsonTV](https://forums.mediaspy.org/u/JohnsonTV)\ **Post date:** [February 20, 2023, 8:31am UTC](https://forums.mediaspy.org/t/screen-australia/21384/5 "2023-02-20T08:31:45Z")
### Screen Australia announces over $7.4 million of production funding for 9 projects > Screen Australia has announced five feature films, two television dramas and two children’s projects that will share in more than $7.4 million of production funding. The projects include dramedy Audrey, the debut feature from director Natalie Bailey, featuring actor and disability activist Hannah Diviney (Latecomers) which started production last week; plus family feature films Drone Racers and Whale Shark Jack. > > Also receiving funding is One Night, a thriller for Paramount+; season 2 of Channel Seven’s RFDS and new ABC children’s series Galaxy Girl. > > Screen Australia’s Head of Content Grainne Brunsdon said, “It’s fantastic to kick the year off with such a strong pipeline and wide mix of projects coming through. These distinct local stories, whether it’s uniquely Australian comedy, suspenseful thrillers or exciting family adventures, highlight how much high quality drama is being created in our sector at the moment.” > > “We’re committed to supporting children’s content to ensure Australian kids are able to see themselves reflected onscreen, and we’re pleased to announce two television shows and two family films that are set to engage young audiences. There is a strong appetite for Australian children’s content around the world which was evident at MIPCOM last year, so we’re thrilled to see more exciting projects coming through in this space.” The funded feature films are: **Audrey:** A dramedy following self-appointed Mother of the Year, Ronnie Lipsick, who is living a life she never wanted, with a derailed career, a husband whose love for life has gone limp and two daughters who she struggles to connect with. When an accident lands her eldest daughter Audrey in a coma, Ronnie gets a second chance at life by taking on her daughter’s identity – only she’s not the only one in the family who sees Audrey’s comatose state as an opportunity. Directed by Natalie Bailey (Bay of Fires) and written by Lou Sanz (The PM’s Daughter), the film features actor, writer and disability activist Hannah Diviney, whose drama Latecomers has been selected for Seriesmania 2023. Audrey is produced by Michael Wrenn (6 Festivals), Dan Lake (Early Winter), Shannon Wilson-McClinton (Hearts & Bones) and Diya Eid with Executive Producers Kurt Royan (Retrograde) and Roxana McMallan (How to Please a Woman). It is financed in association with Screen Queensland with support from the Melbourne International Film Festival (MIFF) Premiere Fund. International sales will be managed by Bankside Films with Rialto distributing in Australia and New Zealand. **Drone Racers:** This family feature is about unruly tween Esme who discovers a talent for the fun, futuristic sport of drone racing. Working with her tech-nerd cousin, she takes her new skills from the beaches, bush and burbs of their outback town, all the way to the world championships. Alison James (director of award-winning short film Judas Collar), is directing from a screenplay by Jules Duncan (Rams). The film is produced by Janelle Landers (Rams), Aidan O’Bryan (Girl Like You), James Grandison (Blueback) and Jessica Mitchell (Yardbird). Drone Racers is financed with support from Screenwest, Lotterywest and the Western Australian Regional Screen Fund. The film is being released internationally by Universal. **Fear Below:** From director Matthew Holmes (The Legend of Ben Hall) and writer Gregory Moss (The Cost), this 1940s-set thriller is about a team of professional divers whom when hired to locate a sunken car from a river are thwarted by a deadly bull shark. When they discover they are working for ruthless criminals trying to recover their stolen gold bullion, their situation becomes even more dangerous. Fear Below is produced by Blake Northfield (Wyrmwood: Apocalypse) and Michael Favelle (Combat Wombat), with Sandra Tahmasby and Clement Dunn (Sissy) executive producing. It is financed in association with Screen NSW and Odin’s Eye Entertainment who are also managing international sales. Studio Canal is distributing the film in Australia. **Whale Shark Jack:** This family feature, set at the breathtaking Ningaloo Reef, centres around 11-year-old Sarah, whose parents research whale sharks. Sarah’s best friend is a whale shark named Jack, who she rescued as a pup. Following a tragic accident, Sarah and her dad move to the coastal town of Exmouth. Sarah wants to return to her old life at sea and pegs all her hopes on Jack’s anticipated annual migration. But when Jack fails to return, Sarah embarks on a risky mission to find him. Written by Kathryn Lefroy (Library of Love), Whale Shark Jack will be directed by Miranda Edmonds and Khrob Edmonds, whose credits include Tango Underpants. Edmonds is producing alongside Timothy White (I Am Mother). Also producing are Kelvin Munro and Philip Wade. The film is financed in association with Screenwest, Lotterywest and the Western Australian Regional Screen Fund, the Australian Children’s Television Foundation and Filmology Finance, with support from Wade Brothers Films, Minderoo Pictures and Ulladulla Films. **The Rooster:** A mysterious drama that follows a sole police officer in a small town, Dan, who feels responsible for the death of his childhood friend. Grieving, Dan camps out in the bush at the site of his friend’s death where he meets an older hermit who may have been the last person to see his friend alive. As Dan uncovers the truth about how he died, he faces some difficult truths about himself as an unlikely friendship develops with the old man and he realises that all is not as it seems. A debut feature written and directed by Mark Leonard Winter (The Greatest Love of All) and produced by MahVeen Shahraki (Ellie & Abbie (and Ellie’s Dead Aunt)) and Geraldine Hakewill (Young Labor), The Rooster is funded by Mind The Gap in association with the Melbourne International Film Festival (MIFF) Premiere Fund and distributed in Australia by Bonsai Films. It received funding through Screen Australia’s Enhancement Fund. The funded television dramas are: [**One Night** :](https://forums.mediaspy.org/t/paramount/6202/1987) A six-part drama for Paramount+ about three women whose bond was all but destroyed by the traumatic events of one night 20 years ago. Now 20 years later, one of the friends Simone has written a book - the one story she could never get out of her mind, and her debut manuscript has become an unexpected overnight success. But it soon becomes apparent that the devastating story the book tells doesn’t exclusively belong to her. One Night is produced by Easy Tiger’s Ian Collie, Rob Gibson and Ally Henville (Colin From Accounts, The Twelve) with Motive Pictures’ Simon Maxwell (The Woman in the Wall, Get Millie Black) as executive producer and Harriet Creelman, co-executive producer. Created and written by award-winning Emily Ballou (The Slap, Taboo), who also serves as executive producer. The series is directed by Catherine Millar (The Twelve, The Secrets She Keeps) and Lisa Matthews (Doctor Doctor, The PM’s Daughter). It is financed in association with Paramount+ and Fifth Season is managing international sales. **RFDS** Season 2: Following on from the success of season 1, RFDS returns to the Seven Network with another eight-part season. This gripping medical drama based in Broken Hill follows the modern-day heroes of the Royal Flying Doctor Service as they navigate private lives as turbulent and profound as the heart stopping emergencies they attend. Directing season 2 are Jeremy Sims (Last Cab To Darwin), Adrian Russell Wills (The Warriors), and Rachel Ward (Rake) and the writers are Ian Meadows (Upright), Claire Phillips (Offspring), Adrian Russell Wills, Kodie Bedford (Mystery Road) and Magda Wozniak (Bad Behaviour). The series is produced by Ross Allsop (The Artful Dodger), co-produced by Ian Meadows and executive produced by Sara Richardson and Imogen Banks (Kindling Pictures). The series is financed in association with Seven Network with support from Screen NSW and EndemolShine Australia. International sales are managed by Banijay Rights International. The funded children’s projects are: **Space Nova** Season 2: A 15-episode second series for the ABC following the space faring Aussie Nova family who, on the brink of their greatest mission ever - travelling to the homeworld of the elusive Stardustians - almost destroy their starship, throwing them off course and stranding their new Stardustian friend Ziggy in parts unknown. Now, to find Ziggy and unravel an ‘imbalance in the universe’, the Novas will have to challenge everything they thought they knew about space: see the unseeable, know the unknow-able, and find the unfindable. The creative team sees the return of series director Pablo de la Torre and head writer Thomas Duncan-Watt, producers Suzanne Ryan, Yasmin Jones and executive producer Suzanne Ryan. Joining for season 2 is writer/episode director Chantelle Murray (Shed). The series is financed in association with the Australian Children’s Television Foundation and is co-produced by Giggle Garage, Malaysia. International sales are managed worldwide by ZDF Studios, excluding Australia and New Zealand, which is being handled by ACTF. **Galaxy Girl:** This 10-part series for the ABC is a coming-of-age sci-fi comedy about an extraterrestrial and all-round extra sparky human being called Lulin, whose Astoradian powers suddenly kick in, complicating her world and making her the target of hostile intergalactic invaders! Lulin must learn to control her powers before they lead to serious Year 6 uncoolness. Galaxy Girl is written by Melanie Sano (Neighbours), Jessica Paine (Neighbours), Michael Drake (The Wonder Gang), Megan Palinkas (Heartbreak High) and Vidya Rajan (How to Stay Married), teaming up with producer Pennie Brown (How to Stay Married) and executive producers Emma Fitzsimons (Koala Man) and Gillian Carr (KuuKuu Harajuku). Produced by Princess Pictures and Moody Street Kids with finance from the ABC in association with VicScreen, ABC Commercial is managing international sales. ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [February 22, 2023, 10:07pm UTC](https://forums.mediaspy.org/t/screen-australia/21384/6 "2023-02-22T22:07:22Z")
### SCREEN AUSTRALIA ANNOUNCES $4.6 MILLION FOR 21 DOCUMENTARIES > Screen Australia has announced two documentaries through the First Nations Department, 12 documentaries through the Producer Program and seven projects through the Commissioned Program that will share in $4.6 million of production funding. > > This includes feature documentary _Rose Gold_ following the star-studded Australian “Boomers” basketball team, _Breakaway Femmes_ about the women’s Tour de France, _Devil’s Last Stand_ on the realities faced by Tasmanian Devils, plus a second season of NITV’s _Our Law_ narrated by Deborah Mailman. > > Screen Australia’s Head of Documentary **Alex West** said, “We’re pleased to announce this latest mix of documentaries which explore various chapters of Australia’s history, highlight where we may be headed in the future and shine a light on Australians making a difference. In doing so, I hope this extensive offering will also provide viewers with insights on topics including art, health and science, our environment, gender and multiculturalism – which can help add to important contemporary conversations.” > > **Angela Bates** , Head of First Nations at Screen Australia said, “We are proud to support two experienced teams in their mission to deliver compelling documentaries, _Rebel with a Cause_ and _Our Law_ season 2. _Our Law_ will continue to provide an honest insight into the challenges First Nations police officers face as they aim to change the system from within, while _Rebel with a Cause_ celebrates four outstanding trailblazers in Queensland, who have each left lasting legacies in their respective fields.” ### THE PROJECTS FUNDED THROUGH THE FIRST NATIONS DEPARTMENT: - _ **Rebel with a Cause** _: A 4 x 51-minute documentary series for NITV that celebrates the personal journey of four outstanding First Nations trailblazers from Queensland – poet Oodgeroo Noonuccal, teacher and barrister Pat O’Shane, radio presenter Tiga Bayles and Senator Neville Bonner – who against the odds created amazing pathways for future generations. Douglas Watkin ([_Ella_](https://www.screenaustralia.gov.au/the-screen-guide/t/ella-2016/34153?stxt=ella)), Jill Robinson ([_Sistas in Mining_](https://www.screenaustralia.gov.au/the-screen-guide/t/sistas-in-mining-2022/40239?stxt=sistas%20in%20mining:%20curious%20australia)) and Sio F. Tusa and EJ Garrett of [_Elements_](https://www.screenaustralia.gov.au/the-screen-guide/t/elements-2018/37904?stxt=elements) are directing, with Dena Curtis ([_Grace Beside Me_](https://www.screenaustralia.gov.au/the-screen-guide/t/grace-beside-me-series-1-2018/34589?stxt=grace%20beside%20me)) and Citt Williams ([_Yellow Fella_](https://www.screenaustralia.gov.au/the-screen-guide/t/yellow-fella-2005/19930?stxt=yellow%20fella)) producing. From Inkey Media, _Rebel with a Cause_ is financed with support from Screen Queensland. - **_Our Law_ Season 2:** An 8 x 30-min series for NITV which provides intimate and candid access to First Nations police officers, recruits, and cadets as they attempt to break the cycle of Indigenous incarceration and repair deeply troubled Aboriginal-police relationships, while giving a rightful voice to the First Nations communities being policed. Following on from the success of season 1, _Our Law_’s second season expands nationwide with unparalleled access to the Western Australian Police and now new access to other Australian police jurisdictions. From the creative team behind [season 1](https://www.screenaustralia.gov.au/the-screen-guide/t/our-law-series-1-2022/38737/), including director Perun Bonser and producers Taryne Laffar and Sam Field, this series is a Pink Pepper Pty Ltd and Periscope Pictures Pty Ltd production and is financed in association with NITV with support from Screenwest and