Audience Reach, Ownership Control and Local Content

Legislation will be introduced to parliament this week to oblige streaming services to make Australian content.

The new laws will require streaming platforms such as Netflix, Disney+ and Amazon Prime Video to spend either 10 per cent of local expenditure, or 7.5 per cent of their Australian revenue, on locally made drama, documentary, arts, education and children’s programs.

The Labor Government will finally introduce an Australian content obligation on streaming services.

It is well less than the 20% which had been sought by industry players and more than a year later than it was due to commence.

3 Likes

10% is better than nothing. Australia should look at how dramas are made in Korea as a collaboration between streamers (Netflix / Disney+ ) and local networks.

1 Like

Like 9 & Stan, 10 & Paramount+ etc…

2 Likes

I think @JohnsonTV is suggesting that the government should consider reforms requiring streaming services like Prime Video, Netflix, and Disney+ to collaborate with local networks — Nine, Seven, 10, ABC, or SBS — to create genuinely Australian content. That way, the productions would truly meet the content quota, ensuring every series produced actually counts.

3 Likes

So how does this work for the likes of P+, Stan, and Hubbl, who all have a significant presence locally anyway?

Are we going to require Hubbl to produce non-sport content for Kayo despite easily meeting the local content requirement? Or are they able to rely on Foxtel’s output?

Hubbl? Don’t you mean Foxtel?

Well, isn’t Hubbl the provider and the streaming services are Binge and Kayo?

So Binge carries all the Foxtel programming but not sure they’re meeting the 10% already. If Kayo are showing mostly Australian sport then they are easily over 10%. They wouldn’t be asked to produce non-sport programs.

No, Hubbl

Depends how they count it - if just carrying Foxtel programming is enough, then would you just get a double dipping scenario. Studios creating content that goes on Netflix to count towards their quota, and then airs on an FTA channel to meet their Australian content quota.

Indeed they can probably get NZ On Air to help fund shows made in NZ to count towards the Australian content quotas to make it triple.

Low effort documentaries sounds like the place to be.

Sorry, Hubbl is an aggregator platform of multiple streaming services, albeit the Hubbl platform backbone is 100% Foxtel (DAZN) owned. Why is this being confused as being a standalone streamer when it is not? It’s end is nigh anyway, so why waste brain cells over it?

1 Like

Presence isn’t content. Two dodgy Stan dramas a year isn’t good enough nor should be celebrated as a big investment in local stories. I mean they couldn’t be less interested in their own drag race franchise.

All three produce local content if you include Sport. They’re also operated by companies that produce local content as well.

Instituting quotas doesn’t guarantee quality

No, Hubbl is also the company that owns and operates Kayo and Binge, as well as being the aggregation platform.

Because it actually makes a difference here - if Hubbl is deemed to be a standalone streamer, then the rules will apply. If they are allowed to be part of a broader Foxtel grouping, they may be able to rely on their output under the “New Eligible Drama Expenditure” program

One might question if putting cameras in front of a sports match counts on the same level as actually producing content like TV shows, documentaries, films, etc.

I don’t necessarily disagree, but it’s still local content

1 Like

Is all Foxtel anyway, StreamCo, DAZN, Kayo, Binge or whatever, can’t see the point here. Hubbl will get killed off anyway to avoid the new local content guidelines if they ever become law.

It doesn’t matter if Hubbl gets killed off or not. DAZN still have to do the same as every other streaming platform.

1 Like