Lotterywest. ### THE PROJECTS FUNDED THROUGH THE COMMISSIONED PROGRAM ARE: - _**A Forgotten Cure (working title):**_ A 54-minute documentary for SBS which follows teams of scientists in Melbourne and Sydney as they test a largely forgotten and experimental therapy on three critically ill superbug-infected patients – a therapy that involves injecting them with trillions of viruses. For the first time, filmmakers follow the patients, doctors, and scientists in nail-biting real time, revealing the extraordinary science and history of ‘phage therapy’; a 100-year old treatment that promises to not only save these patients’ lives but also give hope to the world. Writing/directing is Emma Watts (_Invisible Wars_), with Anna Mantzoros attached as producer and Sonya Pemberton ([_Carbon: An Unauthorised Biography_](https://www.screenaustralia.gov.au/the-screen-guide/t/carbon--the-unauthorised-biography-2022/38838?stxt=carbon%20-%20an%20unauthorised%20biography)) as producer and executive producer. It is financed by SBS in association with VicScreen. - **_Designing a Legacy_ Season 2:** Comedian and architecture enthusiast Tim Ross travels the country in this two-part documentary from SAM Content and Modernister for the ABC – visiting structures that reveal surprising ways to read Australian history and explore our sense of identity in the architecture around us. He explores how buildings can leave a legacy of respect, create community, forge common identity and offer visions for our future. Ross, whose credits include [_Streets of your Town_](https://www.screenaustralia.gov.au/the-screen-guide/t/streets-of-your-town-2015/34099?stxt=streets%20of%20your%20town), is executive producing alongside Sally Aitken ([_The Pacific in The Wake of Cook with Sam Neill_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-pacific--in-the-wake-of-captain-cook,-with-sam-neill-2018/35638?stxt=the%20pacific%20in%20the%20wake%20of%20cook)), with Aline Jacques ([_Miriam Margolyes: Almost Australian_](https://www.screenaustralia.gov.au/the-screen-guide/t/miriam-margolyes----almost-australian-2020/37578?stxt=miriam%20margolyes)) producing and Chris Eley (_The Accused: Guilty or Innocent_) directing. This project is financed in association with the ABC. - _ **Devil’s Last Stand** _: A 55-minute documentary for the ABC from the director of [_Quoll Farm_](https://www.screenaustralia.gov.au/the-screen-guide/t/quoll-farm-2020/37146?stxt=quoll%20farm), Simon Plowright. Returning to the spectacular landscape of far north-west Tasmania, this film follows Plowright as he immerses himself in the daily life of another remarkable animal, the often-misunderstood Tasmanian Devil. For a year he will live with devils, revealing the epic struggle this unique marsupial is facing against both a fatal disease and the impacts of human encroachment. _Devil’s Last Stand_ is directed by Plowright, produced by Simon Nasht ([_The Kingdom: How Fungi made The World_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-kingdom--how-fungi-made-our-world-2018/34093?stxt=how%20fungi%20made%20the%20world)) and is financed in association Screen Tasmania. - _ **Dolphins: Is Our Love Too Deep?** _: This ground-breaking, investigative hour-long film for the ABC explores the impact humans are having on wild dolphins through hand feeding tourism programs in Australia. The documentary will uncover the tenuous balance between our all-consuming desire to get back to nature and the stark reality that our love for dolphins could be too deep. _Dolphins: Is Our Love Too Deep?_ is from director/producer Leighton De Barros and producer/executive producer Jodie De Barros whose credits include [_Rottnest Island Kingdom of the Quokka_](https://www.screenaustralia.gov.au/the-screen-guide/t/rottnest-island-kingdom-of-the-quokka-2018/36417?stxt=rottnest%20island%20kingdom%20of%20the%20quokka) and [_Jaimen Hudson: From Sky to Sea_](https://www.screenaustralia.gov.au/the-screen-guide/t/jaimen-hudson--from-sky-to-sea-2021/39534). It is financed in association with the ABC with support from Screenwest and Lotterywest. - _ **Lessons from the Unknown** _: This feature-length documentary for SBS follows principal investigator Dr Paul Liknaitzky as he stages world first trials at Australia’s first clinical psychedelic laboratory at Monash University – asking the question on whether psychedelic drugs hold the answer to the mental illness epidemic. Exclusive access tracks the progress of the trials and the participants who hope that psychedelic therapy is finally the answer to their anguish. _Lessons from the Unknown_ is from writer/director Chris Phillips ([_Lost Rambos_](https://www.screenaustralia.gov.au/the-screen-guide/t/lost-rambos-2018/36909?stxt=lost%20rambos)), and co-writer/producer Jacob Hickey and producer Darren Dale of Blackfella Films ([_Deep Water: The Real Story_](https://www.screenaustralia.gov.au/the-screen-guide/t/deep-water---the-real-story-2016/34229?stxt=deep%20water:%20the%20real%20story) and [_Step into Paradise_](https://www.screenaustralia.gov.au/the-screen-guide/t/step-into-paradise-2021/38486?stxt=step%20into%20paradise)). It is also executive produced by Jennifer Peedom ([_River_](https://www.screenaustralia.gov.au/the-screen-guide/t/river-2021/37575)) and financed in association with SBS and VicScreen. - _**The Nameless ‘Nazi’ (working title)**_: This 60-minute documentary for SBS traces the story of Melbourne’s Alex Kurzem, a Jew who cheated death in the Holocaust by joining a Latvian battalion before emigrating to Australia in 1949 – hiding his secret for 50 years. With four false names, two mistaken family reunions and years of his life searching for his true identity, thanks to DNA he is now on the cusp of getting some questions answered on his deathbed. _The Nameless ‘Nazi’_ (working title) is written, directed and produced by Dan Goldberg and executive produced by Adam Kay, whose credits include [_The Bowraville Murders_](https://urldefense.com/v3/ __https:/www.screenaustralia.gov.au/the-screen-guide/t/the-bowraville-murders-2021/35560?stxt=the*20bowraville*20murders__ ;JSU!!MiK4Rck!QAnLlSZpkrfP51tERIW_mXEFSBEeuEvtYI7fn3bfqli1Za8cIL-S15CzplwvyUWazOTIr7FIDaurIpiYqQHT$), [_Finding the Archibald_](https://urldefense.com/v3/ __https:/www.screenaustralia.gov.au/the-screen-guide/t/finding-the-archibald-2021/39131?stxt=finding*20the*20archibald__ ;JSU!!MiK4Rck!QAnLlSZpkrfP51tERIW_mXEFSBEeuEvtYI7fn3bfqli1Za8cIL-S15CzplwvyUWazOTIr7FIDaurIjg4p1ut$) and [_Great Southern Landscapes_](https://urldefense.com/v3/ __https:/www.screenaustralia.gov.au/the-screen-guide/t/great-southern-landscapes-2022/40364?stxt=great*20southern*20landscapes__ ;JSU!!MiK4Rck!QAnLlSZpkrfP51tERIW_mXEFSBEeuEvtYI7fn3bfqli1Za8cIL-S15CzplwvyUWazOTIr7FIDaurIgQmkNQR$). It is financed in association with SBS. - **_War on Waste_ Season 3:** This three-part series for the ABC will put the critical issue of waste back on the agenda and highlight the connection between waste and climate change. With passionate planet advocate and prankster Craig Reucassel at the helm, _War on Waste_ will champion waste heroes and build on its previous success holding villains to account, set new challenges for corporations, councils and communities and conscript entire communities as part of a national plastic audit – to vividly highlight the problems lurking in our very own homes. Director Jodi Boylan, producer Craig Reucassel and executive producers David Galloway and Leonie Lowe are attached, whose credits include [_Fight for Planet A: Our Climate Challenge_](https://www.screenaustralia.gov.au/the-screen-guide/t/fight-for-planet-a--our-climate-challenge-2020/38297?stxt=fight%20for%20planet%20a), with Mariel Thomas ([_Judged_](https://www.screenaustralia.gov.au/the-screen-guide/t/judged-2019/37227)) also producing. The series is financed by the ABC. ### THE PROJECTS FUNDED THROUGH THE PRODUCER PROGRAM ARE: - _**After School (working title)**_: This documentary for the ABC is a humorous and heart-warming coming of age story that unfolds when a cast of neurodiverse teenagers confront their own challenges, dreams and desires as they prepare for their first high school musical. With unique and unprecedented access to Sunbury and Macedon Ranges Specialist School, this film is a poignant insight into the emotional worlds of these students. _After School_ (working title) is directed by Thomas Hyland (_How to See Through Fog_), with Catherine Bradbury attached as producer alongside producers and executive producers Jim Wright ([_Goodnight Sweetheart_](https://www.screenaustralia.gov.au/the-screen-guide/t/goodnight-sweetheart-2014/33014?stxt=goodnight%20sweetheart)) and Head of Unscripted at Fremantle Media Australia, Josie Mason Campbell. It is financed in association with the ABC, VicScreen and the Melbourne International Film Festival (MIFF) Premiere Fund. - _ **Breakaway Femmes** _: This feature-length documentary is about how, for six glorious years during the 1980s, the Tour de France held a women’s race alongside the men’s race – smashing societal expectations, battling discrimination, injuries, financial hardship while also finding an inner strength and a bond of sisterhood. Their race should have heralded a brave new age of equality in sports, but instead the women’s Tour disappeared for more than three decades and the women never stopped fighting. _Breakaway Femmes_ is the story of the rise and fall and rise of the women’s Tour de France. This project is written and directed by Eleanor Sharpe and produced by Nickolas Bird, whose credits include [_Remembering the Man_](https://www.screenaustralia.gov.au/the-screen-guide/t/remembering-the-man-2015/34562?stxt=remembering%20the%20man) and [_Phil Liggett: The Voice of Cycling_](https://www.screenaustralia.gov.au/the-screen-guide/t/phil-liggett--the-voice-of-cycling-2021/39121?stxt=phil%20liggett). It is financed in association with VicScreen and will air on SBS. - _ **The Carnival:** _ This documentary for SBS captures the intimate moments of the six-generation carnival family, the Bells. The documentary will follow the Bells as they haul their convoy of 30 trucks and rides across the country with their workers, where they’ll face the elements, shutdowns and bushfires - battling to keep their family business running and on the road. Writing, directing and co-producing is Isabel Darling (_Corey the Warrior_), with Tom Zubrycki ([_Ablaze_](https://www.screenaustralia.gov.au/the-screen-guide/t/ablaze-2022/38245?stxt=ablaze)) producing. With a feature-length and hour-long version, this documentary is financed in association with the Shark Island Foundation, with support from JOTZ Productions and Documentary Australia. - _ **Dead by June:** _ This feature documentary tells the story of the meteoric rise, heartbreaking fall and the unfathomable comeback of motorcycle racing’s five-time World Champion, Mick Doohan, who the press nicknamed “Dead by June Doohan”. On the eve of what was to be his first World Championship victory, Mick came dangerously close to fulfilling the media’s prophecy of being willing to die to win – suffering a high speed crash that shattered Mick’s world as he knew it. This is a story of second chances, finding strength in suffering and the remarkable resilience of the human spirit. _Dead by June_ is written, directed and produced by Robert Coe and Madeleine Ross who previously collaborated on [_Blind Ambition_](https://www.screenaustralia.gov.au/the-screen-guide/t/blind-ambition-2022/38056?stxt=blind%20ambition), with Paul Wiegard ([_River_](https://www.screenaustralia.gov.au/the-screen-guide/t/river-2022/37575?stxt=river), [_Gold_](https://www.screenaustralia.gov.au/the-screen-guide/t/gold-2022/35437?stxt=gold)), Josh Pomeranz ([_Seriously Red_](https://www.screenaustralia.gov.au/the-screen-guide/t/seriously-red-2022/32656?stxt=seriously%20red)_,_ [_Hearts and Bones_](https://www.screenaustralia.gov.au/the-screen-guide/t/hearts-and-bones-2020/36029?stxt=hearts%20and%20bones)) and television presenter and journalist Karl Stefanovic executive producing. It is financed in association with Spectrum Entertainment. - _ **KillJoy:** _ A feature documentary that begins with the unravelling of a middle-class family 38 years ago, which ends in a family homicide. It is told from the unique point of view of the child, Kathryn Joy, who grew up with their father – the man who killed their mother. This film grapples with pressing dilemmas; how does a child reconcile the love they have for their only living parent, who is capable of both genuine kindness and killing and a legal system that decided it was in their best interests to be raised by that same person. _KillJoy_ is from writer/director Vincent Lamberti ([_Intervention: Stories from the Inside_](https://www.screenaustralia.gov.au/the-screen-guide/t/intervention--stories-from-the-inside-2008/28278?stxt=stories%20from%20the%20inside)), producer Lisa Albert ([_Rapping it Up_](https://www.screenaustralia.gov.au/the-screen-guide/t/rapping-it-up-2019/38760?stxt=rapping%20it%20up)), project adviser Ivan O’Mahoney ([_Firestarter: The Story of Bangarra_](https://www.screenaustralia.gov.au/the-screen-guide/t/firestarter---the-story-of-bangarra-2020/36786)) and associate producer Jess Hill ([_See What You Made Me Do_](https://www.screenaustralia.gov.au/the-screen-guide/t/see-what-you-made-me-do-2021/38526/)). It is financed in association with Fringe Dweller Films and the Shark Island Foundation, with support from The Post Lounge. - _ **The Love of My Life:** _ A 28-minute documentary centred on a transgender love story which will premiere on 2 April on ABC TV and ABC iview as part of ABC’s Compass series. It follows Gail and Lisette who waited 60 years to live their lives and love freely. Finally, after four marriages and three children, they were able to marry for the first time as their true selves – two women in love. In the director’s chairs are Francesca Rizzoli (_Italian Dressmaker in Melbourne_) and Trevor J Graham ([_Chef Antonio’s Recipes for Revolution_](https://www.screenaustralia.gov.au/the-screen-guide/t/chef-antonio%e2%80%99s-recipes-for-revolution-2022/37045?stxt=chef%20antonio%27s%20recipes%20for%20revolution)). Graham is also producing with Catherine Barret attached as executive producer. It is funded in association with the ABC, as part of their World Pride programming. - _ **Rose Gold:** _ 90-minute feature documentary which follows the story of the star-studded Australian “Boomers” basketball team as they try to bring home an international medal after decades of coming agonisingly close. Featuring insider interviews with high-profile Australian and NBA players (including Patty Mills, Joe Ingles, Andrew Gaze, and Andrew Bogut), coaches, and commentators, the film tracks the evolution of basketball culture in Australia, its successes, near misses, and how a team comes together to make history. Attached is writer/director Matthew Adekponya (_Building Titans_), creative consultant Kriv Stenders ([_Bump_](https://www.screenaustralia.gov.au/the-screen-guide/t/bump-series-3-2022/39678?stxt=bump)) and co-writer Allan Clarke ([_The Bowraville Murders_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-bowraville-murders-2021/35560?stxt=the%20bowraville%20murders)). The film is produced and executive produced by Wooden Horse’s Richard Finlayson and executive produced by Jude Troy, co-producers of [_Stuff the British Stole_](https://www.screenaustralia.gov.au/the-screen-guide/t/stuff-the-british-stole-2022/40298?stxt=stuff%20the%20british%20stole). It has been commissioned by the ABC and is financed with support from Screen NSW. Theatrical distribution by Madman Entertainment, with Escapade Media managing international sales. - _ **Songs Inside:** _ This feature-length documentary follows singer-songwriter Nancy Bates on her journey to teach women in prison how to write songs, sing and play the ukulele – helping to prepare these women to get out of prison, and stay out. An ensemble of 10 prisoners will work intensively with Nancy for six months and then stage a first-of-a-kind performance in the Prison alongside the Adelaide Symphony Orchestra. As well as following these women’s musical journeys, _Songs Inside_ will shed light on their personal stories around incarceration and reveal how music can be a powerful tool for change and healing. From writer/director/producer Shalom Almond ([_Prisoners and Pups_](https://www.screenaustralia.gov.au/the-screen-guide/t/prisoners-and-pups-2017/34980?stxt=prisoners%20and%20pups)), the film is produced by Katrina Lucas ([_The Art of the Game_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-art-of-the-game-2018/36934?stxt=the%20art%20of%20the%20game)), Lauren Drewery ([_Pop-Ability_](https://www.screenaustralia.gov.au/the-screen-guide/t/pop-ability-2017/34979?stxt=pop-ability)) and is co-produced by Nancy Bates. - _ **Turning the Tide:** _ A 27-minute documentary for the ABC’s Compass series which follows Captain Sarah Parry who takes a group of teenagers from refugee and Aussie backgrounds on a remarkable, life-changing voyage aboard Windeward Bound, the tall-ship she built in Tasmania. Taken out of their comfort zone (without a smartphone in sight), challenged daily, discovering qualities they didn’t know they had, all the kids find themselves becoming part of a new interdependent community where everyone plays a vital role to sail the ship. This project is directed by Franck Dubuc and written by Francesca Partridge, whose credits include _Shariat al-Dhaid_. Partridge is also attached as producer alongside Steve Thomas ([_Death or Liberty_](https://www.screenaustralia.gov.au/the-screen-guide/t/death-or-liberty-2015/31625?stxt=death%20or%20liberty)) and it is financed in association with Screen Tasmania. - _ **Watandar, My Countryman:** _ This 67-minute documentary is told through the eyes of Muzafar Ali, a former Afghan Refugee, new Australian and photographer. Discovering that Afghans have been an integral part of Australia for over 160 years, he searches to define his own Afghan-Australian identity and begins to photograph Afghan Cameleer descendants living in Australia. Jolyon Hoff and Muzafar Ali whose credits include [_The Staging Post_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-staging-post-2017/36431?stxt=the%20staging%20post) are attached as writer/director/producer and writer/producer respectively, alongside producer Hamish Gibbs Ludbrook (_No Distinguishing Features_). This project is financed in association with LSAF Investment, with support from Elements Post Production and the Adelaide Film Festival Fund. - _ **The Weeping Tree:** _ A 60-minute documentary that explores the collision of art, science, palawa connection to country, and intimate storytelling to shine a light on an iconic Tasmanian tree critically threatened by the effects of climate change, the Cider Gum (Eucalyptus gunnii). It will explore arts’ place in our relationship with the natural world which is currently undergoing great change – helping audiences to reconnect and re-adjust. Attached as director is Matthew Newton (_Convoy_), producer Catherine Pettman ([_There Is No ‘I’ in Island_](https://www.screenaustralia.gov.au/the-screen-guide/t/there-is-no-i-in-island-2021/39099)) and executive producer Andry Sculthorpe (_Returning patrula/Fire_). _The Weeping Tree_ is financed in association with the Purves Environmental Fund and Purryburry Fund. It has received previous development support via Screen Tasmania’s Proof of Concept initiative. - **_Woven Threads: Stories from Country_:** This 8 x 5-min animated documentary series for NITV is dedicated to telling stories of shared humanity – looking at the effect of colonisation past and present on Indigenous Australian communities, exploring themes of identity, youth justice, mental health, disability, employment, LGBTQI related issues and out of home care. _Woven Threads_ gives the people involved the opportunity to share their stories and experiences with a public audience – aiming to increase awareness around these challenges, as well as engender hope and courage in those who are struggling. The series is directed by Tony Briggs ([_Elders_](https://www.screenaustralia.gov.au/the-screen-guide/t/elders-2019/37642?stxt=the%20elders)) and produced by Michi Marosszeky, who was also behind [_Woven Threads: Stories from Afar_](https://www.screenaustralia.gov.au/the-screen-guide/t/woven-threads-2018/36018?stxt=woven%20threads) and [_Woven Threads: Stories from Within_](https://www.screenaustralia.gov.au/the-screen-guide/t/woven-threads---stories-from-within-2021/38842?stxt=woven%20threads). It is financed in association with NITV with support from Lifeline. ---
**Author:** ![JohnsonTV](https://forums.mediaspy.org/letter_avatar_proxy/v4/letter/j/9dc877/32.png) [@JohnsonTV](https://forums.mediaspy.org/u/JohnsonTV)\ **Post date:** [March 21, 2023, 9:00am UTC](https://forums.mediaspy.org/t/screen-australia/21384/7 "2023-03-21T09:00:50Z")
### Screen Australia announces $700,000 of story development funding for 20 projects > Screen Australia has announced 17 feature films, two television dramas and one online feature that will share in $700,000 of Story Development funding. The projects include _Eggshell Skull_ from writer/director Mia Wasikowska based on the book of the same name by Bri Lee; animated family adventure film _Laser Beak Man_; TikTok mockumentary series _CEEBS_ from two of the writers of ABC ME’s [_Turn Up the Volume_](https://www.screenaustralia.gov.au/the-screen-guide/t/turn-up-the-volume-2023/40317?stxt=turn%20up%20the%20volume)_;_ and television dramedy _Debatable_, executive produced by AACTA award-winning producer Meg O’Connell. > > This slate includes 11 projects supported through the Generate Fund and nine through the Premium Fund. > > Also announced today are the three successful teams to receive additional development funding through SBS, NITV and Screen Australia’s Digital Originals initiative. > > Screen Australia’s Head of Development **Bobby Romia** said, “It’s fantastic to support this exciting mix of projects including four stories for children and families, with _Laser Beak Man_ being adapted from stage to screen, and the re-invigoration of the much-adored ‘Walking with Dinosaurs - The Arena Spectacular’ animatronics in _The Great Dinosaur Rescue_. These heart-warming stories will explore themes including the importance of chasing your dreams, taking care of the planet and the power of teamwork and community.” > > “Providing career development and talent escalation opportunities for local screen practitioners is at the core of what we do and I’m delighted to support alumni from Screen Australia’s Talent USA program including Rachele Wiggins with _Method to Madness_ and Vonne Patiag with _Tomgirl_.” **The projects funded for development include:** - _ **Anna Robi & the House of Dogs** _: Adapted from the stage play, this feature-length dramedy is about luminescent optimist Anna Robi, sole carer for her overbearing mother and their once-pedigree dogs, who dreams of romance and independence. But when Anna gets her first startling taste of life and love outside the home, she must choose between the familiar comfort of the whelping box or finally taking off the leash. Stef Smith, whose credits include [_It’s Fine, I’m Fine_](https://www.screenaustralia.gov.au/the-screen-guide/t/its-fine,-im-fine-2022/39810?stxt=it%27s%20fine%20i%27m%20fine) and [_Joy Boy_](https://www.screenaustralia.gov.au/the-screen-guide/t/joy-boy-2018/36976?stxt=joy%20boy) is writing and directing, with multiple AWGIE award-winning playwright Maxine Mellor also attached as writer. - _ **CEEBS:** _ A 15-part TikTok mockumentary about recent high-school graduates, Zion and Ruby, who join forces to run for Youth President at their local youth centre. As the PR stunts and presidential pressure intensifies, so do the flaws and insecurities within their friendship – begging the question whether their bond will survive fulfilling their ‘duties’ as potential mouthpieces for their peers or if sociopolitical collapse is inevitable. The creative team features writers Betiel Beyin and Leigh Lule whose credits include [_Turn Up the Volume_](https://www.screenaustralia.gov.au/the-screen-guide/t/turn-up-the-volume-2023/40317?stxt=turn%20up%20the%20volume), and producers Nikki Tran ([_Fresh!_](https://www.screenaustralia.gov.au/the-screen-guide/t/fresh!-2018/37196?stxt=fresh)) and Amie Batalibasi ([_Thalu_](https://www.screenaustralia.gov.au/the-screen-guide/t/thalu-2020/38103?stxt=thalu)). - _ **Debatable:** _ This eight-part dramedy series follows 15-year-old Hannah, a recently disgraced high-school debater who moves to a small coastal town with her Mum to recover from unspeakable humiliation. As rumours quickly follow, she must think, talk and act fast – even if that means joining the new school’s motley debating team and learning to speak truth to power. The writers are Jessica Tuckwell ([_Bump_](https://www.screenaustralia.gov.au/the-screen-guide/t/bump-series-3-2022/39678?stxt=bump)), Enoch Mailangi ([_Crazy Fun Park_](https://www.screenaustralia.gov.au/the-screen-guide/t/crazy-fun-park-2022/35786)), Maddie Nixon and one of the stars of Netflix’s [_Heartbreak High_](https://www.screenaustralia.gov.au/the-screen-guide/t/heartbreak-high-series-1-2022/38714?stxt=heartbreak%20high), Thomas Weatherall. Sanja Simić and Diya Eid are attached as development producers, with AACTA award-winning producer Meg O’Connell ([_Retrograde_](https://www.screenaustralia.gov.au/the-screen-guide/t/retrograde-2020/38857?stxt=retrograde)), Kurt Royan ([_Retrograde_](https://www.screenaustralia.gov.au/the-screen-guide/t/retrograde-2020/38857?stxt=retrograde), [_Lindy Chamberlain: The True Story_](https://www.screenaustralia.gov.au/the-screen-guide/t/lindy-chamberlain--the-true-story-2020/38966/)) and Dan Lake executive producing. - _ **Eggshell Skull:** _ This drama feature film from writer/director Mia Wasikowska ([_Blueback_](https://www.screenaustralia.gov.au/the-screen-guide/t/blueback-2023/38458?stxt=blueback), [_Tim Winton’s The Turning_](https://www.screenaustralia.gov.au/the-screen-guide/t/tim-wintons-the-turning-2013/30396)) is a coming of rage story based on the acclaimed book of the same name by Bri Lee. The film will chart 23-year-old Bri’s journey through the Australian legal system as a judge’s associate and complainant - seeking justice for a crime that has haunted her since childhood. The story follows Bri as she witnesses confronting cases in the courtroom and tries to manage her own trauma that rises to the surface along the way. _Eggshell Skull_ will be produced by Justin Kurzel ([_True History of the Kelly Gang_](https://www.screenaustralia.gov.au/the-screen-guide/t/true-history-of-the-kelly-gang-2020/32526?stxt=true%20history%20of%20the%20kelly%20gang)), Shaun Grant ([_Penguin Bloom_](https://www.screenaustralia.gov.au/the-screen-guide/t/penguin-bloom-2021/35703?stxt=penguin%20bloom)) and Nicole O’Donohue ([_The Daughter_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-daughter-2016/33125?stxt=the%20daughter)). - _ **Flip:** _ An action-adventure feature film that follows gutsy Aussie teen skateboarder Danni who joins the world’s top female skaters in the inaugural Women’s World Cup tour. Having never skated in a professional competition before, along the way Danni must fight against ingrained prejudice in her quest to become the first Women’s Number One. Directing and producing is [_Cancelled_](https://www.screenaustralia.gov.au/the-screen-guide/t/cancelled-series-1-2020/38819?stxt=cancelled) creator Luke Eve, with Adam Alcabes (_Relativity Avengerables_) also producing. Attached as writers are Alli Parker ([_Secret Bridesmaids’ Business_](https://www.screenaustralia.gov.au/the-screen-guide/t/secret-bridesmaids-business-2019/36649?stxt=secret%20bridesmaids%27%20business)) and Warwick Holt ([_Bruce_](https://www.screenaustralia.gov.au/the-screen-guide/t/bruce-2016/29272?stxt=bruce)). - _ **The Great Dinosaur Rescue:** _ For 12 years, Creature Technology’s pack of animatronic dinosaurs toured the world with ‘Walking with Dinosaurs – The Arena Spectacular’ - bringing joy to millions of people while celebrating their ancestors. Now retired and gathering dust, waiting to be destroyed, this family feature film will follow brave 10-year-old Spike, who is determined to save the dinosaurs from destruction and find them a new home. Reviving the actual animatronic dinosaurs from the worldwide arena phenomenon, _The Great Dinosaur Rescue_ will be written and produced by Belinda Bradley and Franz Docherty, whose credits include [_Savage River_](https://www.screenaustralia.gov.au/the-screen-guide/t/savage-river-2022/36704?stxt=savage%20river). - _ **Laser Beak Man:** _ A feature-length family animation that follows superhero and champion of Power City, Laser Beak Man who has the responsibility of bringing colour to his world. But when the mischievous Peter Bartman steals his magical colour crystals, causing Power City to start losing its colour, Laser Beak Man has to team up with an odd cast of characters to win the crystals back and return Power City to a world of colour. _Laser Beak Man_ expands the world of the popular super hero created by executive producer and artist Tim Sharp, who over the years has shared his story of living with autism and appealed to a global fanbase through his unique sense of humour and amazing art. Fin Edquist ([_100% Wolf_](https://www.screenaustralia.gov.au/the-screen-guide/t/100--wolf-2020/34581?stxt=100%25%20wol)) is attached as writer, with producers Su Armstrong (_Good Will Hunting_) and Brian Rosen (_James & The Giant Peach_) for Studio B Animation and Barbara Stephen ([_100% Wolf_](https://www.screenaustralia.gov.au/the-screen-guide/t/100--wolf-2020/34581?stxt=100%25%20wol)) for Flying Bark Productions. - _ **Method to Madness:** _ A feature-length psychological thriller about starlet Anna, who wins the acting role of a lifetime before realising that the director’s intentions may not be entirely artistic. Undergoing a week of rehearsals locked in the director’s house, Anna must face some eery and monstrous circumstances, including confronting the ghost of her late mother, while trying not to lose her mind. Rachele Wiggins ([_Beast No More_](https://www.screenaustralia.gov.au/the-screen-guide/t/beast-no-more-2018/38059?stxt=beast%20no%20more), _Scare Package II_) is attached as writer/director/producer, alongside writer Jennifer Van Gessel ([_Beast No More_](https://www.screenaustralia.gov.au/the-screen-guide/t/beast-no-more-2018/38059?stxt=beast%20no%20more)) and producer Sandy Stevens ([_Dirt Music_](https://www.screenaustralia.gov.au/the-screen-guide/t/dirt-music-2020/35381?stxt=dirt%20music)). Greg McLean ([_Wolf Creek_](https://www.screenaustralia.gov.au/the-screen-guide/t/wolf-creek-2005/19891?stxt=wolf%20creek)) and Kristian Moliere ([_The Babadook_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-babadook-2014/28355?stxt=the%20babadook)) are executive producing. - _ **The Star of the Sea:** _ This feature-length mystery/drama follows Jan, a Dutch fisherman with a solitary disposition and a dark temper who struggles to support his wife and two beloved daughters in the tiny fishing village of Port Stanley, Tasmania. But Jan’s bleak world-view is changed by a series of events that follow an apparent visitation by the Virgin Mary – delivering the chance at redemption that he, his family and the community around them have been praying for. _The Star of the Sea_ is from writer/director/producer Jeremy Sims ([_Rams_](https://www.screenaustralia.gov.au/the-screen-guide/t/rams-2020/35580?stxt=rams), [_Last Cab to Darwin_](https://www.screenaustralia.gov.au/the-screen-guide/t/last-cab-to-darwin-2015/24205?stxt=last%20cab%20to%20darwin)), with Greg Duffy ([_Last Cab to Darwin_](https://www.screenaustralia.gov.au/the-screen-guide/t/last-cab-to-darwin-2015/24205?stxt=last%20cab%20to%20darwin)) and Daniel Ostroff (_Dogtown and Z-Boys_, _The Missing_) also attached as producers. It is based on the original screenplay by Everett DeRoche titled ‘Locusts and Wild Honey’. - _ **Tomgirl:** _ This feature-length drama follows the story of Justin, a shy nine-year-old who is bullied at school, much to the shock of his overbearing Filipino mother. When his queer cross-dressing uncle moves in, Justin begins dressing as a girl, receiving an enchanting crash course in his homeland culture - finding the unexpected superpower in being himself. Writer/director Vonne Patiag ([_Significant Others_](https://www.screenaustralia.gov.au/the-screen-guide/t/significant-others-2022/38894?stxt=significant%20others), [_Here Out West_](https://www.screenaustralia.gov.au/the-screen-guide/t/here-out-west-2022/38892?stxt=here%20out%20west)), is adapting _Tomgirl_ from his acclaimed short film of the same name, with In-Between Pictures business partner and producer Maren Smith ([_One Less God_](https://www.screenaustralia.gov.au/the-screen-guide/t/one-less-god-2018/33686?stxt=one%20less%20god)_,_ [_Alphabet Street_](https://www.screenaustralia.gov.au/the-screen-guide/t/alphabet-street-2019/38388?stxt=alphabet%20street)). For the complete list of development funding approvals refer to [television](https://www.screenaustralia.gov.au/funding-and-support/television/funding-approvals/2022-2023-television-development-approvals), [online](https://www.screenaustralia.gov.au/funding-and-support/online/funding-approvals/2022-2023-online-development-approvals)and [feature film](https://www.screenaustralia.gov.au/funding-and-support/feature-films/funding-approvals/2022-2023-development-approvals) breakdowns. **DIGITAL ORIGINALS PROJECTS IN DEVELOPMENT** Screen Australia, SBS and NITV have announced three projects from this year’s Digital Originals initiative to receive further development funding. These projects were [selected from the seven teams who received initial development funding in 2022](https://www.screenaustralia.gov.au/sa/media-centre/news/2022/08-15-screen-australia-announces-1-million). From here, up to three projects will move into production for SBS platforms and NITV. **The successful projects are:** - _ **Moonbird** _ (TAS): An estranged father and son reconnect when they go muttonbirding together for the first time on a remote Bass Strait island, only to find there are no birds. Team: Nathan Maynard, Adam Thompson, Catherine Pettman, Matthew Newton. - _ **Moni** _ (NSW): In a desperate attempt to appease his sister, Moni, a closeted 39-year-old Samoan man awkwardly sets out to find a female date for her wedding; however, when his dead mother has other plans, his seemingly simple mission becomes a whole lot more complicated. Team: Taofia Pelesasa, Eliorah Malifa, Alana Hicks, Erin Foy, Nicole Coventry, Jessica Tuckwell, Tommy Misa. - _ **Warm Props** _ **(working title)** (WA): 8hr call, 40-degree heat, culturally clueless crews and locals who haven’t spoken to each other in decades. What could possibly go wrong with this casting call? Team: Jub Clerc, Jodie Bell. The Digital Originals initiative aims to develop exciting and innovative short-form drama projects to premiere as a single episode program on SBS On Demand and NITV, from screen creatives who are currently under-represented in the sector. This includes people who identify as culturally and linguistically diverse, First Nations Australians, people with disability, female and gender diverse, LGBTIQ+ and those who are located in regional and remote areas. Across an impressive slate of projects, including [_The Tailings_](https://www.sbs.com.au/ondemand/program/the-tailings)_,_ [_Iggy & Ace_](https://www.sbs.com.au/ondemand/program/iggy-and-ace)_,_ [_Homecoming Queens_](https://www.sbs.com.au/ondemand/program/homecoming-queens), and [_Robbie Hood_](https://www.sbs.com.au/ondemand/program/robbie-hood)_,_ Digital Originals continues to be a proven career pathway for creatives. Alumni includes Dylan River ([_Mystery Road: Origin_](https://www.screenaustralia.gov.au/the-screen-guide/t/Mystery-Road--Origin-2022/39451)), Corrie Chen ([_New Gold Mountain_](https://www.screenaustralia.gov.au/the-screen-guide/t/New-Gold-Mountain-2021/38272)), and Stevie Cruz-Martin who comes off the back of directing [_The Tailings_](https://www.screenaustralia.gov.au/the-screen-guide/t/The-Tailings-2021/36908) for SBS On Demand, to direct SBS and Screen Australia’s new drama series, [_Safe Home_](https://www.screenaustralia.gov.au/the-screen-guide/t/Safe-Home-2023/40315). The latest Digital Original project to air on SBS On Demand was [_Latecomers_](https://www.sbs.com.au/ondemand/tv-series/latecomers), which has been celebrated for its ground-breaking story and for giving voices to under-represented communities. ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [April 13, 2023, 10:28pm UTC](https://forums.mediaspy.org/t/screen-australia/21384/8 "2023-04-13T22:28:46Z")
### SEEING OURSELVES ON-SCREEN **SCREEN AUSTRALIA REPORT REVEALS PROGRESS FOR DIVERSITY IN AUSTRALIAN TV DRAMA** > Screen Australia has released new research into diversity on Australian screens, titled Seeing Ourselves 2: Diversity, Equity and Inclusion in Australian TV Drama. A follow up to the landmark 2016 study, Seeing Ourselves 2 examines the diversity of main characters in 361 scripted Australian TV and online dramas broadcast between 2016 and 2021, how this compares to the Australian population, and what has changed since the previous Seeing Ourselves report. > > The report shows that there have been increases in the levels of diversity since 2016 including higher representation for First Nations people (7.2% from 4.8%), disabled people (6.6% from 3.6%), LGBTIQ+ people (7.4% from 4.5%), and non-European people (16% from 6.9%). However, a number of Australia’s communities remain under-represented on-screen compared to population benchmarks and in particular disability representation remains critically low. > **[Seeing Ourselves on-screen: Screen Australia report reveals progress for...](https://www.screenaustralia.gov.au/sa/media-centre/news/2023/04-14-seeing-ourselves-diversity-in-australian-tv)** > > Screen Australia has released new research into diversity on Australian screens, titled Seeing Ourselves 2: Diversity, Equity and Inclusion in Australian TV Drama. [https://twitter.com/ScreenAustralia/status/1646696043801714693?s=20](https://twitter.com/ScreenAustralia/status/1646696043801714693?s=20) ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [May 3, 2023, 10:28pm UTC](https://forums.mediaspy.org/t/screen-australia/21384/9 "2023-05-03T22:28:56Z")
### MATILDAS’ FIGHT FOR EQUAL PAY, AMONG EIGHT DOCUMENTARIES RECEIVING SCREEN AUSTRALIA PRODUCTION FUNDING ![image](https://mediaspy-org-s3.s3.dualstack.ap-southeast-2.amazonaws.com/original/4X/3/1/4/314aa6a83d608e6ee855291bfc969b680b328cbb.jpeg) > Screen Australia has announced two documentaries funded through the Commissioned Program and six projects through the Producer Program that will share in over $2 million of production funding. > > The projects include _This Is Us_, about the gender equality success story of the Matildas football team, ABC’s _The Way We Wore_, exploring the history of the Australian fashion industry, _Ellis Park_ about Australian musician Warren Ellis and his wildlife sanctuary in Sumatra directed by Justin Kurzel and _Rewards for the Tribe_ which follows the collaboration between two acclaimed Australian contemporary dance companies. > > Screen Australia’s Head of Documentary **Alex West** said, “This new mix of projects will provide insights into aspects of Australia’s past as well as contemporary issues, highlighting relevant topics such as wildlife conservation, gender equality in sport and the public healthcare system. We are proud to support these documentaries and I’m confident they will strike a chord with local audiences and beyond.” ### **THE PROJECTS FUNDED THROUGH THE COMMISSIONED PROGRAM ARE:** > - _ **Life on the Hospital Frontline** _ **(working title)**: A 3 x 52-minute documentary series for SBS that explores the challenges faced by the Australian public health system by going behind the scenes at one of Australia’s busiest public hospitals – St Vincent’s in Sydney. _Life on the Hospital Frontline_ (working title) is series produced by Jo Siddiqui, written/directed by Anthony Barwell and executive produced by Dan Brown whose credits include [_What Does Australia Really Think About?_](https://www.screenaustralia.gov.au/the-screen-guide/t/what-does-australia-really-think-about----2021/38717?stxt=what%20does%20australia%20really%20think%20about) and [_Claremont: A Killer Among Us_](https://www.screenaustralia.gov.au/the-screen-guide/t/claremont--a-killer-among-us-2022/41005?stxt=claremont:%20a%20killer%20among%20us). The series is financed in association with SBS with support from Screenwest and Lotterywest. > > - _ **The Way We Wore** _: From Stranger Than Fiction and Wheels Rolling, this 3 x 60-minute series for the ABC is a definitive history of the Australian fashion industry. The series will unpack the cultural and historical significance of the Australian fashion industry and explore how the clothes we wear provide an unexpectedly intimate insight into the evolution of our country. Filled with archival material, gorgeous animation and interviews from the most highly regarded fashion faces in the country, _The Way We Wore_ will ask why fashion matters and what it says about who we are and where we are going. Writing, directing and producing is Nel Minchin whose credits include [_Firestarter: The Story of Bangarra_](https://www.screenaustralia.gov.au/the-screen-guide/t/firestarter---the-story-of-bangarra-2021/36786?stxt=firestarter:%20the%20story%20of%20bangarra) and [_Folau_](https://www.screenaustralia.gov.au/the-screen-guide/t/folau-2022/39884), with Mel Hayward ([_Hotel Coolgardie_](https://www.screenaustralia.gov.au/the-screen-guide/t/hotel-coolgardie-2016/35083)) also writing. Also producing is Jo-Anne McGowan ([_Mountain_](https://www.screenaustralia.gov.au/the-screen-guide/t/mountain-2017/33797?stxt=mountain)) and Sarah Noonan, with Jennifer Peedom ([_Mountain_](https://www.screenaustralia.gov.au/the-screen-guide/t/mountain-2017/33797?stxt=mountain)) attached as executive producer. ABC Commissioning Editor Kalita Corrigan. It is financed in association with the ABC with support from Screenwest and Lotterywest and Screen NSW. ### **THE PROJECTS FUNDED THROUGH THE PRODUCER PROGRAM ARE:** - _ **Aquarius** _: Coined the anti-Woodstock, the Nimbin Aquarius Festival in 1973 was a radical 10-day social experiment where idealists faced down police interference, internal chaos, drugs and personal dramas, highlighted in this 75-minute documentary. Through extensive collaboration and with hours of precious newly-uncovered footage, _Aquarius_ explores the Festival, its inception and its aftermath and examines the power one event has in continuing to shape history. It is written and directed by Wendy Champagne (_Taxi_) and directed by Oren Siedler ([_Bruce and Me_](https://www.screenaustralia.gov.au/the-screen-guide/t/bruce-and-me-2004/19395?stxt=bruce%20and%20me)). Sam Griffin ([_Going Country_](https://www.screenaustralia.gov.au/the-screen-guide/t/going-country-2021/39184?stxt=going%20country)) is producing, with Chris Hilton (_The GoBetweens: Right Here_), Rhoda Roberts AO ([_In the Gutter? No Way_](https://www.screenaustralia.gov.au/the-screen-guide/t/in-the-gutter--no-way-1991/2737?stxt=in%20the%20gutter)), Tom Zubrycki ([_Ablaze_](https://www.screenaustralia.gov.au/the-screen-guide/t/ablaze-2022/38245?stxt=ablaze)) and Paul Wiegard ([_River_](https://www.screenaustralia.gov.au/the-screen-guide/t/river-2022/37575?stxt=river)) attached as executive producers. It is financed with support from philanthropy via Documentary Australia and is distributed by Madman Entertainment. Developed with assistance of Screen NSW. - _ **Ellis Park** _: This feature documentary follows Australian musician Warren Ellis, member of rock groups Dirty Three and Nick Cave and the Bad Seeds. In the dark times of the COVID-19 pandemic, Ellis found his way to make a difference by helping create a wildlife sanctuary in Sumatra – giving life and dignity to animals rescued from human captivity. _Ellis Park_ is a documentary about hope, redemption and how even little efforts can make a big difference. Attached is writer/director Justin Kurzel (_[Nitram](https://www.screenaustralia.gov.au/the-screen-guide/t/nitram-2021/38629?stxt=nitram)_) and producers Nick Batzias ([_The Australian Dream_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-australian-dream-2019/37090?stxt=the%20australian%20dream)) and Charlotte Wheaton ([_Clean_](https://www.screenaustralia.gov.au/the-screen-guide/t/clean-2022/38223?stxt=clean)). _Ellis Park_ is financed in association with McCorkell Brown, with support from the Melbourne International Film Festival (MIFF) Premiere Fund. It is developed and produced in association with VicScreen. - _ **Never Get Busted!** _: This 4-part series tells the story of Barry Cooper, who was once a highly decorated narcotics officer in Texas. That is until he turned against the police force to expose crooked cops and corruption – becoming the law-evasion guru and drug reform activist he is known as today. This is the story of one man’s fight to turn the tide on the international War on Drugs, if he doesn’t get busted in the process. From Projector Films, _Never Get Busted!_ is created by David Ngo and Erin Williams-Weir, written by David Ngo and directed by Stephen McCallum (_Outlaws_). It is produced by Daniel Joyce ([_Martha: A Picture Story_](https://www.screenaustralia.gov.au/the-screen-guide/t/martha--a-picture-story-2019/37076?stxt=martha:%20a%20picture%20story)), Erin Williams-Weir and David Ngo. Chris Smith (_Tiger King: Murder, Mayhem and Madness_) and John Battsek (Academy Award-winning _One Day in September_) are attached as executive producers. It is financed with support from Library Films, Ventureland, Pinnacle Films, Sons Of Rigor, Mind The Gap and the South Australian Film Corporation. - _ **Rewards for the Tribe** _: A feature-length documentary following the collaboration between two acclaimed Australian contemporary dance companies, Chunky Move and Restless Dance Theatre. Using intimate personal reflections on dance and on the body, alongside choreographed dance sequences, _Rewards for the Tribe_ is an emotive, timely insight into the transcendence of dance, connection and collaboration. It is written and directed by Rhys Graham (_[Murundak: Songs of Freedom](https://www.screenaustralia.gov.au/the-screen-guide/t/murundak--songs-of-freedom-2011/25530?stxt=murundak%20%E2%80%93%20songs%20of%20freedom)_) with script collaborator and director mentee Jana Castillo. Attached as producers are Philippa Campey ([_Anonymous Club_](https://www.screenaustralia.gov.au/the-screen-guide/t/anonymous-club-2022/39350?stxt=anonymous%20club)) and Molly O’Connor ([_Running 62_](https://www.screenaustralia.gov.au/the-screen-guide/t/running-62-2018/37804?stxt=running%2062)), with associate producers Bus Stop Films. It is financed in association with the Adelaide Film Festival Investment Fund, with support from Chunky Move. Developed in association with VicScreen. - _ **This Is Us** _: This 30-minute documentary is the story of Australian Women’s Football’s transformational journey from striking for equal pay to co-hosting the biggest women’s football tournament on the planet. With a focus on Australia, co-hosts of the FIFA Women’s World Cup 2023, this documentary takes a deep-dive into how societal shifts have supported the long-overdue visibility and success of the team and the wave of change in women’s football currently sweeping the planet. Writing, directing and producing are Maggie Miles ([_Dare to be Different_](https://www.screenaustralia.gov.au/the-screen-guide/t/dare-to-be-different-2015/34537?stxt=dare%20to%20be%20different)) and Maggie Eudes, with Lucy Maclaren ([_Carbon: The Unauthorised Biography_](https://www.screenaustralia.gov.au/the-screen-guide/t/carbon--the-unauthorised-biography-2022/38838?stxt=carbon%20-%20the%20unauthorised%20biography)) also producing. _This is Us_ is financed in association with MECCA M-POWER and developed and produced in association with VicScreen. **It is set to stream on FIFA+ and FIFA’s YouTube Channel.** - _ **Welcome to Babel** _: A feature-length documentary about the life and work of Chinese-Australian artist Jiawei Shen and his new work – a parable of the history of the Communist movement in which famous characters, artworks, love stories and battles jostle for space in a painting the height of a three-story building. Jiawei and his artist wife Lan tell their life stories with passion and humour, from the tumult of Mao’s China, through their unlikely love story, to their new lives in Australia. Directing/producing is James Bradley ([_Ochre and Ink_](https://www.screenaustralia.gov.au/the-screen-guide/t/ochre-and-ink-2011/28285?stxt=ochre%20and%20ink)), with Graeme Isaac ([_Bran Nue Dae_](https://www.screenaustralia.gov.au/the-screen-guide/t/bran-nue-dae-2010/23843?stxt=bran%20nue%20dae)) and Carl-Ludwig Rettinger also producing and Andrew Myer ([_The Dry_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-dry-2020/36394)) attached as executive producer. _Welcome to Babel_ is financed in association with ZDF-Arte and Lichtblick Film, with support from Nirvana Films, Mayfan Films and philanthropy via Documentary Australia. ---
**Author:** ![JBar](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/jbar/32/151177_2.png) [@JBar](https://forums.mediaspy.org/u/JBar)\ **Post date:** [June 11, 2023, 8:15pm UTC](https://forums.mediaspy.org/t/screen-australia/21384/11 "2023-06-11T20:15:39Z")
> **[Screen Australia criticised for funding foreign broadcasters against own rules](https://www.smh.com.au/culture/tv-and-radio/screen-australia-criticised-for-funding-foreign-broadcasters-against-own-rules-20230609-p5dfen.html?btis)** > > A leading independent producer claims Screen Australia is incorrectly allowing BBC and NBC to apply for hotly contested public funding. ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [June 15, 2023, 7:05am UTC](https://forums.mediaspy.org/t/screen-australia/21384/12 "2023-06-15T07:05:56Z")
### SCREEN AUSTRALIA, VICSCREEN, SBS AND ARENAMEDIA ANNOUNCE ORIGINATE FEATURES RECIPIENTS ![Image](https://www.screenaustralia.gov.au/getmedia/2aae7e42-b260-489d-bd63-71594dd736d1/06-15-Originate-Features.jpg?width=746&height=497&ext=.jpg) Originate Features finalists. (L-R) Kalu Oji, Rosie Lourde, Hannah Ngo, Ivy Mutuku, Mimo Mukii, Katie Found, Adrian Chiarella and Harvey Zielinski.​ > Four feature films from VicScreen’s inaugural Originate Features initiative are set to be fully financed through a $2.8 million investment, delivered in partnership with Screen Australia, SBS and Arenamedia. > > Launched in 2021, Originate Features is designed to champion the work of emerging writers and directors who are from traditionally underrepresented backgrounds in the screen industry. > > The multi-stage initiative has quickly become the largest of its kind in Australia, unearthing an exceptional and wide range of homegrown talent. > > The development of each finalist’s project has been supported from early concept, to now, as they prepare to head into production and compete in the global marketplace. > > The successful teams and their projects are: > > - _Into the Blue_ by Writer/Director, Katie Found and Writer, Markella Kavenagh\*:\* Destined for the nursing home after a dementia diagnosis, 80-year-old Iris enlists the help of her teenage granddaughter Poppy to help her fake her own death. > - _Sweet Milk Lake_ by Writer/Director, Harvey Zielinski and Producer, Rosie Lourde\*:\* A softly spoken trans man who, after being mistaken for his alpha, cis twin brother by his estranged and dying dad, relishes the opportunity to be “one of the boys.” > - _Pasa Faho_ by Writer/Director, Kalu Oji and Producers, Mimo Mukii and Ivy Mutuku: Struggling shoe shop owner, Azubuike, attempts to reconnect with his 10-year-old son, Obinna. > - _Leviticu_ _s_ by Writer/Director, Adrian Chiarella and Producer, Hannah Ngo\*:\* Cursed by a supernatural being, two queer teenagers are forced to confront their desires. > > The investment will support two of the projects to head into production by June 2024, with the following two projects kickstarting production the following financial year. > > Participants have been mentored throughout the process by powerhouse industry figures, including Arenamedia producers Robert Connolly ([_The Dry_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-dry-2021/36394?stxt=the%20dry)) and Liz Kearney _(_ [_Blueback_](https://www.screenaustralia.gov.au/the-screen-guide/t/blueback-2023/38458?stxt=blueback)_)_, Head of Scripted at SBS, Julie Eckersley and Commissioning Editors of SBS Scripted, Loani Arman and Donna Chang. > > Screen Australia CEO, **Graeme Mason** said\*,\* “Screen Australia is incredibly proud to support the Originate Features program, which is generating a really important opportunity for these untapped filmmakers to share their unique stories on the world stage. We are proud to support the Australian talent discovered through this initiative – and we can’t wait to see what this group will bring to our screens.” > > Minister for Creative Industries **Steve Dimopoulous** said, “Through VicScreen’s targeted initiatives, we are providing a major career launchpad for new voices who will build their careers and help shape the future of our screen industry.” > > VicScreen CEO, **Caroline Pitcher** said, “Never before in Australia, have we seen an initiative champion bold new voices to this scale. This is a game changer for our filmmakers, one that sets a new precedent in how we can support untapped Australian talent.” > > **Robert Connolly** , Founder and Director of Arenamedia said, “Arenamedia is excited to be working with SBS and the team at VicScreen on this exciting initiative to bring new and diverse creative voices to our screen, championing filmmaking teams with a bold and adventurous approach to cinema and unique stories to tell.” > > Head of SBS Scripted, **Julie Eckersley** said, “Congratulations to these incredible creative teams! The projects being developed through Originate epitomise contemporary Australian storytelling and showcase the tidal wave of emerging talent in our sector who have historically been under-represented in the stories told on our screens. SBS is thrilled to be involved in the meaningful opportunity this initiative provides as part of our commitment to elevating new voices and supporting sustainable pathways that will lead to a more inclusive future for our sector.” > > Following the success of Originate Features, the initiative is now focusing on television, with today marking the launch of Originate Series – a new talent and skills development escalator for Victorian writers looking to propel their careers in television. > > Eight aspiring early-career to mid-career writers will be selected to undertake masterclasses and paid professional development opportunities, mentored by experienced TV series writers and producers. > > Participants will also complete a world-class eight-month television writing program delivered by the University of California (UCLA) School of Theatre, Film and Television’s Professional Programs. > > Throughout the program, participants will hone their craft, completing two original scripts and pitch materials. Towards the end of the initiative, all participants will be given the coveted opportunity to pitch their projects to Victorian producers and key market partners. > > Applications for Originate Series are now open to Victorian writers, with applications closing Tuesday 11 July. To apply or for more information, click [here](file:///C:/Users/mwalsh/AppData/Local/Microsoft/Windows/INetCache/Content.Outlook/B4Q5OK3X/vicscreen.vic.gov.au/funding/skills-development/). ---
**Author:** ![JohnsonTV](https://forums.mediaspy.org/letter_avatar_proxy/v4/letter/j/9dc877/32.png) [@JohnsonTV](https://forums.mediaspy.org/u/JohnsonTV)\ **Post date:** [June 20, 2023, 3:05am UTC](https://forums.mediaspy.org/t/screen-australia/21384/13 "2023-06-20T03:05:46Z")
### SCREEN AUSTRALIA AND NETWORK 10 ANNOUNCE PROJECTS FOR FIRST FACTS: FIRST NATIONS FACTUAL SHOWCASE ![06-19-First-Facts-1](https://mediaspy-org-s3.s3.dualstack.ap-southeast-2.amazonaws.com/original/4X/3/2/a/32adab22ad9cf8c094230b1cd26ae9bd7cad81a9.jpeg) > Screen Australia’s First Nations Department and Network 10 have selected eight projects for development as part of First Facts: First Nations Factual Showcase for First Nations documentary filmmakers. The initiative is aimed at providing First Nations emerging and mid-career filmmakers with opportunities to develop short documentaries to screen on 10 Play and Network 10’s social media channels. > > The First Facts recipients attended a workshop last week to develop their projects, which also included sessions with guest speakers including Rachel Perkins (Brand Nue Dae, The Australian Wars), Allan Clarke (The Bowraville Murders, The Dark Emu Story) and Narelda Jacobs, OAM, host of 10 News First Midday and Studio 10. Following the workshop each team will pitch their project to a panel of industry professionals. Six teams will then be selected to receive up to $70,000 of production funding to make their 10-minute documentary for Network 10. > > Screen Australia’s Head of First Nations Angela Bates said, “The First Facts initiative is a fantastic platform for First Nations creators to build their skills, showcase their distinctive voice as storytellers, as well as develop their careers and share their authentic Australian stories to Network 10’s audience. I’m excited to witness the breadth of talent in these teams and support them to make their documentary projects come to life.” > > Daniel Monaghan, Senior Vice President Content and Programming, Paramount Australia and New Zealand (ANZ), parent company for Network 10 said, “The projects selected are an incredible collection of unique and creative ideas that explore and amplify a broad range of perspectives and stories. Their vision and resonance are captivating, and we’re proud to be partnering in this initiative to bring compelling stories which will undoubtedly inspire and connect with audiences on 10 Play.” > > The projects funded for development are: > > - **Anangu Way:** Through his father teaching him how to make a woomera, a Noongar & Spinifex man reconnects with family and culture in Tjuntjuntjara, a remote community in the Great Victoria Desert. Team: Tace Stevens, Brooke Collard. > > - **Burabura:** A love letter to the Australian bush that captures the essence of its beauty and serenity in every frame, reminding us that sometimes, the greatest adventures are the ones that take us back to our roots. Team: Tyson Mowarin, Robyn Marais. > > - **Croker (working title):** Iwaidja is one of the world’s oldest languages, spoken by the Iwaidja of Croker Island. With about only 150 speakers left, time is running out to preserve the language. Team: Cian Mungatj McCue, Tommy Lawrence. > > - **Firekeepers “Flames of Renewal: Fighting for Cultural Survival”:** Against the backdrop of increasing wildfires and climate change, a First Nations community embarks on a journey to restore traditional cultural burning practices, fighting to preserve their ancestral knowledge and protect their land. Team: Jack Steele, Kieran Satour, Genevieve Grieves, Andrea Distefano. > > - **Joonba:** Songs gifted through dreams and maintained over generations inspire three young children to dance. Team: Marlikka Perdrisat, Damon Gameau, Anna Kaplan, Jayde Harding. > > - **Life After Footy:** From the mountain peak of professional Australian sport to the reality of life after, this documentary follows Indigenous dual premiership AFL player Lewis Jetta on what it’s like to ride the wave of professional sport and continue living life the best way he can. Team: Daniel Riches, Luke Riches. > > - **(Re)imagining Our Futures:** This documentary follows the journey of Nyikina & Jabirr Jabirr woman, Kalinda Palmer, guided by her Elders to dream up a future for herself, her son, family and community. Team: Kimberley Benjamin, Shari Hutchison. > > - **Star of Taroom:** This is a tale about the return of the Star of Taroom - a rock taken from Iman country 50 years ago. Told by an Iman elder lit by campfire light, this documentary portrays the importance of the stone and how its return is strangely healing a community haunted by a dark past. Team: Kat Dingwall, Dena Curtis. > > First Facts is supported by Screen NSW, Screen Queensland, Screen Tasmania, Screen Territory, Screenwest, the South Australian Film Corporation and VicScreen. > > The First Nations Department development funding blocklines are available [here](https://www.screenaustralia.gov.au/funding-and-support/first-nations/funding-approvals/2022-2023-development-funding). ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [July 2, 2023, 10:33pm UTC](https://forums.mediaspy.org/t/screen-australia/21384/14 "2023-07-02T22:33:11Z")
### SCREEN AUSTRALIA LAUNCHES OUR CINEMA CAMPAIGN [![](https://img.youtube.com/vi/rSVJ3DZVlOs/maxresdefault.jpg "Our Cinema (60sec TVC)") ](https://www.youtube.com/watch?v=rSVJ3DZVlOs) > Screen Australia has launched a new multi-media campaign to promote an impressive line-up of five new Australian feature films hitting our cinemas this July and August. The soon to be released titles are [_The New Boy_](https://www.flicks.com.au/movie/the-new-boy/)(6 July), [_Carmen_](https://www.madman.com.au/carmen/) (13 July), [_Talk to Me_](https://www.maslowentertainment.com/films/talk-to-me)(27 July), [_The Force of Nature: The Dry 2_](https://movies.roadshow.com.au/movies/15482) (24 August), and [_EGO:_ _The Michael Gudinski Story_](https://mushroomstudios.com/project/ego/) (31 August). > > The Our Cinema campaign is an impactful showcase of films for all Australians to rediscover the magic of the big screen by immersing ourselves in these diverse and homegrown stories. > > Highlighting the strength of our world-class screen industry, this diverse range of films is packed with outstanding performances and incredible cinematography. They will entertain, captivate and inspire audiences around the country. > > Screen Australia CEO **Graeme Mason** is delighted at this opportunity to showcase the abundance of strong local content: "This campaign is a great snapshot of the incredible talent, diversity, and appeal of Australian films. Our Cinema initiative is a unifying force that brings together the entire industry; from filmmakers, actors, and crew to the distributors, exhibitors and audiences – to celebrate and appreciate the magic of Australian cinema.” > > Featuring a mix of new and established talent, from [_The New Boy_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-new-boy-2023/40445?stxt=the%20new%20boy)_’s_ Aswan Reid who made his recent debut at the film’s premiere at the Cannes Film Festival, and rising star Sophie Wilde in [_Talk to Me_](https://www.screenaustralia.gov.au/the-screen-guide/t/talk-to-me-2023/38731?stxt=talk%20to%20me), to Hollywood heavy-weights Cate Blanchett and Eric Bana, not to mention the off-screen powerhouse creatives Warwick Thornton, Robert Connolly and breakout directing duo Danny and Michael Philippou (aka YouTube sensations The RackaRacka). > > Audiences will be thrilled by the dance, music and dramatic vision of Australian-French co-production [_Carmen_](https://www.screenaustralia.gov.au/the-screen-guide/t/carmen-2023/39360?stxt=carmen) from the producer of [_The Sapphires_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-sapphires-2012/21553?stxt=the%20sapphires) and [_Top End Wedding_](https://www.screenaustralia.gov.au/the-screen-guide/t/top-end-wedding-2019/36110?stxt=top%20end%20wedding); and following hot on the heels of the box office-record breaking [_John Farnham:_ _Finding the Voice_](https://www.screenaustralia.gov.au/the-screen-guide/t/john-farnham---finding-the-voice-2023/39685?stxt=john%20farnam) is another exciting Australian music feature documentary [_Ego: The Michael Gudinski Story_](https://www.screenaustralia.gov.au/the-screen-guide/t/ego--the-michael-gudinski-story-2023/40353?stxt=michael%20gudinski)_,_ which will take a rare look behind the curtain of a music empire and the artists who created much of the soundtrack of the nation. > > Following the success of Screen Australia’s 2021 [Our Summer of Cinema campaign](https://www.screenaustralia.gov.au/sa/media-centre/news/2020/12-17-screen-australia-celebrates-cinema), which resulted in Australian films taking the top three spots at the local box office in February 2021, **Graeme Mason** said, “It was a no brainer to harness this opportunity and promote another incredible line-up of Australian films. We want all Australians to get behind our extraordinary film industry and experience the cinematic journey these diverse films will take you on.” > > “Be moved; be afraid, be inspired by what you see on the big screen – we encourage everyone to visit their local cinema and celebrate this spectacular array of local films,” **Mason** said. > > The campaign is in collaboration between Screen Australia and distributors Roadshow Films, Madman Entertainment, Maslow Entertainment and Mushroom Pictures. Together they have created a suite of marketing assets for cinema, broadcast, digital and social media channels. The campaign will also be amplified by public relations and exhibition support – complementing the distributors’ existing marketing campaigns. **The release dates for the five films featured in the Our Cinema campaign and synopsis details:** ### _ **THE NEW BOY** _ Academy Award winner Cate Blanchett stars in this Cannes-selected drama from acclaimed Australian filmmaker Warwick Thornton (_Sweet Country_). Set in 1940s Australia, the film depicts the mesmeric story of a nine-year-old Aboriginal orphan boy who arrives in the dead of night at a remote monastery run by a renegade nun (Blanchett). The new boy’s presence disturbs the delicately balanced world in this story of spiritual struggle and the cost of survival. [https://www.flicks.com.au/movie/the-new-boy/](https://www.flicks.com.au/movie/the-new-boy/) ONLY IN CINEMAS JULY 6 ### _ **CARMEN** _ A one-of-a-kind cinematic vision. From the producer of _The Sapphires_ and _Top End Wedding_. _Carmen_ is a gritty modern-day tale with dream-like dance sequences that evoke magic realism. The story follows a young and fiercely independent woman who is forced to flee her home in the Mexican desert following the brutal murder of her mother. [Carmen - Own it on Disc & Digital](https://www.madman.com.au/carmen/) ONLY IN CINEMAS JULY 13 ### _ **TALK TO ME** _ When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and opens the door to the other world, forcing them to choose who to trust: the dead or the living. [Maslow Entertainment](https://www.maslowentertainment.com/films/talk-to-me) ONLY IN CINEMAS JULY 27 ### _ **FORCE OF NATURE: THE DRY 2** _ From the director of Australia’s smash hit _The Dry_. After receiving a distressing call from an informant, Federal Agents Aaron Falk and Carmen Cooper head deep into the Giralang Ranges to investigate the whereabouts of their corporate whistle-blower Alice after she mysteriously disappears on a company hiking retreat. [https://movies.roadshow.com.au/movies/15482](https://movies.roadshow.com.au/movies/15482) ONLY IN CINEMAS AUG 24 ### _ **EGO: THE MICHAEL GUDINSKI STORY** _ A rare insight into how hitmaker and trailblazer Michael Gudinski inspired the soundtrack of a nation and revolutionised the Australian music industry. We follow Gudinski’s relentless pursuit of success over five decades as he launches Mushroom Records and the careers of countless artists, promotes legendary international acts, and takes Australian music to the world [Ego: The Michael Gudinski Story - Mushroom Studios](https://mushroomstudios.com/project/ego/) ONLY IN CINEMAS AUG 31 ---
**Author:** ![JohnsonTV](https://forums.mediaspy.org/letter_avatar_proxy/v4/letter/j/9dc877/32.png) [@JohnsonTV](https://forums.mediaspy.org/u/JohnsonTV)\ **Post date:** [July 25, 2023, 3:23am UTC](https://forums.mediaspy.org/t/screen-australia/21384/15 "2023-07-25T03:23:57Z")
> **[Pallavi Sharda, Michael Ebeid appointed to Screen Australia board - IF Magazine](https://if.com.au/pallavi-sharda-michael-ebeid-appointed-to-screen-australia-board/)** > > The Federal Government has announced two new appointments to the Screen Australia board, with actress and writer Pallavi Sharda and former SBS CEO Michael Ebeid joining for three-year terms. > **[Screen Australia announces over $1 million in funding for seven online Aussie...](https://www.mediaweek.com.au/screen-australia-announces-over-1-million-in-funding-for-seven-online-aussie-projects/)** > > Screen Australia has announced seven online projects that will share in over $1 million of production funding. * * * [https://tvtonight.com.au/2023/07/screen-australia-announces-recipients-of-1-7m-industry-development-training.html](https://tvtonight.com.au/2023/07/screen-australia-announces-recipients-of-1-7m-industry-development-training.html) ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [August 1, 2023, 10:31pm UTC](https://forums.mediaspy.org/t/screen-australia/21384/16 "2023-08-01T22:31:48Z")
#### SCREEN AUSTRALIA ANNOUNCES OVER $2.2 MILLION FOR FIVE DOCUMENTARIES > Screen Australia has announced three documentaries funded through the Commissioned Program and two projects through the Producer Program that will share in over $2.2 million of production funding. > > The projects include _The Idea of Australia_, which explores the nation’s past and raises provocative questions about the future; _The C Word_ tackles how the conversation around climate change has shifted over the years; _The Last Goodbye_ (working title) is about the various ways our nation chooses to farewell and remember those that have passed; _Tony Armstrong’s Extra-Ordinary Things_ follows Armstrong on a mission to build his very own exhibition for the National Museum of Australia; and feature documentary _Mozart’s Sister_ is an investigation into the theory that Maria-Anna Mozart – Mozart’s sister, music partner and creative collaborator - was behind some of the classical works we know and love. > > Screen Australia’s Head of Documentary **Alex West** said, “I’m thrilled that Screen Australia has supported another strong mix of documentaries covering a variety of contemporary conversations steeped in history from Australia and across the globe. These talented teams are delivering high-quality projects that will engage audiences and provoke dialogue.” [Details](https://www.screenaustralia.gov.au/sa/media-centre/news/2023/08-02-two-million-for-five-documentaries?utm_source=email&utm_medium=media-release&utm_campaign=2023-08-02-two-million-for-five-documentaries) ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [August 16, 2023, 2:12am UTC](https://forums.mediaspy.org/t/screen-australia/21384/17 "2023-08-16T02:12:30Z")
### SCREEN AUSTRALIA ANNOUNCES OVER $1.2 MILLION OF STORY DEVELOPMENT FUNDING FOR 47 PROJECTS > Screen Australia has announced 29 feature films, 13 television dramas, four online projects and one VR project that will share in over $1.2 million of story development funding. The projects include _Forget Me Not_, the latest series from [_Class of ’07_](https://www.screenaustralia.gov.au/the-screen-guide/t/class-of-07-2022/37628?stxt=class%20of%20%2707) creator Kacie Anning; feature film _Koa Kid_ from writer/director Leah Purcell of [_The Drover’s Wife The Legend of Molly Johnson_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-drovers-wife-the-legend-of-molly-johnson-2022/34709?stxt=the%20drover%27s%20wife); VR project _The Place I Carry Within_; and online project _Adventuries of the Century_, the third instalment of the series from Dylan Murphy and Molly Daniels of [_Celebration Nation_](https://www.screenaustralia.gov.au/the-screen-guide/t/celebration-nation-2021/38995) and [_Wispy_](https://www.screenaustralia.gov.au/the-screen-guide/t/wispy-2023/40869). > > Included in this slate are 28 projects that have been supported through the Generate Fund and 19 through the Premium Fund. > > Screen Australia’s Head of Development **Bobby Romia** said, “It is an exciting time for filmmakers and storytellers in Australia and we are thrilled to be supporting so many exciting projects at the beginning of their journey. This latest cohort represents a vast selection of dynamic and diverse voices, which showcases the strength and capability of the talent in our screen industry.” > > Among the titles receiving funding are six projects that came through Screen Australia and Australians in Film’s Untapped initiative in 2022: _Baby Face_ (previously _The Kin_), _Custodians_, _Honeymoon_ (previously _Faye_), _Playtime_, _Revelations_ and _Unravel_. More information about these projects is [available here](https://www.screenaustralia.gov.au/sa/media-centre/news/2022/08-30-untapped-2022-participants-announced). The successful practitioners and projects for [Untapped 2023](https://www.screenaustralia.gov.au/sa/media-centre/news/2023/02-09-applications-open-for-untapped) will be announced in the coming months. > > This announcement includes the remainder of projects funded in the 2022/23 financial year during which Screen Australia supplied over $3.1 million of story development funding to 97 projects. ### THE PROJECTS FUNDED FOR DEVELOPMENT INCLUDE: - _ **Adventuries of the Century** _: Following on from the success of _Party of the Century_ and _Funeral of the Century_, this 42 x 1-minute online series continues the story of disaster-prone cousins Dylan and Molly who are regularly thrust into high-stakes escapades by their Grandma Catherine. In _Adventuries of the Century_, the cousins hurtle from a family reunion to a heist at the mayor’s house, are pitted against one another on trial and forced to bust out of a maximum prison, plan the greatest Christmas of all time and hopefully get married, although not to each other. The series is from writer/director/producer Molly Daniels ([_Celebration Nation_](https://www.screenaustralia.gov.au/the-screen-guide/t/celebration-nation-2021/38995), [_Wispy_](https://www.screenaustralia.gov.au/the-screen-guide/t/wispy-2023/40869)) and writer/producer Dylan Murphy (_Feedback_, _Super Birthday_). - _ **A Lonely Girl is a Dangerous Thing** _: A six-part drama series about Taiwanese-Australian woman and former child prodigy, Jena, who is re-entering the privileged world of classical musicianship after a lengthy period out of the spotlight. In doing so, she must grapple with understanding her identity and power, which has been tied to this world for as long as she can remember, and also those that put her in it. _A Lonely Girl is a Dangerous Thing_ is written by novelist and journalist Jessie Tu, with Morgan Hind ([_Thea Goes to Town_](https://www.screenaustralia.gov.au/the-screen-guide/t/thea-goes-to-town-2021/40193?stxt=thea%20goes%20to%20town)) producing and John Collee ([_Happy Feet_](https://www.screenaustralia.gov.au/the-screen-guide/t/happy-feet-2006/19900?stxt=happy%20feet)) attached as script editor. - _ **Ascent** _: Set on a remote mountain wall, this survival thriller feature film tracks a fearless free solo climber out on her most ambitious climb who must help a stranded amateur ascend to safety without ropes or equipment, all the while the natural elements and their own personal demons conspire to keep them from reaching the top. _Ascent_ is directed by Jennifer Peedom ([_Sherpa_](https://www.screenaustralia.gov.au/the-screen-guide/t/sherpa-2015/32136), [_River_](https://www.screenaustralia.gov.au/the-screen-guide/t/river-2021/37575)) and written by Becca Johnstone ([_Addition_](https://www.screenaustralia.gov.au/the-screen-guide/t/addition-2024/31197?stxt=addition)). Toby Nalbandian and Gregory Schmidt, (_Phyllis, Silenced_, _Turn Me On_), Timothy White (_I Am Mother_, [_The Furnace_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-furnace-2020/37363?stxt=the%20furnace)) and Zareh Nalbandian ([_Peter Rabbit_](https://www.screenaustralia.gov.au/the-screen-guide/t/peter-rabbit-2018/35374), [_Peter Rabbit 2_](https://www.screenaustralia.gov.au/the-screen-guide/t/peter-rabbit-2-2021/37111?stxt=peter%20rabbit)) are producing. - _ **EuroVisionary** _: This comedic coming-of-age drama feature film set in 1983 follows 10-year-old Julie Sumić who discovers the uniting power of the Eurovision Song Contest on a family trip to Yugoslavia. Upon her return to Australia, she introduces the contest to her town in the hopes to undo the damage caused to her family in the aftermath of the ‘Croatian Six’ terrorist scandal - Australia’s first convicted terrorists. EuroVisionary is written, directed and produced by Jeneffa Soldatić (_The Honey Makers_) and produced by Petra Lovrenčić ([_Halal Gurls_](https://www.screenaustralia.gov.au/the-screen-guide/t/halal-gurls-2019/38239)), and will be their first project for Sestra Films Pty Ltd. - _ **Forget Me Not** _: An eight-part comedy series about 27-year-old Sally who rose to fame as a child because of her parents’ notorious prank-filled online channel. As she reckons with her unwanted fame, an unforgivable stunt by her parents sets Sally on a crusade to wipe her own existence from the internet. Together with two other internet-famous-kids and a documentarian hoping to expose ‘sharenting’ culture, Sally will take on internet giants, trolls and hackers, but most importantly, her parents, in a bid to have her right to be forgotten granted. _Forget Me Not_ is from writer/director/producer Kacie Anning whose credits include [_The Other Guy_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-other-guy-series-1-2017/35746) and [_Class of ’07_](https://www.screenaustralia.gov.au/the-screen-guide/t/class-of-07-2022/37628?stxt=class%20of%20%2707). - _ **Good Eggs** _: This six-part comedic drama series follows a trio of women, Nicola, Sarah and Zoya, on their individual yet shared journey to parenthood. Nicola’s never been able to get the attention of men, Sarah’s completely over them and Zoya’s never been into them, and so they decide to try and raise their kids together. Forging their own paths, _Good Eggs_ sees Nicola, Sarah and Zoya build a new family paradigm – taking refuge from society’s expectations of ‘family’. The series is written by Melanie Tait, whose credits include [_The Appleton Ladies’ Potato Race_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-appleton-ladies-potato-race-2023/40744?stxt=the%20appleton%20ladies%27%20potato%20race), and produced by Cecilia Ritchie. - _ **House of Kwa** _: From Wooden Horse, _House of Kwa_ is an eight-part drama about the extraordinary true story of the Kwa family, spanning four generations and several decades, from 19th century China to wartime Hong Kong and modern Western Australia. When high-profile journalist Mimi Kwa’s father sues her over his beloved sister’s will, she faces a battle with the ghosts and misdeeds of her family’s dynastic past – exposing the cultural legacies that brought them head-to-head in an Australian courtroom. _House of Kwa_ is adapted for the screen from Mimi Kwa’s memoir of the same name by creator, writer and director Corrie Chen ([_Bad Behaviour_](https://www.screenaustralia.gov.au/the-screen-guide/t/bad-behaviour-2023/38804)) alongside collaborators Penelope Chai ([_Troppo_](https://www.screenaustralia.gov.au/the-screen-guide/t/troppo-series-1-2022/37538)), Niki Aken ([_Upright_ season 2](https://www.screenaustralia.gov.au/the-screen-guide/t/upright-series-2-2022/39545)), Liselle Mei ([_Love Opera_](https://www.screenaustralia.gov.au/the-screen-guide/t/love-opera-2019/38024)) and Kim Ho ([_The Newsreader_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-newsreader-series-2-2023/40440?stxt=the%20newsreader)). Producing is Jude Troy and Richard Finlayson (_The Clearing_, [_Mother & Son_](https://www.screenaustralia.gov.au/the-screen-guide/t/mother---son-2023/40658), [_The Cape_](https://www.screenaustralia.gov.au/the-screen-guide/t/revealed--the-cape-2022/40242)), who are also executive producing alongside Elizabeth Bradley and Corrie Chen. - _ **Koa Kid** _: An action-adventure family feature film following two pre-teen heroes. After heading back to her family’s traditional lands in outback Queensland, where the most extensive collection of dinosaur fossils are found, Gidgee forms an unlikely friendship with Tim before they are propelled into another world by ancient forces. Along the way, Gidgee and Tim are tested as they try to right their wrongs - learning they are capable of anything they put their minds and hearts to. _Koa Kid_ is from writer/director/producer Leah Purcell and producer Bain Stewart, whose credits include [_The Drover’s Wife The Legend of Molly Johnson_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-drovers-wife-the-legend-of-molly-johnson-2020/34709). - _ **The Last Days of Lee McQueen** _: From writer/director sibling duo Spencer and Lloyd Harvey ([_The Gift_](https://www.screenaustralia.gov.au/the-screen-guide/t/the-gift-2013/32431)), _The Last Days of Lee McQueen_ is a dramatic thriller feature film about the final days of celebrated fashion designer, Alexander McQueen. Focusing on the last six months of his life, the film follows McQueen as he tries to complete his last runway show, all while being haunted by something otherworldly – highlighting the story of a creative genius who had a lot of love to give, was loved by many in return and was lost far too soon. - _ **The Place I Carry Within** _: This 20-minute VR project asks audiences to follow Mina on her journey to preserve her most cherished childhood memories which, with the passage of time, have faded away - destined to vanish forever. With only one way to stop this from happening, audiences travel back in time with Mina, to the land she had to flee as a child, and accompany her as she relives her memories all over again to save them from disappearing. _The Place I Carry Within_ is from writer/director/producer Enoet Râz and writer/director Ahnat Râz. - _**Umuzimu (Spirit)**_: This magic realist dramatic feature film follows Mariam, a single mother and a newly arrived Zambian migrant to Melbourne. She’s preparing for the arrival of her only child, Joy, when tragedy strikes and she has to learn to parent from a distance. _Umuzimu (Spirit)_ is written and directed by Santilla Chingaipe ([_Our African Roots_](https://www.screenaustralia.gov.au/the-screen-guide/t/our-african-roots-2021/39260?stxt=our%20african%20roots)) and produced by Robert Connolly ([_Blueback_](https://www.screenaustralia.gov.au/the-screen-guide/t/blueback-2022/38458)). ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [August 16, 2023, 2:13am UTC](https://forums.mediaspy.org/t/screen-australia/21384/18 "2023-08-16T02:13:19Z")
These are the Television projects: # FUNDING APPROVALS 2022-2023 TELEVISION DEVELOPMENT ## PREMIUM **THIRTEEN DAYS 3 x 60 mins Curio Pictures Pty Ltd Genre** Drama, Thriller, Historical **Writer** Andrew Bovell **Executive Producers** Jo Porter, Rachel Gardner, Marian Macgowan, Andrew Bovell **Synopsis** The revisionist history of a forgotten woman at the forefront of our political landscape. **THE HOUSEMATE 6 x 60 mins Lingo Pictures Pty Ltd Genre** Thriller, Crime, Mystery **Writer** Liz Doran **Executive Producers** Helen Bowden, Jason Stephens **Synopsis** Three Melbourne housemates. One dead, one missing and one accused of murder. It’s a mystery that has baffled Australians, including investigative reporter Oli Groves, for nearly a decade… Until the missing housemate returns. Together with millennial podcaster Cooper Ng, Oli uncovers a dangerous web of secrets that threatens to engulf her personal life too. How far will she go before she loses herself – or endangers the ones she loves? **IMMERSION 8 x 60 mins I Am That Pty Limited Genre** Crime, Science fiction **Director** Garth Davis **Writer** Matt Vesely **Producer** Samantha Lang **Executive Producers** Garth Davis, Emile Sherman **Synopsis** When an investigation into his daughter’s illness leads to signs of a shadowy government Agency experimenting with the subconscious, a police detective becomes trapped in an immersive reality. **FORGET ME NOT 8 x 30 mins Kacie Anning Genre** Comedy **Writer/Director** Kacie Anning **Producer** Kacie Anning **Synopsis** Famous as a child for her parents’ notorious prank-filled online channel, Sally (27) is still reckoning with her unwanted fame when an unforgivable stunt by her parents sets Sally on a crusade to wipe her own existence from the internet. Together with two other internet-famous-kids and a documentarian hoping to expose ‘sharenting’ culture, Sally will take on internet giants, trolls and hackers, but most importantly, her parents, in a bid to have her Right to Be Forgotten granted. **HOUSE OF KWA 8 x 60 mins Wooden Horse Pty Ltd Genre** Drama **Creator** Corrie Chen **Writer/Director** Corrie Chen **Writers’ Room Collaborators** Penelope Chai, Niki Aken, Liselle Mei, Kim Ho **Producers** Jude Troy, Richard Finlayson **Executive Producers** Jude Troy, Richard Finlayson, Elizabeth Bradley, Corrie Chen **Synopsis** When high-profile journalist Mimi Kwa’s father sues her over his beloved sister’s will, she faces a battle with the ghosts and misdeeds of her family’s dynastic past. **UNSETTLED 8 x 60 mins Tilt Media & Entertainment Pty Ltd Genre** Family Drama, Mystery, Indigenous Realism **Creators** Nicole Sullivan, Melissa Lucashenko **Writers** Melissa Lucashenko, Stuart Page **Producer** Diane Robertson **Co-producer** Nicole Sullivan **Executive Producers** Chris Hilton, Rhoda Roberts, Simonne Overend **Synopsis** In an Australian seaside town newly arrived French teenager, Sasha, discovers the body of an Indigenous child which has been mysteriously preserved for 150 years forcing two prominent families to face unsettling secrets and triggers a battle over coveted ancestral land. **UNDERCURRENT 6 x 60 mins Sweet Shop Green Pty Ltd Genre** Drama, Thriller, Crime, Mystery **Creators** Rebecca Ingram, Stuart Page **Writers** Stuart Page, Rebecca Ingram, Jock Serong **Producer** Gal Greenspan **Executive Producers** Ayelet Waldman, Sharlene George **SSG Head of Scripted** Rachael Turk **Synopsis** When a mainland police officer is murdered on idyllic Norfolk Island, an islander finds herself caught between the fiercely independent community she loves, the much-maligned Island Administrator tasked with investigating the crime, and her own desperate need for a smoke. **MORTAL COIL 8 x 40 mins Magpie Pictures Pty Ltd Genre** Comedy, Drama **Creator** Roger Monk **Director** Christiaan Van Vuuren **Writers** Roger Monk, Christiaan Van Vuuren, Rebecca Ingram **Script Consultant** Belinda Chayko **Producers** Lois Randall, Roger Monk **Synopsis** When a thrill-seeking couple find an opportunity to pay their spiralling fertility debts by turning their tourist adventure business into a niche euthanasia service, they jump - literally. **END OF. Werner Film Productions Genre** Drama, Comedy **Director** Alethea Jones **Writer** Ash Flanders **Producer** Joanna Werner **Script Editor** Cléa Frost **Synopsis** After taking a job as a legal transcriptionist, a failing performer fights a losing battle with the transcript of his own life. **THE CAILLEACH Babadook Pty Ltd Genre** Horror **Director** Jennifer Kent **Writers** Jennifer Kent, Lynne Vincent McCarthy **Synopsis** In 1740’s rural Ireland, the already hard lives of an elder healer and her daughter are irrevocably changed when a terrifying host of creatures begin to feed on the broken souls of their poor and remote farming community. **COMBATOMS Big Serious Studios Pty Ltd Genre** Family, Sci-fi, Action adventure **Creator** Charlotte Rose Hamlyn **Director** David Peers **Writers** Charlotte Rose Hamlyn, John Armstrong **Producer** Katrina Peers **Synopsis** When a group of kids discover super powered creatures (Combatoms) in their small town, they must race to harness their amazing abilities before a ruthless corporation can exploit them to reshape the world. **THE SUBJUGATE Aquarius Films Genre** Thriller, Science fiction **Writer** Becca Johnstone **Producers** Angie Fielder, Polly Staniford **Synopsis** A near-future, dystopian, sci-fi crime thriller, where two homicide detectives hunt a serial killer in a small-town religious community that has been rehabilitating surgically reformed murderers. **HAVE I SAID TOO MUCH? Hardy White Pictures Pty Ltd Genre** Drama **Creator** Amy Molloy **Director** Erin White **Writers** Erin White, Michelle Hardy, Amy Molloy **Producer** Michelle Hardy **Executive Producers** Ian Collie, Rob Gibson **Synopsis** A window into life after oversharing, _Have I Said Too Much?_ is a half-hour drama series that follows UK journalist, Amy Murphy (25) as she rebuilds her life in Australia after her controversial memoir about being widowed at a young age makes headlines around the world for the unconventional way she tried to move on. Inspired by a true story, and the memoir _Wife, Interrupted_ by Amy Molloy. ## GENERATE **A LONELY GIRL IS A DANGEROUS THING 6 x 60 mins Thumper Pictures Pty Ltd Genre** Drama **Writer** Jessie Tu **Script Editor** John Collee **Producer** Morgan Hind **Synopsis** Jena is a Taiwanese-Australian woman and former child prodigy who is re-entering the white, male-dominated and privileged world of classical musicianship after a lengthy period out of the spotlight; in doing so she must grapple with her own understanding of her identity and power, which has been tied to this world and those that put her in it for as long as she can remember. **UNQUALIFIED 6 x 30 mins Catherine Moore Genre** Comedy **Director** Matthew Moore **Writers** Catherine Moore, Genevieve Hegney **Producers** Catherine Moore, Genevieve Hegney **Synopsis** The story of two women who are not just living a lie but lying for a living. Uptight, ambitious, Joanne Truebody and eternally optimistic, Felicity Bacon are over 45 and virtually skill-less. This odd couple team up to open a Temporary Employment Agency — but they’ll do ALL the jobs themselves. Jobs for which they are well and truly unqualified. Unqualified is for everyone who’s ever felt like an imposter in the workplace and anyone who actually is one. **GOOD EGGS 6 x 30 mins 3rd Gen Productions Pty Ltd Genre** Comedy, Drama **Writer** Melanie Tait **Producer** Cecilia Ritchie **Synopsis** Nicola is 39 and wants a family, Sarah is 40 and she’s losing her family, Zoya is 39 and she hasn’t got any family left. They haven’t seen the nuclear family work for anyone. Can a baby or two help these three friends make a family together? **MY SISTER ELLIE Jessie Mangum 6 x 60 mins Genre** Mystery Thriller **Director** Laura Scrivano **Writers** Samantha Collins, Laura Scrivano **Producer** Jessie Mangum **Synopsis** Jen and her husband Paul land in wintery London determined to find Jen’s sister Ellie, the surrogate carrying their child, who has fled Australia and vanished. Desperate, they discover Ellie has lied about her former life in London, fuelling their fears and triggering Jen’s memories of the childhood death of Ellie’s twin Marianne. As their search continues Jen discovers how deep the lies run – are those closest to her hiding a terrible secret? **HONEYMOON 8 x 30 mins Gina Song Genre** Comedy, Drama, Romance **Writers** Gina Song, Liên Ta **Synopsis** In a near future with increasing global warming and decreasing fertility rates, a romantic optimist, Thea Lim, joins ‘The Honeymoon’ – a program designed to pair young people with their potential life partners. Her happily-ever-after is complicated when she begins to fall in love with her matched partner’s cynical sister, Haru. **CUSTODIANS 8 x 30 mins Natasha Henry Genre** Comedy **Writer** Natasha Henry **Synopsis** A Pasifika creative lucks her way into a high stakes public relations role at a public art museum, just as the state government threatens to close it down. To keep her job and the museum open, she must singlehandedly transform their eccentric director into a woke media darling and push her moral and cultural compass to its limits. **DEBATABLE 8 x 30 mins Unless Pictures Pty Ltd Genre** Comedy, Drama, Young Adult **Writers** Jessica Tuckwell, Enoch Mailangi, Thomas Weatherall, Maddie Nixon **Development Producers** Sanja Simić, Diya Eid **Executive Producers** Meg O’Connell, Kurt Royan, Dan Lake **Synopsis** When a recently disgraced high-school debater is moved to a small coastal town to recover from unspeakable humiliation, rumours quickly follow and she must think, talk and act fast. Even if that means joining the new school’s motley debating team and learning to speak truth to power. **SUMMER OF EVIL Orange Entertainment Co Genre** Horror, Fantasy **Writer** Michael Hudson **Producers** Michael Hudson, Stephanie Westwood, Diya Eid **Synopsis** An unlikely gang of youths venture on a terrifying quest deep in the bush to save the adults of their small community from a supernatural threat that has enslaved them. On their journey they’ll also discover that the spooky Dreamtime stories they were told as kids aren’t just stories. **GORGEOUS Chips & Gravy Films Genre** Drama, Thriller **Writers** Alexandra Keddie, Gemma Bird Matheson **Producers** Alexandra Keddie, Gemma Bird Matheson **Script Consultant** Jane Allen **Story Consultant** Jada Alberts **Synopsis** Off the back of a career defining story, Journalist Charlotte Barber returns home to Launceston, Tasmania to make a podcast; a ‘then and now’ piece juxtaposing the current 2017 Marriage Equality vote with the unsolved murder of her girlfriend’s mother 20 years earlier when homosexuality was still criminalised. As she conducts her investigations, Charlotte’s personal connection to the story becomes intertwined with her own need to confront the shame she’s held around her sexuality. **JUST CHIDI THINGS Chika Ikogwe Genre** Comedy, Drama **Writer** Chika Ikogwe **Producers** Chika Ikogwe, Ana Tiwary **Executive Producer** Rose Byrne **Script Editor** Alexandra Cullen **Synopsis** After people pleasing Chidi is suspended from med school, she does whatever it takes to avoid disappointing her Nigerian parents. She thinks everything’s under control, but nosy Aunty Janice has other plans! **BHANG BHANG Every Cloud Productions 2 Pty Ltd Genre** Mystery, Dark Comedy, Crime, Magical Realism **Creator** Meleesha Bardolia **Writers** Meleesha Bardolia, Marieke Hardy, Hannah Samuel **Executive Producers** Mike Jones, Drew Grove **Synopsis** When an Indian-Australian detective, Celeste Pritchard, investigates a high-stakes Bollywood film crime plot at a luxurious Melbourne hotel, she is forced to confront a case she herself may have caused and is thrown into a colourful, dangerous and morally ambiguous new world. **PLACED Ambience Entertainment PTY Limited Genre** Drama **Director** Partho Sen-Gupta **Writers** Partho Sen-Gupta, Cathy Strickland **Producers** Monica O’Brien, Megan Hutt, Faith Martin **Synopsis** What happens when bureaucracy grates up against the complex realities of people’s lives. Through the eyes of a Case Worker, the series lifts the lid on the high stakes and emotionally charged world of foster care where the devastation of separation and the hope of reconciliation swing on a pendulum of entangled emotions. ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [August 16, 2023, 2:15am UTC](https://forums.mediaspy.org/t/screen-australia/21384/19 "2023-08-16T02:15:13Z")
Note that only four titles start with “The” 😉 ---
**Author:** ![JBar](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/jbar/32/151177_2.png) [@JBar](https://forums.mediaspy.org/u/JBar)\ **Post date:** [August 16, 2023, 4:26am UTC](https://forums.mediaspy.org/t/screen-australia/21384/20 "2023-08-16T04:26:55Z")
> [@TV.Cynic](#): > > Note that only four titles start with “The” Easily fixed by changing the titles to Subjugate and Cailleach. Neither need “The” in their title. I would suggest they find an alternative for The Housemate. There have been three series or movies made in the last five years (and an earlier one) all called The Housemate. Also, three series and three movies called Housemates in the last 15 years. ---
**Author:** ![TV.Cynic](https://forums.mediaspy.org/user_avatar/forums.mediaspy.org/tv.cynic/32/316932_2.png) [@TV.Cynic](https://forums.mediaspy.org/u/TV.Cynic)\ **Post date:** [September 7, 2023, 6:32am UTC](https://forums.mediaspy.org/t/screen-australia/21384/21 "2023-09-07T06:32:49Z")
### SCREEN AUSTRALIA ANNOUNCES APPLICATIONS ARE OPEN FOR TWO BELOW-THE-LINE PROGRAMS > Screen Australia is pleased to announce two programs for boosting below-the-line (BTL) capacity are now open for applications with revised guidelines: **BTL Next Step** (Stage One) to help mid-career practitioners to step into senior crew and leadership roles; and the **Skills Development Fund** (formerly the Production Crew Skills Training Fund) supporting screen businesses to provide work-based learning. > > Launched in April 2023, the first round of Industry Development initiatives has distributed over [$1.7 million to date](https://www.screenaustralia.gov.au/sa/media-centre/news/2023/07-27-industry-development-recipients), providing training and skills development for more than 350 people, with further recipients to be announced shortly. > > Screen Australia’s Head of Industry Development, **Ken Crouch** said, “These initiatives have had a great response from the sector. We’re thrilled we can help grow the capacity of the Australian screen workforce and that’s why we’ve reopened BTL Next Step and revamped the Skills Development Fund with revised guidelines. We want to make sure we’re meeting the needs of industry and addressing the skills shortages for below-the-line roles.” > > “These changes will provide additional placement and training opportunities. The improved application processes will encourage and support businesses to offer these critical pathways to emerging and mid-career practitioners. By delivering these programs with industry, we are working together to build capacity where it’s needed most,” **Crouch** continued. > > Notable changes outlined in the BTL Next Step and Skills Development Fund guidelines include: > > - increasing the number of funding rounds across all Industry Development programs — applications will now be assessed in three funding rounds in the 2023/24 financial year > - under BTL Next Step the number of identified roles has increased from four key roles to 10 positions > - renaming the Production Crew Training Skills Fund the ‘Skills Development Fund’ and broadening its scope to include game development studios — enabling eligible gamemakers to apply for opportunities. > > Applications are now open for Round 1 and close at 5pm AEST Thursday 26 October 2023. For more information see the guidelines [here](https://www.screenaustralia.gov.au/funding-and-support/industry-development/initiatives/skills-development-fund). [Next page](https://forums.mediaspy.org/t/screen-australia/21384.md?page=2)